<?xml version="1.0" encoding="ISO-8859-1"?><cms:container xmlns:cms="http://edoc.hu-berlin.de/diml/module/cms"><cms:document><cms:meta><cms:entry id="front" part="front" ref="front" type="front"/><cms:entry type="title">Herren und Heilige  Beobachtungen zu den Darstellungen der Namenspatrone und Familienheiligen der Medici im 15. Jahrhundert</cms:entry><cms:entry type="author">Carlos Obergruber-Boerner</cms:entry><cms:entry id="N10046" part="front" ref="N10046" type="dedication">Meinen Geschwistern zum GedenkenRoxane Salahi-ArabCyrus Salahi-ArabMeinen Geschwistern zum Gedenken</cms:entry><cms:entry id="chapter1" part="chapter1" ref="chapter1" type="chapter">I.</cms:entry><cms:entry id="N1005C" part="chapter1" ref="N1005C" type="citenumber">1</cms:entry><cms:entry id="N1006D" part="chapter1" ref="N1006D" type="section">1.</cms:entry><cms:entry id="N10074" part="chapter1" ref="N10074" type="citenumber">2</cms:entry><cms:entry id="N10090" part="chapter1" ref="N10090" type="citenumber">3</cms:entry><cms:entry id="N100BA" part="chapter1" ref="N100BA" type="citenumber">4</cms:entry><cms:entry id="N100ED" part="chapter1" ref="N100ED" type="citenumber">5</cms:entry><cms:entry id="N100F9" part="chapter1" ref="N100F9" type="citenumber">6</cms:entry><cms:entry id="N1010D" part="chapter1" ref="N1010D" type="citenumber">7</cms:entry><cms:entry id="N10119" part="chapter1" ref="N10119" type="citenumber">8</cms:entry><cms:entry id="N10139" part="chapter1" ref="N10139" type="section">2.</cms:entry><cms:entry id="N1015E" part="chapter1" ref="N1015E" type="citenumber">9</cms:entry><cms:entry id="N101A3" part="chapter1" ref="N101A3" type="citenumber">10</cms:entry><cms:entry id="N101DA" part="chapter1" ref="N101DA" type="citenumber">11</cms:entry><cms:entry id="N101F6" part="chapter1" ref="N101F6" type="citenumber">12</cms:entry><cms:entry id="chapter2" part="chapter2" ref="chapter2" type="chapter">II.</cms:entry><cms:entry id="N10201" part="chapter2" ref="N10201" type="helpercitenumber">12</cms:entry><cms:entry id="N1020C" part="chapter2" ref="N1020C" type="citenumber">13</cms:entry><cms:entry id="N1024B" part="chapter2" ref="N1024B" type="citenumber">14</cms:entry><cms:entry id="N1026D" part="chapter2" ref="N1026D" type="citenumber">15</cms:entry><cms:entry id="N10287" part="chapter2" 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type="subsection">a.</cms:entry><cms:entry id="N10E3A" part="chapter4" ref="N10E3A" type="citenumber">118</cms:entry><cms:entry id="N10E5E" part="chapter4" ref="N10E5E" type="citenumber">119</cms:entry><cms:entry id="N10E7A" part="chapter4" ref="N10E7A" type="citenumber">120</cms:entry><cms:entry id="N10EA1" part="chapter4" ref="N10EA1" type="citenumber">121</cms:entry><cms:entry id="N10EC1" part="chapter4" ref="N10EC1" type="subsection">b.</cms:entry><cms:entry id="N10ED6" part="chapter4" ref="N10ED6" type="citenumber">122</cms:entry><cms:entry id="N10EF2" part="chapter4" ref="N10EF2" type="citenumber">123</cms:entry><cms:entry id="N10EFE" part="chapter4" ref="N10EFE" type="citenumber">124</cms:entry><cms:entry id="N10F20" part="chapter4" ref="N10F20" type="section">2.</cms:entry><cms:entry id="N10F2A" part="chapter4" ref="N10F2A" type="citenumber">125</cms:entry><cms:entry id="N10F66" part="chapter4" ref="N10F66" type="citenumber">126</cms:entry><cms:entry id="N10F9D" part="chapter4" ref="N10F9D" type="citenumber">127</cms:entry><cms:entry id="N10FA9" part="chapter4" ref="N10FA9" type="citenumber">128</cms:entry><cms:entry id="N10FB5" part="chapter4" ref="N10FB5" type="citenumber">129</cms:entry><cms:entry id="N10FCC" part="chapter4" ref="N10FCC" type="citenumber">130</cms:entry><cms:entry id="N11016" part="chapter4" ref="N11016" type="citenumber">131</cms:entry><cms:entry id="N11035" part="chapter4" ref="N11035" type="citenumber">132</cms:entry><cms:entry id="N11043" part="chapter4" ref="N11043" type="section">3.</cms:entry><cms:entry id="N1104A" part="chapter4" ref="N1104A" type="citenumber">133</cms:entry><cms:entry id="N11081" part="chapter4" ref="N11081" type="citenumber">134</cms:entry><cms:entry id="N110A9" part="chapter4" ref="N110A9" type="citenumber">135</cms:entry><cms:entry id="N110D8" part="chapter4" ref="N110D8" type="citenumber">136</cms:entry><cms:entry id="N110FB" part="chapter4" ref="N110FB" type="citenumber">137</cms:entry><cms:entry id="N11122" part="chapter4" ref="N11122" type="citenumber">138</cms:entry><cms:entry id="chapter5" part="chapter5" ref="chapter5" type="chapter">V.</cms:entry><cms:entry id="N11157" part="chapter5" ref="N11157" type="citenumber">139</cms:entry><cms:entry id="N1115B" part="chapter5" ref="N1115B" type="section">1.</cms:entry><cms:entry id="N1116B" part="chapter5" ref="N1116B" type="citenumber">140</cms:entry><cms:entry id="N11197" part="chapter5" ref="N11197" type="citenumber">141</cms:entry><cms:entry id="N111D3" part="chapter5" ref="N111D3" type="citenumber">142</cms:entry><cms:entry id="N111D8" part="chapter5" ref="N111D8" type="section">2.</cms:entry><cms:entry id="N111F8" part="chapter5" ref="N111F8" type="citenumber">143</cms:entry><cms:entry id="N11217" part="chapter5" ref="N11217" type="citenumber">144</cms:entry><cms:entry id="N11226" part="chapter5" ref="N11226" type="citenumber">145</cms:entry><cms:entry id="N1123A" part="chapter5" ref="N1123A" type="citenumber">146</cms:entry><cms:entry 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type="citenumber">155</cms:entry><cms:entry id="N1139C" part="chapter5" ref="N1139C" type="citenumber">156</cms:entry><cms:entry id="N113C9" part="chapter5" ref="N113C9" type="citenumber">157</cms:entry><cms:entry id="N113E0" part="chapter5" ref="N113E0" type="citenumber">158</cms:entry><cms:entry id="chapter6" part="chapter6" ref="chapter6" type="chapter">VI.</cms:entry><cms:entry id="N113F7" part="chapter6" ref="N113F7" type="helpercitenumber">158</cms:entry><cms:entry id="N1140D" part="chapter6" ref="N1140D" type="section">1.</cms:entry><cms:entry id="N11414" part="chapter6" ref="N11414" type="citenumber">159</cms:entry><cms:entry id="N11449" part="chapter6" ref="N11449" type="citenumber">160</cms:entry><cms:entry id="N11455" part="chapter6" ref="N11455" type="citenumber">161</cms:entry><cms:entry id="N11461" part="chapter6" ref="N11461" type="citenumber">162</cms:entry><cms:entry id="N1146D" part="chapter6" ref="N1146D" type="citenumber">163</cms:entry><cms:entry id="N1149C" part="chapter6" ref="N1149C" type="citenumber">164</cms:entry><cms:entry id="N114B7" part="chapter6" ref="N114B7" type="section">2.</cms:entry><cms:entry id="N114BE" part="chapter6" ref="N114BE" type="citenumber">165</cms:entry><cms:entry id="N114F0" part="chapter6" ref="N114F0" type="citenumber">166</cms:entry><cms:entry id="chapter7" part="chapter7" ref="chapter7" type="chapter">VII.</cms:entry><cms:entry id="N1150C" part="chapter7" ref="N1150C" type="helpercitenumber">166</cms:entry><cms:entry id="N11513" part="chapter7" ref="N11513" type="citenumber">167</cms:entry><cms:entry id="N1153F" part="chapter7" ref="N1153F" type="citenumber">168</cms:entry><cms:entry id="N1159E" part="chapter7" ref="N1159E" type="citenumber">169</cms:entry><cms:entry id="N115A2" part="chapter7" ref="N115A2" type="section">1.</cms:entry><cms:entry id="N115B2" part="chapter7" ref="N115B2" type="subsection">a.</cms:entry><cms:entry id="N115E2" part="chapter7" ref="N115E2" type="citenumber">170</cms:entry><cms:entry id="N1161E" part="chapter7" ref="N1161E" type="citenumber">171</cms:entry><cms:entry id="N11652" part="chapter7" ref="N11652" type="citenumber">172</cms:entry><cms:entry id="N11668" part="chapter7" ref="N11668" type="subsection">b.</cms:entry><cms:entry id="N1166F" part="chapter7" ref="N1166F" type="citenumber">173</cms:entry><cms:entry id="N1169D" part="chapter7" ref="N1169D" type="citenumber">174</cms:entry><cms:entry id="N116A9" part="chapter7" ref="N116A9" type="citenumber">175</cms:entry><cms:entry id="N116C3" part="chapter7" ref="N116C3" type="citenumber">176</cms:entry><cms:entry id="N116DD" part="chapter7" ref="N116DD" type="citenumber">177</cms:entry><cms:entry id="N116E8" part="chapter7" ref="N116E8" type="subsection">c.