<?xml version="1.0" encoding="ISO-8859-1"?><cms:container xmlns:cms="http://edoc.hu-berlin.de/diml/module/cms"><cms:document><cms:meta><cms:entry id="front" part="front" ref="front" type="front"/><cms:entry type="title">Nationale Identitäten in den westdeutschen und georgischen Autorenfilmen zwischen den 60er- und 80er-Jahren</cms:entry><cms:entry type="author">Dinara Maglakelidse</cms:entry><cms:entry id="chapter1" part="chapter1" ref="chapter1" type="chapter">1</cms:entry><cms:entry id="N1004D" part="chapter1" ref="N1004D" type="pagenumber">3</cms:entry><cms:entry id="N10052" part="chapter1" ref="N10052" type="section">1.1</cms:entry><cms:entry id="N1006B" part="chapter1" ref="N1006B" type="pagenumber">4</cms:entry><cms:entry id="N10084" part="chapter1" ref="N10084" type="pagenumber">5</cms:entry><cms:entry id="N1009D" part="chapter1" ref="N1009D" type="pagenumber">6</cms:entry><cms:entry id="N100AF" part="chapter1" ref="N100AF" type="section">1.2</cms:entry><cms:entry id="N100CA" part="chapter1" ref="N100CA" type="pagenumber">7</cms:entry><cms:entry id="N10112" part="chapter1" ref="N10112" type="pagenumber">8</cms:entry><cms:entry id="N10121" part="chapter1" ref="N10121" type="section">1.3</cms:entry><cms:entry id="N1012B" part="chapter1" ref="N1012B" type="pagenumber">9</cms:entry><cms:entry id="N101C0" part="chapter1" ref="N101C0" type="pagenumber">10</cms:entry><cms:entry id="N10216" part="chapter1" ref="N10216" type="pagenumber">11</cms:entry><cms:entry id="N10228" part="chapter1" ref="N10228" type="section">1.4</cms:entry><cms:entry id="N1025E" part="chapter1" ref="N1025E" type="pagenumber">12</cms:entry><cms:entry id="N10295" part="chapter1" ref="N10295" type="pagenumber">13</cms:entry><cms:entry id="N102D0" part="chapter1" ref="N102D0" type="pagenumber">14</cms:entry><cms:entry id="N102F6" part="chapter1" ref="N102F6" type="pagenumber">15</cms:entry><cms:entry id="N1033D" part="chapter1" ref="N1033D" type="pagenumber">16</cms:entry><cms:entry id="N10381" part="chapter1" ref="N10381" type="pagenumber">17</cms:entry><cms:entry id="N1039D" part="chapter1" ref="N1039D" type="section">1.5</cms:entry><cms:entry id="N103D3" part="chapter1" ref="N103D3" type="pagenumber">18</cms:entry><cms:entry id="N10422" part="chapter1" ref="N10422" type="pagenumber">19</cms:entry><cms:entry id="N1046B" part="chapter1" ref="N1046B" type="pagenumber">20</cms:entry><cms:entry id="N104A5" part="chapter1" ref="N104A5" type="pagenumber">21</cms:entry><cms:entry id="N104E9" part="chapter1" ref="N104E9" type="pagenumber">22</cms:entry><cms:entry id="N1052A" part="chapter1" ref="N1052A" type="pagenumber">23</cms:entry><cms:entry id="chapter2" part="chapter2" ref="chapter2" type="chapter">2</cms:entry><cms:entry id="N10551" part="chapter2" ref="N10551" type="pagenumber">24</cms:entry><cms:entry id="N10556" part="chapter2" ref="N10556" type="section">2.1</cms:entry><cms:entry id="N105B4" part="chapter2" ref="N105B4" type="pagenumber">25</cms:entry><cms:entry id="N105DE" part="chapter2" ref="N105DE" type="pagenumber">26</cms:entry><cms:entry id="N105E7" part="chapter2" ref="N105E7" type="section">2.2</cms:entry><cms:entry id="N10628" part="chapter2" ref="N10628" type="pagenumber">27</cms:entry><cms:entry id="N10671" part="chapter2" ref="N10671" type="pagenumber">28</cms:entry><cms:entry id="N106B6" part="chapter2" ref="N106B6" type="pagenumber">29</cms:entry><cms:entry id="N106EC" part="chapter2" ref="N106EC" type="pagenumber">30</cms:entry><cms:entry id="N10717" part="chapter2" ref="N10717" type="section">2.3</cms:entry><cms:entry id="N10733" part="chapter2" ref="N10733" type="pagenumber">31</cms:entry><cms:entry id="N10776" part="chapter2" ref="N10776" type="pagenumber">32</cms:entry><cms:entry id="N107A9" part="chapter2" ref="N107A9" type="pagenumber">33</cms:entry><cms:entry id="N107B9" part="chapter2" ref="N107B9" type="section">2.4</cms:entry><cms:entry id="N107CC" part="chapter2" ref="N107CC" type="pagenumber">34</cms:entry><cms:entry id="N107E8" part="chapter2" ref="N107E8" type="pagenumber">35</cms:entry><cms:entry id="N1080B" part="chapter2" ref="N1080B" type="pagenumber">36</cms:entry><cms:entry id="N10822" part="chapter2" ref="N10822" type="pagenumber">37</cms:entry><cms:entry id="N1083E" part="chapter2" ref="N1083E" type="pagenumber">38</cms:entry><cms:entry id="N10864" part="chapter2" ref="N10864" type="pagenumber">39</cms:entry><cms:entry id="chapter3" part="chapter3" ref="chapter3" type="chapter">3</cms:entry><cms:entry id="N10888" part="chapter3" ref="N10888" type="pagenumber">40</cms:entry><cms:entry id="N1088D" part="chapter3" ref="N1088D" type="section">3.1</cms:entry><cms:entry id="N108B0" part="chapter3" ref="N108B0" type="pagenumber">41</cms:entry><cms:entry id="N108C5" part="chapter3" ref="N108C5" type="section">3.2</cms:entry><cms:entry id="N108CF" part="chapter3" ref="N108CF" type="pagenumber">42</cms:entry><cms:entry id="N10906" part="chapter3" ref="N10906" type="pagenumber">43</cms:entry><cms:entry id="N10974" part="chapter3" ref="N10974" type="pagenumber">44</cms:entry><cms:entry id="N109DE" part="chapter3" ref="N109DE" type="pagenumber">45</cms:entry><cms:entry id="N10A1F" part="chapter3" ref="N10A1F" type="pagenumber">46</cms:entry><cms:entry id="N10A2F" part="chapter3" ref="N10A2F" type="section">3.3</cms:entry><cms:entry id="N10A5F" part="chapter3" ref="N10A5F" type="pagenumber">47</cms:entry><cms:entry id="N10A9B" part="chapter3" ref="N10A9B" type="pagenumber">48</cms:entry><cms:entry id="N10AD1" part="chapter3" ref="N10AD1" type="pagenumber">49</cms:entry><cms:entry id="chapter4" part="chapter4" ref="chapter4" type="chapter">4</cms:entry><cms:entry id="N10B34" part="chapter4" ref="N10B34" type="pagenumber">50</cms:entry><cms:entry id="N10B39" part="chapter4" ref="N10B39" type="section">4.1</cms:entry><cms:entry id="N10B59" part="chapter4" ref="N10B59" type="pagenumber">51</cms:entry><cms:entry id="N10B9E" part="chapter4" ref="N10B9E" type="pagenumber">52</cms:entry><cms:entry id="N10BEA" part="chapter4" ref="N10BEA" type="pagenumber">53</cms:entry><cms:entry id="N10C2A" part="chapter4" ref="N10C2A" type="pagenumber">54</cms:entry><cms:entry id="N10C32" part="chapter4" ref="N10C32" type="subsection">4.1.1</cms:entry><cms:entry id="N10C72" part="chapter4" ref="N10C72" type="pagenumber">55</cms:entry><cms:entry id="N10CB4" part="chapter4" ref="N10CB4" type="pagenumber">56</cms:entry><cms:entry id="N10CE2" part="chapter4" ref="N10CE2" type="pagenumber">57</cms:entry><cms:entry id="N10D22" part="chapter4" ref="N10D22" type="pagenumber">58</cms:entry><cms:entry id="N10D49" part="chapter4" ref="N10D49" type="pagenumber">59</cms:entry><cms:entry id="N10D87" part="chapter4" ref="N10D87" type="pagenumber">60</cms:entry><cms:entry id="N10DB2" part="chapter4" ref="N10DB2" type="pagenumber">61</cms:entry><cms:entry id="N10DFE" part="chapter4" ref="N10DFE" type="pagenumber">62</cms:entry><cms:entry id="N10E4B" part="chapter4" ref="N10E4B" type="pagenumber">63</cms:entry><cms:entry id="N10E88" part="chapter4" ref="N10E88" type="pagenumber">64</cms:entry><cms:entry id="N10ED9" part="chapter4" ref="N10ED9" type="pagenumber">65</cms:entry><cms:entry id="N10F24" part="chapter4" ref="N10F24" type="pagenumber">66</cms:entry><cms:entry id="N10F5C" part="chapter4" ref="N10F5C" type="pagenumber">67</cms:entry><cms:entry id="N10F84" part="chapter4" ref="N10F84" type="pagenumber">68</cms:entry><cms:entry