</cms:entry><cms:entry id="N11723" part="chapter7" ref="N11723" type="citenumber">178</cms:entry><cms:entry id="N11766" part="chapter7" ref="N11766" type="citenumber">179</cms:entry><cms:entry id="N1178D" part="chapter7" ref="N1178D" type="citenumber">180</cms:entry><cms:entry id="N117A1" part="chapter7" ref="N117A1" type="citenumber">181</cms:entry><cms:entry id="N117B8" part="chapter7" ref="N117B8" type="citenumber">182</cms:entry><cms:entry id="N11802" part="chapter7" ref="N11802" type="citenumber">183</cms:entry><cms:entry id="N1183E" part="chapter7" ref="N1183E" type="citenumber">184</cms:entry><cms:entry id="N11880" part="chapter7" ref="N11880" type="citenumber">185</cms:entry><cms:entry id="chapter8" part="chapter8" ref="chapter8" type="chapter">VIII.</cms:entry><cms:entry id="N1188C" part="chapter8" ref="N1188C" type="helpercitenumber">185</cms:entry><cms:entry id="N11892" part="chapter8" ref="N11892" type="section">1.</cms:entry><cms:entry id="N11899" part="chapter8" ref="N11899" type="citenumber">186</cms:entry><cms:entry id="N118C5" part="chapter8" ref="N118C5" type="citenumber">187</cms:entry><cms:entry id="N118D9" part="chapter8" ref="N118D9" type="citenumber">188</cms:entry><cms:entry id="N118F5" part="chapter8" ref="N118F5" type="citenumber">189</cms:entry><cms:entry id="N11947" part="chapter8" ref="N11947" type="citenumber">190</cms:entry><cms:entry id="N11957" part="chapter8" ref="N11957" type="section">2.</cms:entry><cms:entry id="N119A4" part="chapter8" ref="N119A4" type="citenumber">191</cms:entry><cms:entry id="N119D6" part="chapter8" ref="N119D6" type="citenumber">192</cms:entry><cms:entry id="N119DE" part="chapter8" ref="N119DE" type="section">3.</cms:entry><cms:entry id="N11A26" part="chapter8" ref="N11A26" type="citenumber">193</cms:entry><cms:entry id="N11A5A" part="chapter8" ref="N11A5A" type="citenumber">194</cms:entry><cms:entry id="N11A75" part="chapter8" ref="N11A75" type="section">4.</cms:entry><cms:entry id="N11A7F" part="chapter8" ref="N11A7F" type="citenumber">195</cms:entry><cms:entry id="N11AA3" part="chapter8" ref="N11AA3" type="citenumber">196</cms:entry><cms:entry id="N11AD1" part="chapter8" ref="N11AD1" type="section">5.</cms:entry><cms:entry id="N11AFA" part="chapter8" ref="N11AFA" type="citenumber">197</cms:entry><cms:entry id="N11B29" part="chapter8" ref="N11B29" type="citenumber">198</cms:entry><cms:entry id="chapter9" part="chapter9" ref="chapter9" type="chapter">IX.</cms:entry><cms:entry id="N11B34" part="chapter9" ref="N11B34" type="helpercitenumber">198</cms:entry><cms:entry id="N11B3C" part="chapter9" ref="N11B3C" type="citenumber">199</cms:entry><cms:entry id="N11B50" part="chapter9" ref="N11B50" type="citenumber">200</cms:entry><cms:entry id="N11B62" part="chapter9" ref="N11B62" type="citenumber">201</cms:entry><cms:entry ref="N11B6B" type="back"/><cms:entry id="N11B6D" part="N11B6D" ref="N11B6D" type="acknowledgement"/><cms:entry id="N11B81" part="N11B81" ref="N11B81" type="appendix">Stammtafel I.</cms:entry><cms:entry id="N11B83" part="N11B81" ref="N11B83" type="head"/><cms:entry id="N11B86" part="N11B81" ref="N11B86" type="p"/><cms:entry id="N11B88" part="N11B81" ref="N11B88" type="mm">604#615</cms:entry><cms:entry id="N11B8E" part="N11B8E" ref="N11B8E" type="appendix">Stammtafel II.</cms:entry><cms:entry id="N11B90" part="N11B8E" ref="N11B90" type="head"/><cms:entry id="N11B93" part="N11B8E" ref="N11B93" type="p"/><cms:entry id="N11B95" part="N11B8E" ref="N11B95" type="mm">604#496</cms:entry><cms:entry id="N11B9B" part="N11B9B" ref="N11B9B" type="appendix">Stammtafel III.</cms:entry><cms:entry id="N11B9D" part="N11B9B" ref="N11B9D" type="head"/><cms:entry id="N11BA0" part="N11B9B" ref="N11BA0" type="p"/><cms:entry id="N11BA2" part="N11B9B" ref="N11BA2" type="mm">604#492</cms:entry><cms:entry ref="N11BA8" type="bibliography">Literaturverzeichnis</cms:entry><cms:entry ref="N1307E" type="table"/><cms:entry ref="N1397A" type="mm">605#431</cms:entry><cms:entry ref="N13987" type="mm">604#306</cms:entry><cms:entry ref="N13994" type="mm">604#430</cms:entry><cms:entry ref="N139A1" type="mm">605#804</cms:entry><cms:entry ref="N139AE" type="mm">591#388</cms:entry><cms:entry ref="N139BB" type="mm">604#757</cms:entry><cms:entry ref="N139C8" type="mm">604#833</cms:entry><cms:entry ref="N139D5" type="mm">604#752</cms:entry><cms:entry ref="N139E2" type="mm">605#754</cms:entry><cms:entry ref="N139EF" type="mm">391#865</cms:entry><cms:entry ref="N139FC" type="mm">389#855</cms:entry><cms:entry ref="N13A09" type="mm">348#864</cms:entry><cms:entry ref="N13A16" type="mm">589#634</cms:entry><cms:entry ref="N13A2C" type="mm">604#534</cms:entry><cms:entry ref="N13A39" type="mm">604#545</cms:entry><cms:entry ref="N13A46" type="mm">604#539</cms:entry><cms:entry ref="N13A53" type="mm">604#542</cms:entry><cms:entry ref="N13A60" type="mm">604#535</cms:entry><cms:entry ref="N13A6D" type="mm">604#526</cms:entry><cms:entry ref="N13A7A" type="mm">582#546</cms:entry><cms:entry ref="N13A8A" type="mm">604#501</cms:entry><cms:entry ref="N13A97" type="mm">604#499</cms:entry><cms:entry ref="N13AA4" type="mm">605#499</cms:entry><cms:entry ref="N13AB1" type="mm">606#502</cms:entry><cms:entry ref="N13ABE" type="mm">604#487</cms:entry><cms:entry ref="N13ACB" type="mm">604#497</cms:entry><cms:entry ref="N13AD8" type="mm">604#505</cms:entry><cms:entry ref="N13AE5" type="mm">605#520</cms:entry><cms:entry ref="N13AF2" type="mm">605#504</cms:entry><cms:entry ref="N13AFF" type="mm">603#410</cms:entry><cms:entry ref="N13B0C" type="mm">604#713</cms:entry><cms:entry ref="N13B19" type="mm">604#607</cms:entry><cms:entry ref="N13B29" type="mm">604#371</cms:entry><cms:entry ref="N13B36" type="mm">604#393</cms:entry><cms:entry ref="N13B43" type="mm">604#359</cms:entry><cms:entry ref="N13B50" type="mm">604#400</cms:entry><cms:entry ref="N13B5D" type="mm">604#365</cms:entry><cms:entry ref="N13B6A" type="mm">605#369</cms:entry><cms:entry ref="N13B77" type="mm">604#422</cms:entry><cms:entry ref="N13B87" type="mm">582#739</cms:entry><cms:entry ref="N13B97" type="mm">604#476</cms:entry><cms:entry ref="N13BA7" type="mm">605#748</cms:entry><cms:entry ref="N13BB7" type="mm">605#646</cms:entry><cms:entry ref="N13BC7" type="mm">604#577</cms:entry><cms:entry ref="N13BD7" type="mm">604#815</cms:entry><cms:entry ref="N13BE7" type="mm">605#537</cms:entry><cms:entry ref="N13BF7" type="mm">604#624</cms:entry><cms:entry ref="N13C07" type="mm">604#758</cms:entry><cms:entry ref="N13C17" type="mm">604#262</cms:entry><cms:entry ref="N13C27" type="mm">604#531</cms:entry><cms:entry ref="N13C37" type="mm">604#659</cms:entry><cms:entry ref="N13C47" type="mm">604#597</cms:entry><cms:entry ref="N13C57" type="mm">604#560</cms:entry><cms:entry ref="N13C67" type="mm">604#669</cms:entry><cms:entry ref="N13C74" type="mm">604#483</cms:entry><cms:entry ref="N13C81" type="mm">604#676</cms:entry><cms:entry ref="N13C8E" type="mm">605#656</cms:entry><cms:entry ref="N13C9B" type="mm">604#661</cms:entry><cms:entry ref="N13CA8" type="mm">605#649</cms:entry><cms:entry ref="N13CB8" type="mm">449#787</cms:entry><cms:entry ref="N13CC8" type="mm">604#485</cms:entry><cms:entry ref="N13CD8" type="mm">604#276</cms:entry><cms:entry ref="N13CE8" type="mm">605#592</cms:entry><cms:entry ref="N13CF8" type="mm">604#608</cms:entry><cms:entry ref="N13D08" type="mm">605#629</cms:entry><cms:entry part="N11BA8" type=":current"/><cms:entry type=":lang">de</cms:entry><cms:entry id=":contents" part="front" ref=":contents" type=":contents">Inhaltsverzeichnis</cms:entry><cms:entry type=":help"><url href="http://...">Hilfe</url></cms:entry></cms:meta><cms:content><bibliography id="N11BA8">
         <head>Literaturverzeichnis</head>
         <freehead>Quellen</freehead>
         
            <citation published="yes" workType="Book">
               <cut>Alberti: </cut>
               <workauthor>Leon Battista Alberti, </workauthor>&#8222;De pictura&#8220;, <note>(engl. </note>
               <note>nach</note>
               <note> lt. 1435/ it. 1436) Cecil Grayson, Martin Kemp, &#8222;</note>
               <note>On</note>
               <note> Painting&#8220;, </note>
               <address>London</address>
               <pubdate>1991</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ceprano: </cut>
               <workauthor>Giovanni da Ceprano, </workauthor>
               <note>(dt.) </note>
               <note>Otto Karrer, </note>&#8222;Drei Gefährten Legende&#8220;, <address>Zürich</address>
               <pubdate>1945</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Compagni: </cut>
               <workauthor>Dino Compagni</workauthor>
               <workauthor>, </workauthor>&#8222;Chronik&#8220;, <note>(dt.) Ida Schwartz, </note>
               <address>Jena </address>
               <pubdate>1914 </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Guicciardini: </cut>
               <workauthor>Francesco Guicciardini, </workauthor>&#8222;Dialogue on the Government of Florence&#8220;, <editor>Alison Brown (Hg.), </editor>
               <address>Cambridge </address>
               <pubdate>1994 </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Haines: </cut>
               <workauthor/>
               <editor>Margaret Haines, Giovanni Poggi (Hg.), </editor>&#8222;Il Duomo di Firenze, documenti sulla decorazione della chiesa e del campanile. Tratti dall&#8217;Archivio dell&#8217;Opera per cura di Giovanni Poggi&#8220;, <editor>Kunsthistorisches Institut in Florenz,</editor>
               <serialtitle> &#8222;Italienische Forschungen&#8220;, </serialtitle>
               <volume>Bd. 3. </volume>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ivánka: </cut>
               <workauthor/>
               <editor>Endre v. Ivánka (Hg.), </editor>
               <serialtitle>&#8222;Byzantinische Geschichtsschreiber&#8220;, </serialtitle>
               <volume>Bd. IV</volume>, Abschnitte aus Menandros Protektor, <note>(dt.) E. Doblhofer, </note>
               <address>Graz </address>
               <pubdate>1955 </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Jacobus de Voragine: </cut>
               <workauthor>Jacobus de Voragine, </workauthor>&#8222;Legenda Aurea&#8220;, <note>(dt.) </note>
               <note>Richard Benz, </note>
               <version>13. Auflage</version>, <address>Gütersloh</address>
               <pubdate>1999 </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Johannes diaconus: </cut>
               <workauthor>Johannes diaconus, OFM, </workauthor>&#8222;Vita et Passione Sanctorum Martyrum Cosme et Damiani&#8220;, <serialtitle>Biblioteca Laurentiana, </serialtitle>
               <volume>Laur. plut. 20, </volume>
               <number>8 </number>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Landucci: </cut>
               <workauthor>Luca Landucci, </workauthor>&#8222;Diario Fiorentino&#8220;, <volume>2 Bde. </volume>
               <note>(dt</note>
               <note>.) Marie Herzfeld, </note>
               <address>Jena </address>
               <pubdate>1912 </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Macchiavelli: </cut>
               <workauthor>Niccolo Macchiavelli, </workauthor>&#8222;Discorsi&#8220;, <note>(dt.) Rudolf Zorn, </note>
               <address>Stuttgart </address>
               <pubdate>1977 </pubdate>
               <workauthor>Niccolo Macchiavelli, </workauthor>&#8222;Istorie fiorentine&#8220;, <note>(dt.) Alfred von Reumont, Ludwig Goldscheider, </note>
               <address>Zürich </address>
               <pubdate>1993 </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Sueton: </cut>
               <workauthor>Gaius Suetonius Tranquillus, </workauthor>&#8222;De vita Caesarum&#8220;, <note>(dt.) </note>
               <note>Max Heinemann, Rudolf Till, </note>
               <address>Stuttgart </address>
               <pubdate>1986 </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Vasari: </cut>
               <workauthor>Giorgio Vasari, </workauthor>&#8222;Le Vite de piu eccelenti Architetti, Pittori et Scultori Italiani&#8220;, <note>(dt.) </note>
               <note>Ludwig Schorn, Ernst Förster, </note>
               <address>Stuttgart </address>
               <pubdate>1839, </pubdate>
               <volume>8 Bde</volume>
               <volume>.,</volume>
               <volume/>
               <editor>Reprint, Julian Klieman (Hg.), </editor>
               <address>Worms </address>
               <pubdate>1988</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Vespasiano da Bisticci: </cut>
               <workauthor>Vespasiano da Bisticci, </workauthor>&#8222;Vite di uomini illustri&#8220;, <note>(dt.) </note>
               <note>Bernd Roeck, </note>
               <address>München </address>
               <pubdate>1995 </pubdate>
            </citation>
         