id="N10FB1" part="chapter4" ref="N10FB1" type="pagenumber">69</cms:entry><cms:entry id="N11001" part="chapter4" ref="N11001" type="pagenumber">70</cms:entry><cms:entry id="N11007" part="chapter4" ref="N11007" type="subsection">4.1.2</cms:entry><cms:entry id="N11030" part="chapter4" ref="N11030" type="pagenumber">71</cms:entry><cms:entry id="N11069" part="chapter4" ref="N11069" type="pagenumber">72</cms:entry><cms:entry id="N11096" part="chapter4" ref="N11096" type="pagenumber">73</cms:entry><cms:entry id="N110C7" part="chapter4" ref="N110C7" type="pagenumber">74</cms:entry><cms:entry id="N11103" part="chapter4" ref="N11103" type="pagenumber">75</cms:entry><cms:entry id="N1112E" part="chapter4" ref="N1112E" type="pagenumber">76</cms:entry><cms:entry id="N11166" part="chapter4" ref="N11166" type="pagenumber">77</cms:entry><cms:entry id="N1119B" part="chapter4" ref="N1119B" type="pagenumber">78</cms:entry><cms:entry id="N111A1" part="chapter4" ref="N111A1" type="subsection">4.1.3</cms:entry><cms:entry id="N111D7" part="chapter4" ref="N111D7" type="pagenumber">79</cms:entry><cms:entry id="N1120A" part="chapter4" ref="N1120A" type="pagenumber">80</cms:entry><cms:entry id="N11253" part="chapter4" ref="N11253" type="pagenumber">81</cms:entry><cms:entry id="N11295" part="chapter4" ref="N11295" type="pagenumber">82</cms:entry><cms:entry id="N112B4" part="chapter4" ref="N112B4" type="pagenumber">83</cms:entry><cms:entry id="N112BA" part="chapter4" ref="N112BA" type="subsection">4.1.4</cms:entry><cms:entry id="N1130C" part="chapter4" ref="N1130C" type="pagenumber">84</cms:entry><cms:entry id="N11336" part="chapter4" ref="N11336" type="pagenumber">85</cms:entry><cms:entry id="N11376" part="chapter4" ref="N11376" type="pagenumber">86</cms:entry><cms:entry id="N11399" part="chapter4" ref="N11399" type="pagenumber">87</cms:entry><cms:entry id="N113BF" part="chapter4" ref="N113BF" type="subsection">4.1.5</cms:entry><cms:entry id="N113C6" part="chapter4" ref="N113C6" type="pagenumber">88</cms:entry><cms:entry id="N1142E" part="chapter4" ref="N1142E" type="pagenumber">89</cms:entry><cms:entry id="N1147D" part="chapter4" ref="N1147D" type="pagenumber">90</cms:entry><cms:entry id="N11497" part="chapter4" ref="N11497" type="pagenumber">91</cms:entry><cms:entry id="N114CA" part="chapter4" ref="N114CA" type="pagenumber">92</cms:entry><cms:entry id="N114F9" part="chapter4" ref="N114F9" type="pagenumber">93</cms:entry><cms:entry id="N11541" part="chapter4" ref="N11541" type="subsection">4.1.6</cms:entry><cms:entry id="N11545" part="chapter4" ref="N11545" type="pagenumber">94</cms:entry><cms:entry id="N1158D" part="chapter4" ref="N1158D" type="pagenumber">95</cms:entry><cms:entry id="N115D8" part="chapter4" ref="N115D8" type="pagenumber">96</cms:entry><cms:entry id="N11617" part="chapter4" ref="N11617" type="pagenumber">97</cms:entry><cms:entry id="N11648" part="chapter4" ref="N11648" type="pagenumber">98</cms:entry><cms:entry id="N1167E" part="chapter4" ref="N1167E" type="pagenumber">99</cms:entry><cms:entry id="N116A6" part="chapter4" ref="N116A6" type="pagenumber">100</cms:entry><cms:entry id="N11700" part="chapter4" ref="N11700" type="pagenumber">101</cms:entry><cms:entry id="N11731" part="chapter4" ref="N11731" type="pagenumber">102</cms:entry><cms:entry id="N11777" part="chapter4" ref="N11777" type="pagenumber">103</cms:entry><cms:entry id="N117BD" part="chapter4" ref="N117BD" type="pagenumber">104</cms:entry><cms:entry id="N117E2" part="chapter4" ref="N117E2" type="pagenumber">105</cms:entry><cms:entry id="N11848" part="chapter4" ref="N11848" type="pagenumber">106</cms:entry><cms:entry id="N1186D" part="chapter4" ref="N1186D" type="subsection">4.1.7</cms:entry><cms:entry id="N11874" part="chapter4" ref="N11874" type="pagenumber">107</cms:entry><cms:entry id="N118B8" part="chapter4" ref="N118B8" type="pagenumber">108</cms:entry><cms:entry id="N118E7" part="chapter4" ref="N118E7" type="pagenumber">109</cms:entry><cms:entry id="N11900" part="chapter4" ref="N11900" type="pagenumber">110</cms:entry><cms:entry id="N11916" part="chapter4" ref="N11916" type="section">4.2</cms:entry><cms:entry id="N11932" part="chapter4" ref="N11932" type="pagenumber">111</cms:entry><cms:entry id="N1197D" part="chapter4" ref="N1197D" type="pagenumber">112</cms:entry><cms:entry id="N119C6" part="chapter4" ref="N119C6" type="pagenumber">113</cms:entry><cms:entry id="N119EC" part="chapter4" ref="N119EC" type="subsection">4.2.1</cms:entry><cms:entry id="N119F1" part="chapter4" ref="N119F1" type="block">4.2.1.1</cms:entry><cms:entry id="N11A0D" part="chapter4" ref="N11A0D" type="pagenumber">114</cms:entry><cms:entry id="N11A4A" part="chapter4" ref="N11A4A" type="pagenumber">115</cms:entry><cms:entry id="N11A6F" part="chapter4" ref="N11A6F" type="pagenumber">116</cms:entry><cms:entry id="N11AA6" part="chapter4" ref="N11AA6" type="pagenumber">117</cms:entry><cms:entry id="N11AC2" part="chapter4" ref="N11AC2" type="pagenumber">118</cms:entry><cms:entry id="N11AE6" part="chapter4" ref="N11AE6" type="pagenumber">119</cms:entry><cms:entry id="N11B12" part="chapter4" ref="N11B12" type="pagenumber">120</cms:entry><cms:entry id="N11B2B" part="chapter4" ref="N11B2B" type="pagenumber">121</cms:entry><cms:entry id="N11B48" part="chapter4" ref="N11B48" type="block">4.2.1.2</cms:entry><cms:entry id="N11B76" part="chapter4" ref="N11B76" type="pagenumber">122</cms:entry><cms:entry id="N11BA3" part="chapter4" ref="N11BA3" type="pagenumber">123</cms:entry><cms:entry id="N11BC1" part="chapter4" ref="N11BC1" type="pagenumber">124</cms:entry><cms:entry id="N11BE1" part="chapter4" ref="N11BE1" type="pagenumber">125</cms:entry><cms:entry id="N11C1B" part="chapter4" ref="N11C1B" type="pagenumber">126</cms:entry><cms:entry id="N11C46" part="chapter4" ref="N11C46" type="pagenumber">127</cms:entry><cms:entry id="N11C7F" part="chapter4" ref="N11C7F" type="pagenumber">128</cms:entry><cms:entry id="N11C95" part="chapter4" ref="N11C95" type="pagenumber">129</cms:entry><cms:entry id="N11CA1" part="chapter4" ref="N11CA1" type="block">4.2.1.3</cms:entry><cms:entry id="N11CB7" part="chapter4" ref="N11CB7" type="pagenumber">130</cms:entry><cms:entry id="N11CDC" part="chapter4" ref="N11CDC" type="pagenumber">131</cms:entry><cms:entry id="N11CFB" part="chapter4" ref="N11CFB" type="pagenumber">132</cms:entry><cms:entry id="N11D25" part="chapter4" ref="N11D25" type="pagenumber">133</cms:entry><cms:entry id="N11D53" part="chapter4" ref="N11D53" type="pagenumber">134</cms:entry><cms:entry id="N11D76" part="chapter4" ref="N11D76" type="pagenumber">135</cms:entry><cms:entry id="N11D92" part="chapter4" ref="N11D92" type="pagenumber">136</cms:entry><cms:entry id="N11DC0" part="chapter4" ref="N11DC0" type="pagenumber">137</cms:entry><cms:entry id="N11DFC" part="chapter4" ref="N11DFC" type="pagenumber">138</cms:entry><cms:entry id="N11E26" part="chapter4" ref="N11E26" type="pagenumber">139</cms:entry><cms:entry id="N11E5C" part="chapter4" ref="N11E5C" type="pagenumber">140</cms:entry><cms:entry id="N11E81" part="chapter4" ref="N11E81" type="pagenumber">141</cms:entry><cms:entry id="N11EB3" part="chapter4" ref="N11EB3" type="pagenumber">142</cms:entry><cms:entry id="N11ED9" part="chapter4" ref="N11ED9" type="pagenumber">143</cms:entry><cms:entry id="N11F19" part="chapter4" ref="N11F19" type="pagenumber">144</cms:entry><cms:entry id="N11F51" part="chapter4" ref="N11F51" type="pagenumber">145</cms:entry><cms:entry id="N11F85" part="chapter4" ref="N11F85" type="block">4.2.1.4</cms:entry><cms:entry id="N11F97" part="chapter4" ref="N11F97" type="pagenumber">146</cms:entry><cms:entry id="N11FBC" part="chapter4" ref="N11FBC" type="pagenumber">147</cms:entry><cms:entry id="N11FDE" part="chapter4" ref="N11FDE" type="pagenumber">148</cms:entry><cms:entry id="N11FFD" part="chapter4" ref="N11FFD" type="pagenumber">149</cms:entry><cms:entry id="N12027" part="chapter4" ref="N12027" type="pagenumber">150</cms:entry><cms:entry id="N12051" part="chapter4" ref="N12051" type="pagenumber">151</cms:entry><cms:entry id="N12092" part="chapter4" ref="N12092" type="pagenumber">152</cms:entry><cms:entry id="N120B9" part="chapter4" ref="N120B9" type="pagenumber">153</cms:entry><cms:entry id="N120D8" part="chapter4" ref="N120D8" type="pagenumber">154</cms:entry><cms:entry id="N12103" part="chapter4" ref="N12103" type="pagenumber">155</cms:entry><cms:entry id="N12128" part="chapter4" ref="N12128" type="pagenumber">156</cms:entry><cms:entry id="N12153" part="chapter4" ref="N12153" type="pagenumber">157</cms:entry><cms:entry id="N1218C" part="chapter4" ref="N1218C" type="pagenumber">158</cms:entry><cms:entry id="N121BE" part="chapter4" ref="N121BE" type="block">4.2.1.5</cms:entry><cms:entry id="N121C2" part="chapter4" ref="N121C2" type="pagenumber">159</cms:entry><cms:entry id="N121F3" part="chapter4" ref="N121F3" type="pagenumber">160</cms:entry><cms:entry id="N1220F" part="chapter4" ref="N1220F" type="pagenumber">161</cms:entry><cms:entry id="N1226F" part="chapter4" ref="N1226F" type="pagenumber">162</cms:entry><cms:entry id="N122C0" part="chapter4" ref="N122C0" type="pagenumber">163</cms:entry><cms:entry id="N122E9" part="chapter4" ref="N122E9" type="pagenumber">164</cms:entry><cms:entry id="N12309" part="chapter4" ref="N12309" type="subsection">4.2.2</cms:entry><cms:entry id="N1232B" part="chapter4" ref="N1232B" type="pagenumber">165</cms:entry><cms:entry id="N1236A" part="chapter4" ref="N1236A" type="pagenumber">166</cms:entry><cms:entry id="N123A4" part="chapter4" ref="N123A4" type="pagenumber">167</cms:entry><cms:entry id="N123B6" part="chapter4" ref="N123B6" type="pagenumber">168</cms:entry><cms:entry id="N123D3" part="chapter4" ref="N123D3" type="pagenumber">169</cms:entry><cms:entry id="N123FE" part="chapter4" ref="N123FE" type="pagenumber">170</cms:entry><cms:entry id="N12424" part="chapter4" ref="N12424" type="pagenumber">171</cms:entry><cms:entry id="N1243D" part="chapter4" ref="N1243D" type="pagenumber">172</cms:entry><cms:entry id="N1245C" part="chapter4" ref="N1245C" type="pagenumber">173</cms:entry><cms:entry id="N1246C" part="chapter4" ref="N1246C" type="pagenumber">174</cms:entry><cms:entry id="N1248D" part="chapter4" ref="N1248D" type="pagenumber">175</cms:entry><cms:entry id="N124A0" part="chapter4" ref="N124A0" type="pagenumber">176</cms:entry><cms:entry id="N124C5" part="chapter4" ref="N124C5" type="pagenumber">177</cms:entry><cms:entry id="N124ED" part="chapter4" ref="N124ED" type="pagenumber">178</cms:entry><cms:entry id="N1250D" part="chapter4" ref="N1250D" type="pagenumber">179</cms:entry><cms:entry id="N1252A" part="chapter4" ref="N1252A" type="pagenumber">180</cms:entry><cms:entry id="N1253A" part="chapter4" ref="N1253A" type="pagenumber">181</cms:entry><cms:entry id="N1256C" part="chapter4" ref="N1256C" type="pagenumber">182</cms:entry><cms:entry id="N1257E" part="chapter4" ref="N1257E" type="subsection">4.2.3</cms:entry><cms:entry id="N12591" part="chapter4" ref="N12591" type="pagenumber">183</cms:entry><cms:entry id="N125BB" part="chapter4" ref="N125BB" type="pagenumber">184</cms:entry><cms:entry id="N125DE" part="chapter4" ref="N125DE" type="pagenumber">185</cms:entry><cms:entry id="N12607" part="chapter4" ref="N12607" type="pagenumber">186</cms:entry><cms:entry id="N1261D" part="chapter4" ref="N1261D" type="pagenumber">187</cms:entry><cms:entry id="N12643" part="chapter4" ref="N12643" type="pagenumber">188</cms:entry><cms:entry id="N1265D" part="chapter4" ref="N1265D" type="pagenumber">189</cms:entry><cms:entry id="N1267F" part="chapter4" ref="N1267F" type="pagenumber">190</cms:entry><cms:entry id="N126C4" part="chapter4" ref="N126C4" type="pagenumber">191</cms:entry><cms:entry id="N126EB" part="chapter4" ref="N126EB" type="pagenumber">192</cms:entry><cms:entry id="N126FE" part="chapter4" ref="N126FE" type="pagenumber">193</cms:entry><cms:entry id="N12730" part="chapter4" ref="N12730" type="pagenumber">194</cms:entry><cms:entry id="N12746" part="chapter4" ref="N12746" type="pagenumber">195</cms:entry><cms:entry id="N12769" part="chapter4" ref="N12769" type="pagenumber">196</cms:entry><cms:entry id="N12779" part="chapter4" ref="N12779" type="subsection">4.2.4</cms:entry><cms:entry id="N1278C" part="chapter4" ref="N1278C" type="pagenumber">197</cms:entry><cms:entry id="N127B8" part="chapter4" ref="N127B8" type="pagenumber">198</cms:entry><cms:entry id="N127D9" part="chapter4" ref="N127D9" type="pagenumber">199</cms:entry><cms:entry id="N127EC" part="chapter4" ref="N127EC" type="pagenumber">200</cms:entry><cms:entry id="N1281A" part="chapter4" ref="N1281A" type="pagenumber">201</cms:entry><cms:entry id="N12846" part="chapter4" ref="N12846" type="pagenumber">202</cms:entry><cms:entry id="N12859" part="chapter4" ref="N12859" type="pagenumber">203</cms:entry><cms:entry id="chapter5" part="chapter5" ref="chapter5" type="chapter">5</cms:entry><cms:entry id="N12872" part="chapter5" ref="N12872" type="pagenumber">204</cms:entry><cms:entry id="N12877" part="chapter5" ref="N12877" type="section">5.1</cms:entry><cms:entry id="Tatsache" part="chapter5" ref="Tatsache" type="link"/><cms:entry id="denke" part="chapter5" ref="denke" type="link"/><cms:entry id="N12896" part="chapter5" ref="N12896" type="pagenumber">205</cms:entry><cms:entry id="N128B5" part="chapter5" ref="N128B5" type="pagenumber">206</cms:entry><cms:entry id="N128BF" part="chapter5" ref="N128BF" type="pagenumber">207</cms:entry><cms:entry id="N128DA" part="chapter5" ref="N128DA" type="pagenumber">208</cms:entry><cms:entry id="N128EA" part="chapter5" ref="N128EA" type="pagenumber">209</cms:entry><cms:entry id="N128FA" part="chapter5" ref="N128FA" type="pagenumber">210</cms:entry><cms:entry id="Kindheitserlebnisse" part="chapter5" ref="Kindheitserlebnisse" type="link"/><cms:entry id="N12915" part="chapter5" ref="N12915" type="pagenumber">211</cms:entry><cms:entry id="N12920" part="chapter5" ref="N12920" type="pagenumber">212</cms:entry><cms:entry id="N12936" part="chapter5" ref="N12936" type="pagenumber">213</cms:entry><cms:entry id="N12959" part="chapter5" ref="N12959" type="pagenumber">214</cms:entry><cms:entry id="N12972" part="chapter5" ref="N12972" type="pagenumber">215</cms:entry><cms:entry id="N12989" part="chapter5" ref="N12989" type="pagenumber">216</cms:entry><cms:entry id="N129AA" part="chapter5" ref="N129AA" type="pagenumber">217</cms:entry><cms:entry id="N129BD" part="chapter5" ref="N129BD" type="pagenumber">218</cms:entry><cms:entry id="N129D5" part="chapter5" ref="N129D5" type="pagenumber">219</cms:entry><cms:entry id="N129FF" part="chapter5" ref="N129FF" type="pagenumber">220</cms:entry><cms:entry id="N12A0A" part="chapter5" ref="N12A0A" type="section">5.2</cms:entry><cms:entry id="N12A0E" part="chapter5" ref="N12A0E" type="pagenumber">221</cms:entry><cms:entry