         <freehead>Lexika</freehead>
         
            <citation published="yes" workType="Book">
               <cut>Erffa: </cut>
               <cut>: </cut>
               <workauthor>Hans Martin von Erffa,</workauthor> &#8222;Ikonologie der Genesis&#8220;,<volume> 2 Bde. </volume>
               <address>München</address>
               <pubdate>1989/1995</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Heim: </cut>

               <workauthor>Manfred Heim, </workauthor>&#8222;Kleines Lexikon der Kirchengeschichte&#8220;, <address>München</address>
               <pubdate>1998</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Heinz-Mohr: </cut>

               <workauthor>Gerd Heinz-Mohr,</workauthor> &#8222;Lexikon der Symbole&#8220;, <address>München</address>
               <pubdate>1988</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>LCI: </cut>

               <editor>Engelbert Kirschbaum, Wolfgang Braunfels (Hg.),</editor> &#8222;Lexikon der Christlichen Ikonographie&#8220;,<volume> 8 Bde., </volume>
               <version>Sonderausgabe,</version>
               <address>Freiburg i. Breisgau</address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kelly: </cut>

               <workauthor>J.N.D. Kelly, </workauthor>&#8222;The Oxford Dictionary of Popes&#8220;, <note>(</note>
               <note>dt</note>
               <note>.) </note>
               <note>H.-Ch. Oeser, </note>
               <address>Stuttgart</address>
               <pubdate>1988</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ploetz: </cut>
               &#8222;Der farbige Ploetz&#8220;, <address>Würzburg</address>
               <pubdate>1986</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Sachs: </cut>

               <editor>Hannelore Sachs, Ernst Badstübner, Helga Neumann (Hg.),</editor> &#8222;Wörterbuch zur Christlichen Kunst&#8220;, <address>Hanau</address>
               <pubdate>o. J.</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Schwaiger: </cut>

               <editor>Georg Schwaiger (Hg.), </editor>&#8222;Mönchtum, Orden, Klöster&#8220;, <address>München</address>
               <pubdate>1993</pubdate>
            </citation>
         
         <freehead>Verzeichnis der zitierten und benutzten Literatur</freehead>
         
            <citation published="yes" workType="Book">
               <cut>Acidini-Luchinat 1992: </cut>

               <editor>Cristina Acidini Luchinat (Hg.), </editor>&#8222;I Restauri nel Palazzo Medici Riccardi. Rinascimento e Barocco&#8220;, <address>Florenz/Mailand </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Acidini-Luchinat 1993: </cut>

               <editor>Cristina Acidini Luchinat (Hg.), </editor>
               <note>Kat</note>
               <note>.,</note>
               <note/>&#8222;Renaissance Florence. The Age of Lorenzo de&#8216; Medici, 1449 &#8211; 1492&#8220;, Accademia Italiana delle Arti e delle Arti Applicate, <address>London </address>
               <pubdate>1993/94</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Acidini-Luchinat 1994: </cut>

               <editor>Cristina Acidini Luchinat (Hg.), </editor>&#8222;The Chapel of the Magi. Benozzo Gozzoli&#8217;s Frescoes in the Palazzo Medici-Riccardi Florence&#8220;, <address>London, New York </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Acidini-Luchinat 1997: </cut>

               <editor>Cristina Acidini Luchinat (Hg.), </editor>&#8222;Die Schätze der Medici&#8220;, <note>(dt.) </note>
               <address>München </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Acidini-Luchinat 1998: </cut>

               <editor>Cristina Acidini Luchinat/Mario Scalini (Hg.), </editor>
               <note>Kat</note>
               <note>.,</note>
               <note/>&#8222;Die Pracht der Medici. Florenz und Europa&#8220;, Kunsthalle der Hypo-Kulturstiftung, <address>München </address>
               <pubdate>1998/99</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Altkappenberg: </cut>

               <workauthor>Hein-Th. Schulze Altkappenberg,</workauthor>
               <note>Kat.</note>, &#8222;Sandro Botticelli. Der Bilderzyklus zu Dantes Göttlicher Komödie&#8220;, <address>Berlin </address>
               <pubdate>2000</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Ames-Lewis 1979 I: </cut>
               <cut>.: </cut>

               <workauthor>Francis Ames-Lewis, </workauthor>
               <articletitle>&#8222;Early Medicean Devices&#8220;, </articletitle>in<em>: </em>Journal of the Warburg and Courtauld Institutes,<number>Vol. 42, </number>
               <address>London </address>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ames-Lewis 1979 II: </cut>
               <cut>.: </cut>

               <workauthor>Francis Ames-Lewis, </workauthor>
               <articletitle>&#8222;Domenico Veneziano and the Medici&#8220;, </articletitle>in: Jahrbuch der Berliner Museen (Jahrbuch der Preußischen Kunstsammlungen, Neue Folge), <volume>21,</volume>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ames-Lewis 1992: </cut>

               <editor>Francis Ames-Lewis (Hg.), </editor>&#8222;Cosimo &#8218;il Vecchio&#8216; de&#8216; Medici, 1389-1464. Essays in Commemoration of the 600th Anniversary of Cosimo de&#8216; Medici&#8217;s Birth&#8220;, <address>Oxford </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ames-Lewis 1993: </cut>

               <workauthor>Francis Ames-Lewis, </workauthor>
               <articletitle>&#8222;Art in the Service of the Family. </articletitle>
               <articletitle>The Taste and Patronage of Piero di Cosimo </articletitle>
               <articletitle>de&#8216; </articletitle>
               <articletitle>Medici&#8220;, </articletitle>in: <editor>Beyer/Boucher (Hg.),</editor> Piero de&#8217; Medici &#8222;il Gottoso&#8220; (1416 &#8211; 1469). Kunst im Dienste der Mediceer, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ames-Lewis 1995: </cut>

               <editor>Francis Ames-Lewis, (Hg.), </editor>&#8222;The Early Medici and their Artists&#8220;, <address>London </address>
               <pubdate>1995</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Angenendt: </cut>

               <workauthor>Arnold Angenendt, </workauthor>&#8222;Heilige und Reliquien &#8211; Die Geschichte ihres Kultes vom frühen Christentum bis zur Gegenwart&#8220;, <address>München </address>
               <pubdate>1994: </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Avery: </cut>

               <workauthor>Charles Avery, </workauthor>&#8222;Donatello. Catalogo Completo&#8220;, <address>Florenz </address>
               <pubdate>1991</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Azzi-Visentini: </cut>

               <workauthor>Margherita Azzi Visentini, </workauthor>&#8222;Die Italienische Villa. Bauten des 15. und 16. Jahrhunderts&#8220;, <address>Stuttgart </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Bartz: </cut>

               <workauthor>Gabriele Bartz, </workauthor>&#8222;Fra Angelico&#8220;, <address>Köln </address>
               <pubdate>1998</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Bayerische Staatsgemäldesammlungen: </cut>

               <editor>Bayerische Staatsgemäldesammlungen (Hg.), </editor>&#8222;Alte Pinakothek München&#8220;, <note>Kat. </note>
               <address>München </address>
               <pubdate>1986</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Berenson: </cut>

               <workauthor>Bernard Berenson, </workauthor>&#8222;Italian Pictures of the Renaissance. Florentine School&#8220;, <volume>6 </volume>
               <volume>Bde.,</volume>
               <volume/>
               <address>London </address>
               <pubdate>1963</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Berti: </cut>

               <editor>Luciano </editor>
               <editor>Berti</editor>
               <editor> u.a. (Hg.), </editor>&#8222;Gli Uffizi. Catalogo Generale&#8220;, <address>Florenz </address>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Beuys: </cut>

               <workauthor>Barbara Beuys, </workauthor>&#8222;Florenz. Stadtwelt &#8211; Weltstadt. Urbanes Leben von 1200-1500&#8220;, <address>Reinbek </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Beyer 1985: </cut>

               <workauthor>Andreas Beyer, </workauthor>&#8222;Der Zug der Könige. Studien zum Ausstattungsprogramm der Kapelle des Palazzo Medici&#8220;, Phil. Diss., <address>Frankfurt a. M. </address>
               <pubdate>1985</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Beyer 1993: </cut>

               <workauthor>Andreas Beyer, </workauthor>
               <articletitle>&#8222;Funktion und Repräsentation. Die Porphyr-Rotae der Medici&#8220;, </articletitle>in: <editor>Beyer/Boucher (Hg.),</editor> Piero de&#8216; Medici (1416-1469). Kunst im Dienste der Mediceer, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Beyer/Boucher: </cut>

               <editor>Andreas Beyer/Bruce Boucher (Hg.), </editor>&#8222;Piero de&#8216; Medici (1416-1469). Kunst im Dienste der Mediceer&#8220;, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Blume: </cut>

               <workauthor>Dieter Blume, </workauthor>
               <articletitle>&#8222;Ordenskonkurrenz und Bildpolitik. Franziskanische Programme nach dem theoretischen Armutsstreit&#8220;, </articletitle>in: <editor>Hans Belting/Dieter Blume (Hg.),</editor> Malerei und Stadtkultur in der Dantezeit, <address>München </address>
               <pubdate>1989</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Böninger: </cut>

               <workauthor>Lorenz Böninger, </workauthor>
               <articletitle>&#8222;Diplomatie im Dienst der Kontinuität. Piero de&#8216; Medici zwischen Rom und Mailand (1447-1454)&#8220;, </articletitle>in: <editor>Beyer/Boucher (Hg.),</editor> Piero de&#8216; Medici (1416-1469). Kunst im Dienste der Mediceer, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Borsi: </cut>

               <workauthor>Franco Borsi, Stefano Borsi, </workauthor>&#8222;Paolo Uccello. Florenz zwischen Gotik und Renaissance&#8220;, <address>Stuttgart u. Zürich </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Bredekamp 1973: </cut>

               <workauthor>Horst Bredekamp, </workauthor>
               <articletitle>&#8222;Renaissancekultur als Hölle: Savonarolas Verbrennungen der Eitelkeiten&#8220;, </articletitle>in: <editor>Martin Warnke (Hg.),</editor> Bildersturm. Die Zerstörung des Kunstwerks, <address>München </address>
               <pubdate>1973</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Bredekamp 1988: </cut>

               <workauthor>Horst Bredekamp, </workauthor>&#8222;Botticelli. Primavera. Florenz als Garten der Venus&#8220;, <address>Frankfurt a. M. </address>
               <pubdate>1988</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Bredekamp 1993: </cut>

               <workauthor>Horst Bredekamp, </workauthor>&#8222;Florentiner Fussball: Die Renaissance der Spiele. Calcio als Fest der Medici&#8220;, <address>Frankfurt a. M. </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Bredekamp 2000: </cut>

               <workauthor>Horst Bredekamp, </workauthor>&#8222;Sankt Peter in Rom und das Prinzip der produktiven Zerstörung. Bau und Abbau von Bramante bis Bernini&#8220;, <address>Berlin </address>
               <pubdate>2000</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Breidecker: </cut>

               <workauthor>Volker Breidecker, </workauthor>&#8222;Florenz oder: Die Rede, die zum Auge spricht. Kunst, Fest und Macht im Ambiente der Stadt&#8220;, <address>München </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Brion: </cut>

               <workauthor>Marcel Brion, </workauthor>&#8222;Die Medici&#8220;, <note>(dt.) </note>
               <address>München </address>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Brogan: </cut>

               <workauthor>Roy Brogan, </workauthor>&#8222;A Signature of Power and Patronage. The Medici Coat of Arms, 1299 &#8211; 1492&#8220;, <address>New York (etc.) </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Brown 1979 I: </cut>
               <cut>.: </cut>
               
               <workauthor>Alison Brown, </workauthor>&#8222;Bartolomeo Scala, 1430-1497, Chancellor of Florence: The Humanist as Bureaucrat&#8220;, <address>Princeton (NJ), </address>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Brown 1979 II.: </cut>
               
               <workauthor>Alison Brown, </workauthor>
               <articletitle>&#8222;Pierfrancesco </articletitle>
               <articletitle>de&#8216; Medici</articletitle>
               <articletitle>, 1430-1476: a radical alternative to elder medicean supremacy?&#8220;, </articletitle>in: Journal of the Warburg and Courtauld Institutes, <number>42, </number>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Brown 1986: </cut>
               
               <workauthor>Alison Brown, </workauthor>
               <articletitle>&#8222;Platonism in Fifteenth-Century Florence&#8220;, </articletitle>in:Journal of Modern History, <number>58,</number>
               <pubdate>1986</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Brown 1994: </cut>
               
               <editor>Alison Brown (Hg.), </editor>Guicciardini. Dialogue on the Government of Florence&#8220;, <address>Cambridge </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Brucker 1957: </cut>
               
               <workauthor>Gene A. Brucker, </workauthor>
               <articletitle>&#8222;The Medici in the Fourteenth Century&#8220;, </articletitle>in: Speculum, <volume>Vol. XXXII,</volume>
               <number/>
               <pubdate>01/1957,</pubdate>
               <number> No. 1</number>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Brucker 1977: </cut>
               
               <workauthor>Gene A. Brucker, </workauthor>&#8222;The Civic World of Early Renaissance Florence&#8220;, <address>Princeton </address>
               <pubdate>1977</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Brucker 1984: </cut>
               
               <workauthor>Gene A. Brucker, </workauthor>&#8222;Florenz. Stadtstaat, Kulturzentrum, Wirtschaftsmacht&#8220;, <address>München </address>
               <pubdate>1984</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Brunetti: </cut>
               
               <workauthor>G. Brunetti, </workauthor>&#8222;Il Museo dell&#8217;Opera del Duomo a Firenze&#8220;, <address>Mailand </address>
               <pubdate>1969</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Bulst 1970: </cut>
               
               <workauthor>Wolfgang A. Bulst, </workauthor>
               <articletitle>&#8222;Die ursprüngliche Aufteilung des Palazzo Medici in Florenz&#8220;, </articletitle>in: Mitteilungen des Kunsthistorischen Instituts in Florenz,<number>XIV.,</number>
               <pubdate>1970</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Bulst 1993: </cut>
               
               <workauthor>Wolfger A. Bulst, </workauthor>
               <articletitle>&#8222;Die sala grande des Palazzo Medici in Florenz. Rekonstruktion und Bedeutung&#8220;, </articletitle>in: <editor>Beyer/ Boucher (Hg.),</editor> Piero de&#8217;Medici &#8222;il Gottoso&#8220; (1416-1469), <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Burke: </cut>
               
               <workauthor>Peter Burke, </workauthor>&#8222;Die Renaissance in Italien. Sozialgeschichte einer Kultur zwischen Tradition und Erfindung&#8220;, <address>München </address>
               <pubdate>1988</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Burns: </cut>
               
               <workauthor>H. Burns, </workauthor>
               <articletitle>&#8222;San Lorenzo in Florence before the Building of the New Sacristy: An Early Plan&#8220;, </articletitle>in: Mitteilungen des Kunsthistorischen Institutes in Florenz,<number>23</number>
               <pubdate>(1979)</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Bussagli: </cut>
               
               <editor>Marco Bussagli</editor>
               <editor> (Hg.), </editor>&#8222;Rom. Kunst und Architektur&#8220;, <address>Köln </address>
               <pubdate>1999</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Butters: </cut>
               