id="N12A35" part="chapter5" ref="N12A35" type="pagenumber">222</cms:entry><cms:entry id="N12A57" part="chapter5" ref="N12A57" type="pagenumber">223</cms:entry><cms:entry id="N12A95" part="chapter5" ref="N12A95" type="pagenumber">224</cms:entry><cms:entry id="N12AB1" part="chapter5" ref="N12AB1" type="pagenumber">225</cms:entry><cms:entry id="Wahlverwandtschaften" part="chapter5" ref="Wahlverwandtschaften" type="link"/><cms:entry id="N12AD5" part="chapter5" ref="N12AD5" type="pagenumber">226</cms:entry><cms:entry id="N12AED" part="chapter5" ref="N12AED" type="pagenumber">227</cms:entry><cms:entry id="N12B15" part="chapter5" ref="N12B15" type="pagenumber">228</cms:entry><cms:entry id="N12B3F" part="chapter5" ref="N12B3F" type="pagenumber">229</cms:entry><cms:entry id="N12B58" part="chapter5" ref="N12B58" type="pagenumber">230</cms:entry><cms:entry id="N12B79" part="chapter5" ref="N12B79" type="pagenumber">231</cms:entry><cms:entry id="N12BA2" part="chapter5" ref="N12BA2" type="pagenumber">232</cms:entry><cms:entry id="N12BAE" part="chapter5" ref="N12BAE" type="section">5.3</cms:entry><cms:entry id="N12BB2" part="chapter5" ref="N12BB2" type="pagenumber">233</cms:entry><cms:entry id="N12BCB" part="chapter5" ref="N12BCB" type="pagenumber">234</cms:entry><cms:entry id="N12BE4" part="chapter5" ref="N12BE4" type="pagenumber">235</cms:entry><cms:entry id="N12C09" part="chapter5" ref="N12C09" type="pagenumber">236</cms:entry><cms:entry id="N12C2B" part="chapter5" ref="N12C2B" type="pagenumber">237</cms:entry><cms:entry id="N12C53" part="chapter5" ref="N12C53" type="pagenumber">238</cms:entry><cms:entry id="N12C74" part="chapter5" ref="N12C74" type="pagenumber">239</cms:entry><cms:entry id="N12C8F" part="chapter5" ref="N12C8F" type="section">5.4</cms:entry><cms:entry id="N12C93" part="chapter5" ref="N12C93" type="pagenumber">240</cms:entry><cms:entry id="N12CBE" part="chapter5" ref="N12CBE" type="pagenumber">241</cms:entry><cms:entry id="N12CE8" part="chapter5" ref="N12CE8" type="pagenumber">242</cms:entry><cms:entry id="N12D05" part="chapter5" ref="N12D05" type="pagenumber">243</cms:entry><cms:entry id="N12D2C" part="chapter5" ref="N12D2C" type="pagenumber">244</cms:entry><cms:entry id="N12D4E" part="chapter5" ref="N12D4E" type="pagenumber">245</cms:entry><cms:entry id="N12D74" part="chapter5" ref="N12D74" type="pagenumber">246</cms:entry><cms:entry id="N12D7A" part="chapter5" ref="N12D7A" type="section">5.5</cms:entry><cms:entry id="N12D7E" part="chapter5" ref="N12D7E" type="pagenumber">247</cms:entry><cms:entry id="N12D94" part="chapter5" ref="N12D94" type="pagenumber">248</cms:entry><cms:entry id="N12DB9" part="chapter5" ref="N12DB9" type="pagenumber">249</cms:entry><cms:entry id="N12DE4" part="chapter5" ref="N12DE4" type="pagenumber">250</cms:entry><cms:entry id="N12E06" part="chapter5" ref="N12E06" type="pagenumber">251</cms:entry><cms:entry id="N12E26" part="chapter5" ref="N12E26" type="section">5.6</cms:entry><cms:entry id="N12E2A" part="chapter5" ref="N12E2A" type="pagenumber">252</cms:entry><cms:entry id="N12E53" part="chapter5" ref="N12E53" type="pagenumber">253</cms:entry><cms:entry id="N12E76" part="chapter5" ref="N12E76" type="pagenumber">254</cms:entry><cms:entry id="N12EA9" part="chapter5" ref="N12EA9" type="pagenumber">255</cms:entry><cms:entry id="N12ED4" part="chapter5" ref="N12ED4" type="pagenumber">256</cms:entry><cms:entry id="N12EDA" part="chapter5" ref="N12EDA" type="section">5.7</cms:entry><cms:entry id="N12EDE" part="chapter5" ref="N12EDE" type="pagenumber">257</cms:entry><cms:entry id="N12F03" part="chapter5" ref="N12F03" type="pagenumber">258</cms:entry><cms:entry id="N12F31" part="chapter5" ref="N12F31" type="pagenumber">259</cms:entry><cms:entry id="Mich" part="chapter5" ref="Mich" type="link"/><cms:entry id="N12F63" part="chapter5" ref="N12F63" type="pagenumber">260</cms:entry><cms:entry id="Protagonisten" part="chapter5" ref="Protagonisten" type="link"/><cms:entry id="N12F9D" part="chapter5" ref="N12F9D" type="pagenumber">261</cms:entry><cms:entry id="Generation" part="chapter5" ref="Generation" type="link"/><cms:entry id="N12FB9" part="chapter5" ref="N12FB9" type="pagenumber">262</cms:entry><cms:entry id="N12FD1" part="chapter5" ref="N12FD1" type="section">5.8</cms:entry><cms:entry id="N12FD5" part="chapter5" ref="N12FD5" type="pagenumber">263</cms:entry><cms:entry id="Häftlinge" part="chapter5" ref="Häftlinge" type="link"/><cms:entry id="N13003" part="chapter5" ref="N13003" type="pagenumber">264</cms:entry><cms:entry id="N1302C" part="chapter5" ref="N1302C" type="pagenumber">265</cms:entry><cms:entry id="N13048" part="chapter5" ref="N13048" type="pagenumber">266</cms:entry><cms:entry id="N13073" part="chapter5" ref="N13073" type="pagenumber">267</cms:entry><cms:entry id="N13092" part="chapter5" ref="N13092" type="pagenumber">268</cms:entry><cms:entry id="N130AB" part="chapter5" ref="N130AB" type="pagenumber">269</cms:entry><cms:entry id="N130D5" part="chapter5" ref="N130D5" type="pagenumber">270</cms:entry><cms:entry id="N130FD" part="chapter5" ref="N130FD" type="pagenumber">271</cms:entry><cms:entry id="N1312D" part="chapter5" ref="N1312D" type="pagenumber">272</cms:entry><cms:entry id="chapter6" part="chapter6" ref="chapter6" type="chapter">6</cms:entry><cms:entry id="N13156" part="chapter6" ref="N13156" type="pagenumber">273</cms:entry><cms:entry id="N13172" part="chapter6" ref="N13172" type="pagenumber">274</cms:entry><cms:entry id="N131B1" part="chapter6" ref="N131B1" type="pagenumber">275</cms:entry><cms:entry id="N131E0" part="chapter6" ref="N131E0" type="pagenumber">276</cms:entry><cms:entry id="N131EE" part="chapter6" ref="N131EE" type="section">6.1</cms:entry><cms:entry id="N13210" part="chapter6" ref="N13210" type="pagenumber">277</cms:entry><cms:entry id="N13289" part="chapter6" ref="N13289" type="pagenumber">278</cms:entry><cms:entry id="N132DA" part="chapter6" ref="N132DA" type="pagenumber">279</cms:entry><cms:entry id="N13307" part="chapter6" ref="N13307" type="pagenumber">280</cms:entry><cms:entry id="N13347" part="chapter6" ref="N13347" type="pagenumber">281</cms:entry><cms:entry id="N13352" part="chapter6" ref="N13352" type="section">6.2</cms:entry><cms:entry id="N1336B" part="chapter6" ref="N1336B" type="pagenumber">282</cms:entry><cms:entry id="N133AD" part="chapter6" ref="N133AD" type="pagenumber">283</cms:entry><cms:entry id="N133E1" part="chapter6" ref="N133E1" type="pagenumber">284</cms:entry><cms:entry id="N13415" part="chapter6" ref="N13415" type="pagenumber">285</cms:entry><cms:entry id="N1341E" part="chapter6" ref="N1341E" type="section">6.3</cms:entry><cms:entry id="N1342E" part="chapter6" ref="N1342E" type="pagenumber">286</cms:entry><cms:entry id="N13464" part="chapter6" ref="N13464" type="pagenumber">287</cms:entry><cms:entry id="N134C8" part="chapter6" ref="N134C8" type="pagenumber">288</cms:entry><cms:entry id="N134DE" part="chapter6" ref="N134DE" type="section">6.4</cms:entry><cms:entry id="N13506" part="chapter6" ref="N13506" type="pagenumber">289</cms:entry><cms:entry id="chapter7" part="chapter7" ref="chapter7" type="chapter">7</cms:entry><cms:entry id="N1353B" part="chapter7" ref="N1353B" type="pagenumber">290</cms:entry><cms:entry id="N13540" part="chapter7" ref="N13540" type="section">7.1</cms:entry><cms:entry id="N1357F" part="chapter7" ref="N1357F" type="pagenumber">291</cms:entry><cms:entry id="N135B0" part="chapter7" ref="N135B0" type="pagenumber">292</cms:entry><cms:entry id="N135EC" part="chapter7" ref="N135EC" type="pagenumber">293</cms:entry><cms:entry id="N1362B" part="chapter7" ref="N1362B" type="pagenumber">294</cms:entry><cms:entry id="N1366D" part="chapter7" ref="N1366D" type="pagenumber">295</cms:entry><cms:entry id="N136A8" part="chapter7" ref="N136A8" type="pagenumber">296</cms:entry><cms:entry id="N136BB" part="chapter7" ref="N136BB" type="section">7.2</cms:entry><cms:entry id="N136ED" part="chapter7" ref="N136ED" type="pagenumber">297</cms:entry><cms:entry id="N13746" part="chapter7" ref="N13746" type="pagenumber">298</cms:entry><cms:entry id="N13792" part="chapter7" ref="N13792" type="pagenumber">299</cms:entry><cms:entry id="N137EC" part="chapter7" ref="N137EC" type="pagenumber">300</cms:entry><cms:entry id="N13830" part="chapter7" ref="N13830" type="pagenumber">301</cms:entry><cms:entry id="N13880" part="chapter7" ref="N13880" type="pagenumber">302</cms:entry><cms:entry ref="N138A5" type="bibliography">