               <workauthor>H.C. Butters, </workauthor>Early Sixteenth-Century Florence. 1502-1519.&#8220;, <address>Oxford </address>
               <pubdate>1985</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Cantagalli: </cut>
               
               <workauthor>R. Cantagalli, </workauthor>&#8222;Cosimo I. de&#8217; Medici, Granduca di Toscana.&#8220;, <address>Mailand </address>
               <pubdate>1985</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Cardini: </cut>
               
               <workauthor>Franco Cardini, </workauthor>&#8222;La Cavalcata d&#8217; Oriente. I Magi di Benozzo a Palazzo Medici&#8220;, <address>Rom </address>
               <pubdate>1991</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Carstensen: </cut>
               
               <workauthor>Gert Carstensen, Hans Schadewaldt, Paul Vogt, </workauthor>&#8222;Die Chirurgie in der Kunst&#8220;, <address>Düsseldorf u. Wien </address>
               <pubdate>1983</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Castelfranchi-Vegas: </cut>
               
               <workauthor>Liana Castelfranchi Vegas, </workauthor>&#8222;Italien und Flandern. Die Geburt der Renaissance&#8220;, <address>Stuttgart/Zürich </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Certini: </cut>
               
               <workauthor>Massimo Certini/Piero Salvadori, </workauthor>&#8222;Il Mugello. Guida alla scoperta del territorio e dei suoi tesori&#8220;, <address>Prato </address>
               <pubdate>1999</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Cesati: </cut>
               
               <workauthor>Franco Cesati, </workauthor>&#8222;Die Medici&#8220;, <address>Florenz </address>
               <pubdate>1999</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Chastel: </cut>
               
               <workauthor>Andre Chastel, </workauthor>&#8222;Art et humanisme à Florence au temps de Laurent le Magnifique: études sur la Renaissance et l&#8217; humanisme platonicien&#8220;, <address>Paris </address>
               <pubdate>1959</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Cherubini/Fanelli: </cut>
               
               <editor>Giovanni Cherubini/Giovanni Fanelli (Hg.), </editor>&#8222;Il Palazzo Medici Riccardi di Firenze&#8220;, <address>Florenz </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Christ: </cut>
               
               <workauthor>Karl Christ, </workauthor>&#8222;Krise und Untergang der Römischen Republik&#8220;, <address>Darmstadt </address>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Cleugh: </cut>
               
               <workauthor>James Cleugh, </workauthor>&#8222;Die Medici&#8220;, <address>München </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Corti: </cut>
               
               <workauthor>Laura Corti</workauthor>
               <workauthor>, </workauthor>&#8222;Vasari. Catalogo completo&#8220;, <address>Florenz </address>
               <pubdate>1989</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Cox-Rearick 1984: </cut>
               
               <workauthor>Janet Cox-Rearick, </workauthor>&#8222;Dynasty and Destiny in Medici Art &#8211; Pontormo, Leo X. and the two Cosimos&#8220;, <address>Princeton </address>
               <pubdate>1984</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Cox-Rearick 1993: </cut>
               
               <workauthor>Janet Cox-Rearick, </workauthor>&#8222;Bronzino&#8217;s Chapel of Eleonora in the Palazzo Vecchio&#8220;, <address>Berkeley, Los Angeles </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Damiani: </cut>
               
               <workauthor>Giovanna Damiani, </workauthor>&#8222;San Marco. Florence. The Museum and its Art&#8220;, <address>London </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>David-Danel: </cut>
               
               <workauthor>Marie Louise David-Danel, </workauthor>&#8222;Iconographie des Saints médicins Côme et Damien&#8220;, <address>Lille </address>
               <pubdate>1958</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Davidson: </cut>
               
               <workauthor>Robert Davidson, </workauthor>&#8222;Forschungen zur älteren Geschichte von Florenz&#8220;, <volume>4 Bde, </volume>
               <address>Berlin</address>
               <pubdate>1896-1908</pubdate>
               <note>(Reprint Osnabrück 1973)</note>
            </citation>
         
         
            <citation published="yes" workType="Misc">
               <cut>DeBolt: </cut>
               
               <workauthor>Darien C. DeBolt, </workauthor>&#8222;George Gemistos Plethon on God: Heterodoxy in Defense of Orthodoxy&#8220;, <note>Paper der University of Oklahoma in:</note>
               <url href="http://www.bu.edu/wcp/Papers/Medi/MediDebo.htm" type="URL">http://www.bu.edu/wcp/Papers/Medi/MediDebo.htm</url>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Degenhart: </cut>
               
               <workauthor>Bernhard Degenhart, Annegret Schmitt, </workauthor>&#8222;Gentile da Fabriano in Rom und die Anfänge des Antikenstudiums&#8220; in: Münchner Jahrbuch der Bildenden Kunst, <volume>3. </volume>
               <volume>Folge, Bd. XI.,</volume>
               <pubdate>1960</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>de: </cut>
               <cut> la Mare: </cut>
               
               <workauthor>A. C. de la Mare, </workauthor>
               <articletitle>&#8222;Cosimo and his books&#8220;, </articletitle>in: <editor>Francis Ames-Lewis (Hg.),</editor> Cosimo &#8218;il Vecchio&#8216; de&#8216; Medici, 1389-1464. Essays in Commemoration of the 600th Anniversary of Cosimo de&#8216; Medici&#8217;s Birth, <address>Oxford </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Delenda: </cut>
               
               <workauthor>Odile Delenda, </workauthor>&#8222;Rogier van der Weyden. Das Gesamtwerk&#8220;, <address>Stuttgart/Zürich </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Denley/Elam: </cut>
               
               <editor>Peter Denley und Caroline Elam, (Hg.), </editor>&#8222;Florence and Italy &#8211; Renaissance Studies in Honour of Nicolai Rubinstein&#8220;, <address>London </address>
               <pubdate>1988</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>de: </cut>
               <cut> Roover: </cut>
               
               <workauthor>Raymond de Roover, </workauthor>&#8222;The Rise and Decline of the Medici Bank. 1397-1494.&#8220;, <address>Cambridge, Mass., </address>
               <pubdate>1963.</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Deubner: </cut>
               
               <workauthor>Ludwig Deubner, </workauthor>&#8222;Kosmas und Damian&#8220;, <address>Leipzig, Berlin </address>
               <pubdate>1907</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Domestici: </cut>
               
               <workauthor>Fiamma Domestici, </workauthor>&#8222;Die Künstlerfamilie della Robbia&#8220;, <address>Florenz </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Dunkerton: </cut>
               
               <workauthor>Jill Dunkerton, Susan Foister, Dillian Gordon, Nicholas Penny, </workauthor>&#8222;Giotto to Dürer. Early Renaissance Painting in the National Gallery&#8220;, <address>London </address>
               <pubdate>1991</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Elam 1990: </cut>
               
               <workauthor>Caroline Elam, </workauthor>
               <articletitle>&#8222;Il Palazzo </articletitle>
               <articletitle>nel Contesto della</articletitle>
               <articletitle> Cittá: Strategie urbanistiche dei Medici nel Gonfalone del Leon d&#8217;Oro, 1415-1430&#8220;, </articletitle>in: <editor>Giovanni Cherubini/Giovanni Fanelli (Hg.),</editor> Il Palazzo Medici Riccardi di Firenze, <address>Florenz </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Elam 1992: </cut>
               
               <workauthor>Caroline Elam, </workauthor>
               <articletitle>&#8222;Cosimo </articletitle>
               <articletitle>de&#8216; </articletitle>
               <articletitle>Medici and San Lorenzo&#8220;, </articletitle>in: <editor>Francis Ames-Lewis (Hg.),</editor> Cosimo &#8218;il Vecchio&#8216; de&#8216; Medici, 1389-1464. Essays in Commemoration of the 600th Anniversary of Cosimo de&#8216; Medici&#8217;s Birth, <address>Oxford </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Fabriczy: </cut>
               