				Literaturverzeichnis</cms:entry><cms:entry ref="N138A9" type="pagenumber">303</cms:entry><cms:entry ref="N13A03" type="pagenumber">304</cms:entry><cms:entry ref="N13B53" type="pagenumber">305</cms:entry><cms:entry ref="N13CD7" type="pagenumber">306</cms:entry><cms:entry ref="N13E46" type="pagenumber">307</cms:entry><cms:entry ref="N13FD1" type="pagenumber">308</cms:entry><cms:entry ref="N141A8" type="pagenumber">309</cms:entry><cms:entry type=":lang">de</cms:entry><cms:entry id=":contents" part="front" ref=":contents" type=":contents">Inhaltsverzeichnis</cms:entry><cms:entry type=":help"><url href="http://...">Hilfe</url></cms:entry></cms:meta><cms:content><bibliography id="N138A5">
			<head>
				<pagenumber id="N138A9" label="303" numbering="arabic" start="303"/>Literaturverzeichnis</head>
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				<workauthor>Amiredjibi, Natia</workauthor>: <worktitle>Von Cinemathogrsph bis zum Kinematograph</worktitle>
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         <publisher>Verlag Ganatleba</publisher>, <address>Tbilisi</address>
				<pubdate>1990</pubdate>
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				<workauthor>Bakradse, Akaki</workauthor>: <worktitle>Kino-Zheater</worktitle>
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         <publisher>Verlag Chelownaba</publisher>, <address>Tbilisi</address>
				<pubdate>1989</pubdate>
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				<editor>Bänsch, Dieter (Hg): </editor>
				<worktitle>Die 50er- Jahre &#8211; Beiträge zu Politik und Kultur</worktitle>
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         <publisher>Günter Narr Verlag</publisher>
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				<pubdate>1985 </pubdate>
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				<workauthor>Baumeister, Hans Peter</workauthor>: <worktitle>Kunst als Protest und Wiederstand &#8211; Untersuchungen zum Kunstbegriff bei Peter Weiss und Alexander Kluge</worktitle>
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         <publisher>Peter Lang Verlag</publisher>, <address>Frankfurt a. M.</address>
				<pubdate>1985</pubdate>
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			<citation published="yes" workType="Book">
				<editor>Berg, Jan (Hg.):</editor>
				<worktitle>Am Ende der Rolle, Disskusionen über den Autorenfilm, </worktitle>
				<serialtitle>Schriften der Friedrich</serialtitle>
				<serialtitle>Wilhelm Murnau Gesellschaft</serialtitle>, <volume>Band 2</volume>
				<publisher>, Schüren Presseverlag</publisher>, <address>Marburg</address>
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				<workauthor>Besser, Ursula</workauthor>: <worktitle>Nachkriegszeit und die 50er- Jahre auf Zelluloid, Trümmer und Träume, </worktitle>
				<publisher>Dr.</publisher>
				<publisher>Brockmeier Verlag</publisher>, <address>Bochum </address>
				<pubdate>1989 </pubdate>
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				<workauthor>Bliersbach, Gerhard</workauthor>: <worktitle>So grün war die Heide, Der neue Nachkriegsfilm in neuer Sicht, </worktitle>
				<publisher>Bertz Verlag</publisher>, <address>Weinheim und Basel</address>
				<pubdate>1985</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Blumenberg, Hans C</workauthor>.: <worktitle>Kinozeit &#8211; Aufsätze und kritiken zum modernen Film 1976-1980, </worktitle>
				<publisher>Fischer Taschenbuch Verlag</publisher>, <address>Frankfurt a. M</address>. <pubdate>1980 </pubdate>
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				<editor>Brändli, Sabina / Ruggle, Walter (Hg.):</editor>
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				<publisher>Mars Müller Verlag</publisher>, <address>Baden</address>
				<pubdate>1990</pubdate>
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				<editor>Bredow von, Wilfried / Rolf Zurck (Hg.):</editor>
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				<publisher>Hoffmann und Campe Verlag</publisher>, <address>Hamburg </address>
				<pubdate>1975 </pubdate>
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				<editor>Bock, Hans Michael / Jacobsen Wolfgang (Hg.):</editor>
				<worktitle>Recharche Film, Quellen und Methode der Filmforschung, </worktitle>
				<serialtitle>Ein CineGraph Buch</serialtitle>, <publisher>edition text+kritik</publisher>, <address>München</address>
				<pubdate>1997</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Bronner, Barbara/ Brocher, Corinna</workauthor>: <worktitle>Die Filmemacher. Zur neuen deutschen Produktion nach Oberhausen, </worktitle>
				<publisher>C. Bertelsmann Verlag</publisher>, <address>München</address>
				<pubdate>1973 </pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Buschka, Peter</workauthor>: <worktitle>Augen kann man nicht kaufen &#8211; Wim Wenders und seine Filme, </worktitle>
				<publisher>Fischer Verlag</publisher>, <address>Frankfurt a. M.</address>
				<pubdate>1985</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Castells, Manuell</workauthor>: <worktitle>Das Informationszeitalter, Die Natzgesellschaft, </worktitle>
				<publisher>eske + budrich</publisher>, <address>Opladen</address>
				<pubdate>2001</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Elsaesser, Thomas</workauthor>: <worktitle>Der Neue Deutsche Film von den Anfängen bis zu den Neunziger Jahre, </worktitle>
				<publisher>Wilhelm Heyne Verlag</publisher>, <address>München</address>
				<pubdate>1994</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Elsaesser, Thomas</workauthor>: <worktitle>Rainer Werner Fassbinder, </worktitle>
				<publisher>Bertz Verlag</publisher>, <address>Berlin </address>
				<pubdate>2001</pubdate>
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			<citation published="yes" workType="Book">
				<pagenumber id="N13A03" label="304" numbering="arabic" start="304"/>
				<editor>Engel, Christine (Hg.):</editor>
				<worktitle>Geschichte des sowjetischen und russischen Films</worktitle>
				<publisher>, J. B. Metzler Verlag</publisher>, <address>Stuttgart - Weimar</address>
				<pubdate>1999 </pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Fischer, Robert / Hambus Joe</workauthor>: <worktitle>Der Neue Deutsche Film 1960-1980</worktitle>, <publisher>Goldmann Verlag</publisher>, <address>München</address>
				<pubdate>1981 </pubdate>