               <workauthor>C. Fabriczy, </workauthor>
               <articletitle>Michelozzo di Bartolomeo&#8216;, </articletitle>in: Jahrbuch der Königlich Preussischen Kunstsammlungen, <volume>25,</volume>
               <pubdate>1904</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Florenz: </cut>
               
               <serialtitle>Kat. Florenz </serialtitle>
               <pubdate>1993, </pubdate>&#8222;San Lorenzo. I documenti e i tesori nascosti&#8220; </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Frankfurter Kunstverein: </cut>
               
               <serialtitle>Kat. Frankfurter Kunstverein, </serialtitle>&#8222;Die Florentinischen Zeichnungen des Seicento&#8220;, <address>Frankfurt a. M. </address>
               <pubdate>1988</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Fraser: </cut>
               
               <workauthor>A.D. Fraser Jenkins, </workauthor>
               <articletitle>&#8222;Cosimo </articletitle>
               <articletitle>de&#8216; Medici&#8217;s</articletitle>
               <articletitle> Patronage of Architecture and the Theorie of Magnificence&#8220;, </articletitle>in: Journal of the Warburg and Courtauld Institutes, <number>33,</number>
               <pubdate>1970</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Galassi-Paluzzi: </cut>
               
               <workauthor>Carlos Galassi-Paluzzi, </workauthor>&#8222;SS. Cosma e Damiano&#8220;, <address>Rom </address>
               <pubdate>1962</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Gardner von Teuffel: </cut>
               
               <workauthor>C. Gardner von Teuffel, </workauthor>
               <articletitle>&#8222;Lorenzo Monaco, Filippo Lippi und Filippo Brunelleschi: Die Erfindung der Renaissancepala&#8220;, </articletitle>in: Zeitschrift für Kunstgeschichte, <number>45,</number>
               <pubdate>1982</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Gebhardt: </cut>
               
               <workauthor>Volker Gebhardt, </workauthor>
               <articletitle>&#8222;Ein Porträt Cosimo de&#8216; Medicis von Paolo Uccello. </articletitle>
               <articletitle>Zur Ikonologie der &#8218;</articletitle>
               <articletitle>Sintflut&#8216; </articletitle>
               <articletitle>im Chiostro Verde von Santa Maria Novella in Florenz&#8220;, </articletitle>in: Pantheon<number>48</number>, <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Giglioli: </cut>
               
               <editor>Odoardo H. Giglioli (Hg.), </editor>&#8222;Catalogo delle cose d&#8217;arte e di antichità d&#8217;Italia. Fiesole&#8220;, <address>Rom </address>
               <pubdate>1933</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Gill: </cut>
               
               <workauthor>Joseph Gill, </workauthor>&#8222;Personalities of the Council of Florence &#8211; and other Essays&#8220;, <address>Oxford </address>
               <pubdate>1964</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Gockerell: </cut>
               
               <workauthor>Nina Gockerell, </workauthor>&#8222;Il Bambino Gesù. Italienische Jesuskindfiguren aus drei Jahrhunderten. Sammlung Hiky Mayr&#8220;, <address>München </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Goldthwaite 1980: </cut>
               
               <workauthor>Richard A. Goldthwaite, </workauthor>&#8222;The Building of Renaissance Florence&#8220;, <address>Baltimore u. London </address>
               <pubdate>1980</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Goldthwaite 1993: </cut>
               
               <workauthor>Richard A. Goldthwaite, </workauthor>&#8222;Wealth and the Demand for Art in Italy. 1300 &#8211; 1600&#8220;, <address>Baltimore u. London </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Gombrich: </cut>
               
               <workauthor>Ernst Gombrich, </workauthor>
               <articletitle>&#8222;Die Medici als Kunstmäzene. Ein Überblick über die Zeugnisse des 15. Jahrhunderts&#8220;, </articletitle>in: <editor>ders.,</editor> Norm und Form. Zur Kunst der Renaissance I., <address>Stuttgart </address>
               <pubdate>1985</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Gowing: </cut>
               
               <workauthor>Lawrence Gowing, </workauthor>&#8222;Die Gemäldesammlung des Louvre&#8220;, <note>(dt.) </note>
               <address>Köln </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Gregori 1961: </cut>
               
               <workauthor>Mina Gregori, </workauthor>&#8222; Nuovi accertamenti in Toscana sulla pittura &#8218;caricata&#8216; e giocosa&#8220;, in: Arte antica e moderna, <volume>13-16,</volume>
               <pubdate>1961</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Gregori 1992: </cut>
               
               <editor>Mina Gregori/Antonio Paolucci/Cristina Acidini Luchinat (Hg.), </editor>
               <note>Kat</note>
               <note>.</note>, &#8222; Maestri e Botteghe. Pittura a Firenze alla fine del Quattrocento&#8220;, <address>Florenz </address>
               <pubdate>1992</pubdate>
               <pubdate/>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Gregori 1994: </cut>
               
               <editor>Mina Gregori (Hg.), </editor>&#8222;Paintings in the Uffizi &amp; Pitti Galleries&#8220;, <address>Boston etc. </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Grmek: </cut>
               
               <editor>Mirko D. Grmek, (Hg.), </editor>&#8222;Die Geschichte des medizinischen Denkens. Antike und Mittelalter&#8220;, <address>München </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Grote: </cut>
               
               <workauthor>Hermann Grote, </workauthor>&#8222;Stammtafeln. Europäische Herrscher- und Fürstenhäuser&#8220;, <address>Leipzig</address>
               <pubdate>1877</pubdate>
               <note>(Reprint o. J.)</note>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Guicciardini: </cut>
               
               <workauthor>Francesco Guicciardini, </workauthor>
               <articletitle>&#8222;Scritti autobiografici e rari&#8220;, </articletitle>in: <editor>R. Palmarocchi (Hg.), </editor>Scrittori d&#8217;Italia, <volume>Vol. 9, </volume>
               <address>Bari </address>
               <pubdate>1936</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Hamburger Kunsthalle: </cut>
               
               <editor>Hamburger Kunsthalle (Hg.), </editor>
               <note>Kat.</note>, &#8222;Das Florentiner Seicento. Malerei und Graphik unter den Großherzögen Ferdinando I. bis Cosimo III. de&#8216; Medici&#8220;, <address>Hamburg </address>
               <pubdate>1987</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Hatfield 1970 I: </cut>
               <cut>.: </cut>
               
               <workauthor>Rab Hatfield, </workauthor>
               <articletitle>&#8222;The Compagnia de&#8216; Magi&#8220;, </articletitle>in: Journal of the Warburg and Courtauld Institutes, <number>33,</number>
               <pubdate>1970</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Hatfield 1970 II.: </cut>
               
               <workauthor>Rab Hatfield, </workauthor>
               <articletitle>&#8222;Some Unknown Descriptions of the Medici Palace in 1459&#8220;, </articletitle>in: The Art Bulletin, <number>52,</number>
               <pubdate>1970</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Hatfield 1976: </cut>
               
               <workauthor>Rab Hatfield, </workauthor>&#8222;Botticelli&#8217;s Uffizi &#8218;Adoration&#8216;. A Study in Pictorial Content&#8220;, <address>Princeton </address>
               <pubdate>1976</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Hatfield 1992: </cut>
               
               <workauthor>Rab Hatfield, </workauthor>
               <articletitle>&#8222;Cosimo </articletitle>
               <articletitle>de&#8216; Medici</articletitle>
               <articletitle> and the Chapel of his Palace&#8220;, </articletitle>in: <editor>Francis Ames-Lewis (Hg.),</editor> Cosimo &#8218;il Vecchio&#8216; de&#8216; Medici, 1389-1464. Essays in Commemoration of the 600th Anniversary of Cosimo de&#8216; Medici&#8217;s Birth, <address>Oxford </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Hausmann: </cut>
               
               <workauthor>Friederike Hausmann, </workauthor>&#8222;Die Macht aus dem Schatten. Alessandra Strozzi und Lucrezia Medici. Zwei Frauen im Florenz der Renaissance&#8220;, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Hibbard: </cut>
               