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				<workauthor>Fischetti, Renate</workauthor>: <worktitle>Das neue Kino, acht Porträts von deutschen Regisseurunnen, </worktitle>
				<publisher>Dülman Verlag</publisher>, <address>Tenda </address>
				<pubdate>1992</pubdate>
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				<workauthor>Gregor, Ulrich</workauthor>: <worktitle>Geschichte des Films ab 1962, </worktitle>
				<publisher>Bertelsmann Verlag</publisher>, <address>Münche</address>n <pubdate>1978</pubdate>
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				<workauthor>Gregor, Ulrich, Patalas Enno</workauthor>: <worktitle>Geschichte des Films, </worktitle>
				<publisher>Sigbert Mohn Verlag</publisher>, <address>Gütersloh </address>
				<pubdate>1962 </pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Gregor, Ulrich / Patalas Enno</workauthor>: <worktitle>Geschichte des modernen Films, </worktitle>
				<publisher>Sigbart Mohn Verlag,</publisher>
				<address>Gütersloh</address>
				<pubdate>1965</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Hambus, Joe, mit einem Beitrag von Laurens Straub</workauthor>: <worktitle>Der deutsche Film kann gar nicht besser sein &#8211; Ein Pamphlet von Gestern, Eine Abrechnung von heute, </worktitle>
				<publisher>Rogner &amp; Bernhard Verlag</publisher>, <address>München</address>
				<pubdate>1981</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Hauser, Johannes</workauthor>: <worktitle>Neuaufbau des westdeutschen Filmwirtschaft 1945-1955 und der Einfluss der US-Amerikanische Filmpolitik, </worktitle>
				<publisher>Centaurus Verlagsgesellschaft, </publisher>
				<address>Pfaffenweiler</address>
				<pubdate>1989 </pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Hermand, Jost</workauthor>: <worktitle>Kultur im Wiederaufbau, Die bundesrepublik Deutschland 1945-1965, </worktitle>
				<publisher>Nymphenburger Verlag</publisher>, <address>München</address>
				<pubdate>1986</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Hoffmann, Hilmar / Schobert Walter</workauthor> (Hg): <worktitle>Abschied von Gestern, </worktitle>
				<serialtitle>Schriftreihe des Deutschen</serialtitle>
				<serialtitle>Filmmuseums,</serialtitle>
				<address>Frankfurt a. M.</address>
				<pubdate>1991</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Jacobsen, Wolfgang / Grob, Norbert / Kaes, Anton / Prinzler, Hans Helmut</workauthor>: <worktitle>Geschichte des deutschen Films, </worktitle>
				<publisher>J. B. Metzler Verlag</publisher>, <address>Weimar</address>
				<pubdate>1993</pubdate>
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			<citation published="yes" workType="Book">
				<editor>Jansen, Peter W. / Schütte Wolfram (Hg.):</editor>
				<worktitle>Herzog, Kluge, Straub,</worktitle>
				<serialtitle>Reihe Film 9,</serialtitle>
				<publisher>Carl Hanser Verlag</publisher>, <address>München Wien</address>
				<pubdate>1976</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<editor>Jansen Peter W. / Schütte Wolfram (Hg.):</editor>
				<worktitle>Werner Herzog,</worktitle>
				<serialtitle>Reihe Film 22</serialtitle> , <publisher>Carl Hanser Verlag</publisher>, <address>München Wien</address>
				<pubdate>1979</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<editor>Jansen Peter W. /Schütte Wolfram (Hg.):</editor>
				<worktitle>Wim Wenders,</worktitle>
				<serialtitle>Reihe Film 44</serialtitle>, <publisher>Carl Hanser Verlag</publisher>, <address>München Wien</address>
				<pubdate>1992</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Jary, Michaela</workauthor>: <worktitle>Traumfabrik made in Germany, Die Geschichte des deutschen Nachkriegsfilms 1945-1960, </worktitle>
				<publisher>Edition q Verlag</publisher>, <address>Berlin</address>
				<pubdate>1993</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Jückel, Michael / Jochen, Peter</workauthor>: <worktitle>Culturell Studies aus kommunikationswissenschaftlicher Perspektive &#8211; Grundlegen und grundlegende Probleme, </worktitle>
				<serialtitle>Rundfunk und Fernsehen. 45,</serialtitle>
				<pubdate>1997/</pubdate>
				<number>1</number>
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			<citation published="yes" workType="Book">
				<pagenumber id="N13B53" label="305" numbering="arabic" start="305"/>
				<workauthor>Kaes, Anton</workauthor>: <worktitle>Deutschlandsbilder &#8211; Die Wiederkehr der Geschichte als Film, </worktitle>
				<publisher>edition text + kritik,</publisher>
				<address>München</address>
				<pubdate>1987</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Knight, Julia</workauthor>: <worktitle>Frauen und der Neue Deutsche Film, </worktitle>
				<serialtitle>Schriften zum Film, Aufblende - Band 8,</serialtitle>
				<worktitle>(</worktitle>Hg): <workauthor>Heller, Heinz &#8211;B./ Hickethier, Knut</workauthor>, <address>Hitzeroth </address>
				<pubdate>1995</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Koch, Krischan</workauthor>: <worktitle>Die Bedeutung des Oberhausener Manifests für die Filmentwicklung in der BRD, </worktitle>
				<publisher>Peter Lang Verlag</publisher>, <address>Frankfurt a. M, Bern, New York</address>
				<pubdate>1985</pubdate>
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				<workauthor>Kranz, Erhard</workauthor>: <worktitle>Filmkunst in der Agonie, eine Untersuchung zu den Staatsmonopolische Machtverhältnissen in der westdeutschen Filmindustrie, </worktitle>
				<publisher>Hanschelverlag</publisher>, <address>Berlin </address>
				<pubdate>1964</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Kreimaier, Klaus</workauthor>: <worktitle>Kino und Filmindustrie in der BRD. Ideologienproduktion und Klassenwirklichkeit nach 1945, </worktitle>
				<publisher>Kronberg, Scriptor</publisher>
				<address>Kronberg</address>
				<pubdate>1973 </pubdate>
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				<workauthor>Lange, Sigrid</workauthor>: <worktitle>Authentisches Medium. Faschismus und Holocaust in ästhetischen Darstellung der Gegenwart, </worktitle>
				<publisher>Aisthesis Verlag</publisher>, <address>Bielefeld</address>
				<pubdate>1999</pubdate>
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				<workauthor>Lawandowski, Rainer</workauthor>: <worktitle>Die Oberhausener, Rekonstruktion einer Gruppe 1968-1982, </worktitle>
				<publisher>Regieverlag für</publisher>
				<publisher>Bühne und</publisher>
				<publisher>Film,</publisher>
				<address>Dickholzen </address>
				<pubdate>1982</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Lawandowski, Rainer</workauthor>: <worktitle>Die Filme von Volker Schlöndorff, </worktitle>
				<publisher>Olms Presse,</publisher>
				<address>Hildernheim</address>
				<pubdate>1981</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Leiser, Erwin</workauthor>: <worktitle>Deutschland, erwache! Propagabda im Film des Dritten Reiches, </worktitle>
				<publisher>Rowohlt Taschenbuch</publisher>
				<publisher>Verlag,</publisher>
				<address>Hamburg</address>
				<pubdate>1980</pubdate>
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				<workauthor>Lux, Claudia</workauthor>: <worktitle>Die Abkehr vom traditionellen Kino in den Filmen der Nouvelle Vague unter Berücksitung der Darstellung der Frau, </worktitle>in: <serialtitle>Auftsätze zu Film und Fernsehen</serialtitle>, <volume>Band 11</volume>, (Hg.) <workauthor>Georg Hoefer</workauthor>, <publisher>Coppi Verlag</publisher>, C<address>oppengrave</address>
				<pubdate>1995 </pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Mamardaschwili, Merab</workauthor>: <worktitle>Psychologische Topologie eines Lebenswegs &#8211; Vorlesungen über Marcel Proust, </worktitle>
				<editor>(Hg.)</editor>
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				<editor>David Ebralidse</editor>, <address>Tbilisi </address>
				<pubdate>1996</pubdate>
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				<workauthor>Mitscherlich, Alexander</workauthor>: <worktitle>Auf dem Weg zum vaterlosen Gesellschaft, </worktitle>
				<publisher>Suhrkampf Verlag</publisher>, <address>Frankfurt a.</address>
				<address>M.</address>
				<pubdate>1963</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Mitscherlich, Alexander und Margarethe</workauthor>: <worktitle>Die Unfähigkeit zu trauern, </worktitle>
				<publisher>Suhrkampf Verlag</publisher>, <address>Frankfurt a.</address>
				<address>M.</address>
				<pubdate>1967</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<editor>Müller, Hans (Hg.):</editor>
				<worktitle>Film in der BRD. </worktitle>
				<articletitle>Mit einem Essay von Hans Günter Pflaum</articletitle>
				<worktitle>,</worktitle>
				<publisher>Hansel Verlag</publisher>, <address>Berlin </address>
				<pubdate>1990</pubdate>
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			<citation published="yes" workType="Book">
				<articletitle>Otscherki Istorji Sowjtskogo Kino</articletitle>
				<articletitle>1945-1956,</articletitle>
				<volume>Tretij Tom</volume>, <publisher>Verlag Iskusstwo</publisher>, <address>Moskau</address>
				<pubdate>1961</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Petermann, Werner/ Thoms, Ralph</workauthor>: <worktitle>Kino &#8211;Fronten 20 Jahre 1968 und das Kino, </worktitle>
				<publisher>Trickster Verlag</publisher>, <address>München </address>
				<pubdate>1988 </pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Pflaum, Hans Günter / Prinzler, Hans Helmut</workauthor>: <worktitle>Film in der Bundesrepublik Deutschland- von der Anfängen bis zur Gegenwart, </worktitle>
				<publisher>Carl Hanser Verlag</publisher>, <address>München</address>
				<pubdate>1992</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<pagenumber id="N13CD7" label="306" numbering="arabic" start="306"/>
				<workauthor>Pflaum, Hans Günter</workauthor>: <worktitle>Deutschland im Film, Themenschwerpunkte des Spielfilms in der BRD, </worktitle>
				<publisher>Hueber</publisher>
				<publisher>Verlag,</publisher>
				<address>München</address>
				<pubdate>1985</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<editor>Prinzler, Hans Helmut / Rentschler, Eric (Hg.):</editor>
				<worktitle>Der alte Film war tot, 100 Texte zum westdeutschen Film 1962-1987, </worktitle>
				<publisher>Verlag der Autoren</publisher>, <address>Frankfurt a. M</address>
				<pubdate>. 2001</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Rauh, Reinhold</workauthor>: <worktitle>Edgar Reitz &#8211; Film als Heimat, </worktitle>
				<publisher>Wilhelm Heyne Verlag</publisher>, <address>Münche</address>n <pubdate>1983</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Rauh, Reinhold</workauthor>: <worktitle>Wim Wenders und seine Filme, </worktitle>
				<publisher>Wilhelm Heyne Verlag</publisher>, <address>München</address>
				<pubdate>1990</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Reitz, Edgar</workauthor>: <worktitle>Liebe zum Kino &#8211; Utopie und Gedanken zum Autorenfilm 1962-1983, </worktitle>
				<publisher>Verlag </publisher>
				<address>Köln</address>
				<pubdate>1978</pubdate>
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			<citation published="yes" workType="Book">
				<workauthor>Reitz, Edgar</workauthor>: <worktitle>Bilder in Bewegung &#8211; Essays. Gespräche zum Kino, </worktitle>
				<publisher>Rowohlt Taschenbuch Verlag</publisher>, <address>Reinbek bei Hamburg</address>
				<pubdate>1995</pubdate>
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			<citation published="yes" workType="Book">
				<editor>Richter, Barbara (Hg.):</editor>
				<worktitle>Otar Iosseliani &#8211; Seule, Georgie, </worktitle>
				<serialtitle>Berliner Künstlerprogramm der DAAD,</serialtitle>
				<address>Berlin </address>
				<pubdate>1995 </pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Roloff, Volker / Schanze Helmut / Scheunemann Dietrich (Hg</workauthor>.): <worktitle>Europäische Kinokunst im Zeitalter des Fernsehens, </worktitle>
				<publisher>Wilhelm Fink Verlag</publisher>, <address>München</address>
				<pubdate>1998</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<editor>Rother, Rainer (Hg.):</editor>
				<worktitle>Mythen der Nationen, Völker im Film</worktitle>
				<publisher>, Deutsches Historisches Museum</publisher>
				<pubdate>1998</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Rummler, Wolfgang</workauthor>: <worktitle>Rainer Werner Fassbinder &#8211;Filmemacher, </worktitle>
				<publisher>Rowohlt Taschenbuch Verlag</publisher>, <pubdate>1981</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Sanders-Brehms, Helma</workauthor>: <worktitle>Das dunkle zwischen den Bildern- Essays, Porträts, Kritiken, </worktitle>
				<publisher>Verlag der</publisher>
				<publisher>Autoren</publisher>, <address>Frankfurt a.M</address>. <pubdate>1992</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Schildt, Axel</workauthor>: <worktitle>Moderne Zeiten, Massenmedien und Zeitgeist in der Bundesrepublik Deutschland der50 er- Jahre, </worktitle>
				<publisher>Christians Verlag</publisher>
				<address>, Hamburg</address>
				<pubdate>1995</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Schlöndorff, Volker</workauthor>: <worktitle>Tagebuch einer Verfilmung, </worktitle>
				<publisher>Liuchtenhand Verlag</publisher>, <address>Darmstadt und Neuwied</address>
				<pubdate>1979</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Schütte, Wolfram</workauthor>: <worktitle>Rainer Werner Fassbinder, </worktitle>(<editor>Hg.) Jansen Peter W. / Schütte Wolfram, Fischer</editor>
				<publisher>Taschenbuch Verlag</publisher>, <address>Frankfurt a. M.</address>
				<pubdate>1992</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Seidl, Claudius:</workauthor>
				<worktitle>Der deutsche Film der Fünfziger Jahre, </worktitle>
				<publisher>Wilhelm Heyne Verlag</publisher>, <address>München </address>
				<pubdate>1987</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Spaich, Herbert</workauthor>: <worktitle>Rainer Werner Fassbinder &#8211; Leben und Werk, </worktitle>
				<publisher>Beltz Verlag</publisher>, <address>Weinheim</address>
				<pubdate>1992</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Syberberg, Hans Jürgen</workauthor>: <worktitle>Filmbuch, </worktitle>
				<publisher>Nymphenburger Verlagshandlung</publisher>, <address>München</address>
				<pubdate>1976</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Syberberg, Hans Jürgen</workauthor>: <worktitle>Hitler- ein Film aus Deutschland, </worktitle>
				<publisher>Rowohlt Verlag</publisher>, <address>Reinbek</address>
				<pubdate>1978</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<pagenumber id="N13E46" label="307" numbering="arabic" start="307"/>
				<workauthor>Thomsen, Braad Christian</workauthor>: <worktitle>Rainer Werner Fassbinder &#8211; Leben und Werk eines maßlosen Genies, </worktitle>
				<publisher>Rogner &amp;Bernhard bei Zweitausendeins</publisher>, <address>Hamburg</address>
				<pubdate>1993</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Toeplitz, Jerzy</workauthor>: <worktitle>Geschichte des Films, </worktitle>
				<volume>Band 5,</volume>
				<publisher>Henschel Verlag</publisher>, <address>Berlin</address>
				<pubdate>1991</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Wenders, Wim</workauthor>: <worktitle>Die Logik der Bilder &#8211; Essays und Gespräche, </worktitle>(<editor>Hg.) Michael Töteberg</editor>, <publisher>Verlag der</publisher>
				<publisher>Autoren,</publisher>
				<address>Frankfurt a. M.</address>
				<pubdate>1988</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Wenders, Wim</workauthor>: <worktitle>Emotion Pictures &#8211; Essays und Filmkritiken 1968- 1984</worktitle>
				<publisher>, Verlag der Autoren</publisher>, <address>Franfurt a. M</address>. <pubdate>1988</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Wenders, Wim</workauthor>: <worktitle>The Act of Seeing &#8211; Texte und Gespräche, </worktitle>
				<publisher>Verlag der Autoren</publisher>, <address>Frankfurt a.M</address>. <pubdate>1992</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Wenzel, Eike</workauthor>: <worktitle>Gedächtnisraum Film, Die Arbeit an der deutschen Geschichte in Filmen seit den 60er- Jahren, </worktitle>
				<publisher>J.B. Metrler Verlag</publisher>
				<address>, Stuttgart</address>
				<pubdate>2000 </pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Wydra, Thilo</workauthor>: <worktitle>Volker Schlöndorff und seine Filme, </worktitle>
				<publisher>Wilhelm Heyne Verlag</publisher>, <address>München</address>
				<pubdate>1998 </pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<workauthor>Wydra, Thilo</workauthor>: <worktitle>Margarethe von Trotta &#8211; Filmen um zu überleben, </worktitle>
				<publisher>Henschel Verlag</publisher>, <address>Berlin</address>
				<pubdate>2000</pubdate>
			</citation>
			<citation published="yes" workType="Book">
				<editor>Zimmermann, Peter / Moldenhauer, Gerhard (Hg.):</editor>
				<worktitle>Der geteilte Himmel, Arbeit, Alltag und geschichte im ost- und westdeutschen Film</worktitle>
				<publisher>, 2000 UVK Medien Verlagsgesellschaft</publisher>
				<address>, Konstanz</address>
				<pubdate>2000</pubdate>
			</citation>
			<p>
				<strong>
					<u>Einzelne Artikeln und Aufsätze</u>
				</strong>
			</p>
			<citation published="yes" workType="Journal">
				<workauthor>Abaschidse, Surab</workauthor>: <articletitle>Die ersten Schritte</articletitle>
         , in: <worktitle>Sabcota Chelowneba</worktitle>, <address>Tbilisi</address>
				<pubdate>1982</pubdate> / <number>3</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Amaschukeli, Nugsar</workauthor>: <articletitle>Giorgi Schengelaja, </articletitle>in: <worktitle>Sabcota Chelowneba</worktitle>, <address>Tbilisi</address>
				<pubdate> 1988</pubdate>/<number>10</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Amaschukeli, Nugsar</workauthor>: <articletitle>Die Reise nach Nirgendwo, </articletitle>in: <worktitle>Chelowneba</worktitle>, <address>Tbilisi</address>
				<pubdate>1989</pubdate>/<number>1 </number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Amiredjibi, Natia</workauthor>: <articletitle>Die Leinwand der Zeiten &#8211; Aufsätze über georgischen Film, </articletitle>in: <worktitle>Chelowneba,</worktitle>
				<address>Tbilisi</address>
				<pubdate>1989</pubdate>
				<number>/ 1/ 4/ 9/ 11</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Arnold, Heinz Ludwig (Hg.):</workauthor>
				<articletitle>Alexander Kluge, </articletitle>
				<serialtitle>Text+Kritik Heft</serialtitle>
				<number>85/86</number>, <publisher>Verlag edition+kritik GmbH</publisher>, <address>München</address>
				<pubdate>1985 </pubdate>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Bestawaschwili, Anaida</workauthor>: <articletitle>Die Lektion über das Gute, </articletitle>in: <worktitle>Sabcota Chelowneba</worktitle>, <address>Tbilisi</address>
				<pubdate>1978</pubdate>
				<number>/3</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Chatiaschwili, Theo</workauthor>: <articletitle>Ästhetik der Filme von Eldar Schengelaja, </articletitle>in: <worktitle>Chelowneba</worktitle>, <address>Tbilisi </address>
				<pubdate>1989</pubdate>
				<number>/3</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Djaparidse, Keti</workauthor>: <articletitle>Nonkonformistl in der Kunst und im Leben-</articletitle>
				<articletitle>Interview mit</articletitle>
				<articletitle>Giorgi Schengelaja, </articletitle>in: <worktitle>Dilis Gaseti</worktitle>, <address>Tbilisi </address>
				<number>9. März</number>
				<pubdate>1996</pubdate>
			</citation>
			<citation published="yes" workType="Journal">
				<pagenumber id="N13FD1" label="308" numbering="arabic" start="308"/>
				<workauthor>Donadse, Maja</workauthor>: <articletitle>Ein Film über den Maler, </articletitle>in: <worktitle>Sabcota Chelowneba</worktitle>, <address>Tbilisi</address>
				<pubdate>1978</pubdate>/<number>2</number>
			</citation>
			<citation published="yes" workType="Journal">
				<worktitle>5. Internationale Forum des Jungen Films,</worktitle>
				<worktitle>Forumheft der Berlinale</worktitle>, <address>Berlin </address>
				<pubdate>1975</pubdate>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Gwacharia, </workauthor>
				<pubdate>Giorgi: </pubdate>
				<articletitle>Bildsprache des modernen georgischen Films</articletitle>, in: <worktitle>Sabcota Chelowneba</worktitle>, <address>Tbilisi</address>
				<pubdate>1982</pubdate>/<number>5</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Gwacharia Giorgi</workauthor>: <articletitle>Autor, Held, Ideal, </articletitle>in: <worktitle>Sabcota Chelowneba</worktitle>, <address>Tbilisi </address>
				<pubdate>1985/</pubdate>
				<number>9</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Gwacharia Giorgi</workauthor>: <articletitle>Georgischer Film und nationale Tradition der bildenden Kunst, </articletitle>in: <worktitle>Sabcota</worktitle>
				<worktitle>Chelowneba</worktitle>, <address>Tbilisi </address>
				<pubdate>1988/</pubdate>
				<number>1</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Gwacharia Giorgi</workauthor>: <articletitle>In der Hoffnung auf die Genesung von Anemie, </articletitle>in: <worktitle>Kino</worktitle>
				<pubdate>1988</pubdate>/<number>3 </number>
			</citation>
			<citation published="yes" workType="Journal">
				<worktitle>Iskusstwo Kino</worktitle>, <address>Moskau </address>
				<pubdate>1978</pubdate>/<number>9</number>
			</citation>
			<citation published="yes" workType="Journal">
				<workauthor>Jakaschwili, Paata</workauthor>: <articletitle>Liana Eliawa, </articletitle>in<worktitle>: Kino</worktitle>, <address>Tbilisi</address>
				<pubdate>1984</pubdate>/<number>3</number>
			</citation>
			<citation published="yes" workType="Journal">
				<serialtitle>Katalog der Reiner Werner Fassbinder Foundation</serialtitle> (Hg.): <worktitle>Rainer Werner Fassbinder, Dichter, Schauspieler, Filmemacher, </worktitle>
				<publisher>Argon Verlag</publisher>
				<worktitle>, </worktitle>
				<address>Berlin </address>
				<pubdate>1992 </pubdate>
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