               <workauthor>Howard Hibbard, </workauthor>&#8222;The Metropolitan Museum of Art&#8220;, <address>New York </address>
               <pubdate>1980</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Hibbert: </cut>
               
               <workauthor>Christopher Hibbert, </workauthor>&#8222;The Rise and Fall of the House of Medici&#8220;, <address>London </address>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Holmes: </cut>
               
               <workauthor>G. Holmes, </workauthor>
               <articletitle>&#8222;How the Medici became the Pope&#8217;s Bankers</articletitle>
               <articletitle>&#8220; </articletitle>in: <editor>Nikolai Rubinstein (Hg.),</editor> Florentine Studies, <address>London, </address>
               <pubdate>1968</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Hood: </cut>
               
               <workauthor>William Hood, </workauthor>&#8222;Fra Angelico at San Marco&#8220;, <address>New Haven, London </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Jacquart: </cut>
               
               <workauthor>Danielle Jacquart, </workauthor>
               <articletitle>&#8222;Die scholastische Medizin&#8220;, </articletitle>in: <editor>Mirko D. Grmek (Hg.),</editor> Die Geschichte des medizinischen Denkens, <address>München </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Jones: </cut>
               
               <workauthor>Roger Jones, Nicholas Penny, </workauthor>&#8222;Raffael&#8220;, <address>München </address>
               <pubdate>1983</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kecks: </cut>
               
               <workauthor>Ronald G. Kecks, </workauthor>&#8222;Ghirlandaio. Catalogo Completo&#8220;, <address>Florenz </address>
               <pubdate>1995</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kent, D. 1978: </cut>
               
               <workauthor>Dale Kent, </workauthor>&#8222;The Rise of the Medici. Faction in Florence &#8211; 1426-1434&#8220;, <address>Oxford </address>
               <pubdate>1978</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kent, D. 1992: </cut>
               
               <workauthor>D. Kent, </workauthor>
               <articletitle>&#8222;The Buonomini di San Martino: Charity for the &#8218;glory of God, the honour of the city, and the commemoration of myself&#8216;&#8220;, </articletitle>in: <editor>Ames-Lewis (Hg.)</editor> Cosimo &#8218;il Vecchio&#8216; de&#8216; Medici, 1389-1464. Essays in Commemoration of the 600th Anniversary of Cosimo de&#8216; Medici&#8217;s Birth&#8220;, <address>Oxford </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kent, D. 2000: </cut>
               
               <workauthor>Dale Kent, </workauthor>&#8222;Cosimo de&#8216; Medici and the Florentine Renaissance&#8220;, <address>New Haven u. London </address>
               <pubdate>2000</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kent, F.W. 1987 I: </cut>
               <cut>.: </cut>
               
               <workauthor>F. W. Kent, </workauthor>
               <articletitle>&#8222;Palaces, Politics and Society in Fifteenth-Centruy Florence&#8220;, </articletitle>in:I Tatti Studies, <volume>2, </volume>
               <pubdate>1987</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kent, F.W. 1987 II.: </cut>
               
               <editor>F.W. Kent, P. Simons (Hg), </editor>&#8218;Patronage, Art, and Society in Renaissance Italy&#8216;, <address>Oxford </address>
               <pubdate>1987</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kersting: </cut>
               
               <workauthor>Markus Kersting, </workauthor>&#8222;San Giovanni dei Fiorentini in Rom und die Zentralbauideen des Cinquecento&#8220;, <address>Worms </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kindermann: </cut>
               
               <workauthor>Heinz Kindermann, </workauthor>&#8222;Das Theaterpublikum der Renaissance&#8220;, <volume>2 </volume>
               <volume>Bde.,</volume>
               <volume/>
               <address>Salzburg </address>
               <pubdate>1984</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Klapisch-Zuber: </cut>
               
               <workauthor>Christiane Klapisch-Zuber, </workauthor>&#8222;La maison et le nom. Stratégies et rituels dans l&#8217;Italie de la Renaissance.&#8220;, <address>Paris </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Kunsthistorisches Institut in Florenz: </cut>
               
               <editor>Kunsthistorisches Institut in Florenz (Hg.), </editor>
               <serialtitle>Italienische Forschungen;</serialtitle>
               <volume>Folge 3, Bd. 16, </volume>&#8222;Donatello Studien&#8220;, <address>München </address>
               <pubdate>1989</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Langedijk: </cut>
               
               <workauthor>Karla Langedijk, </workauthor>&#8222;The Portraits of the Medici&#8220;, <address>Florenz </address>
               <pubdate>1982</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Liebenwein: </cut>
               
               <workauthor>Wolfgang Liebenwein, </workauthor>
               <articletitle>&#8222;Die &#8218;Privatisierung&#8216; des Wunders. </articletitle>
               <articletitle>Piero </articletitle>
               <articletitle>de&#8216; </articletitle>
               <articletitle>Medici in SS. Annunziata und San Miniato&#8220;, </articletitle>
               <editor>in: Beyer/Boucher (Hg.), .),</editor> Piero de&#8216; Medici (1416-1469). Kunst im Dienste der Mediceer, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Lightbown: </cut>
               
               <workauthor>Ronald Lightbown, </workauthor>&#8222;Botticelli. Life and Work&#8220;, <address>New York, London </address>
               <pubdate>1989</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Lillie: </cut>
               
               <workauthor>Amanda Lillie, </workauthor>
               <articletitle>&#8222;Chiese delle Ville Medicee ai Tempi di Michelozzo&#8220;, </articletitle>
               <editor>in: Gabriele Morolli (Hg.), </editor>Michelozzo. Scultore e Architetto, 1396-1472, <address>Florenz </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Locher: </cut>
               
               <workauthor>Hubert Locher, </workauthor>&#8222;Domenico Ghirlandaio. Hieronymus im Gehäuse&#8220;, <address>Frankfurt a. M. </address>
               <pubdate>1999</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Lowe: </cut>
               
               <workauthor>Katherine Lowe, </workauthor>
               <articletitle>&#8222;A Matter of Piety or of Family Tradition and Custom? </articletitle>
               <articletitle>The Artistic Patronage of Piero </articletitle>
               <articletitle>de&#8216; </articletitle>
               <articletitle>Medici and Lucrezia Tornabuoni&#8220;, </articletitle>
               <editor>in: Beyer/Boucher (Hg.), </editor>Piero de&#8217; Medici &#8222;il Gottoso&#8220; (1416 &#8211; 1469). Kunst im Dienste der Mediceer, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Mallett: </cut>
               
               <editor>Michael Mallett und Nicholas Mann, (Hrg.), </editor>&#8222;Lorenzo the Magnificent &#8211; Culture and Politics&#8220;, <address>London </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Marchini: </cut>
               
               <workauthor>Giuseppe Marchini, </workauthor>&#8222;Filippo Lippi&#8220;, <address>Mailand </address>
               <pubdate>1975</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Marle: </cut>
               
               <workauthor>Raimond van Marle, </workauthor>&#8222;The Developement of the Italian Schools of Painting&#8220;, <address>Den Haag </address>
               <pubdate>1927</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Martineau: </cut>
               
               <editor>Jane Martineau (Hg.), </editor>
               <note>Kat.</note>, &#8222;Andrea Mantegna&#8220;, Royal Academy of Arts, <address>London </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Massinelli: </cut>
               
               <editor>Anna Maria Massinelli, Filippo Tuena (Hg.), </editor>&#8222;Treasures of the Medici&#8220;, <note>(engl.) </note>
               <address>New York </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>McKillop: </cut>
               
               <workauthor>Susan McKillop, </workauthor>
               <articletitle>&#8222;Dante and Lumen Christi&#8220;, </articletitle>
               <pages>S. 245ff.</pages> in: <editor>Francis Ames-Lewis (Hg.),</editor> Cosimo &#8218;il Vecchio&#8216; de&#8216; Medici, 1389-1464, Essays in Commemoration of the 600th Anniversary of Cosimo de&#8216; Medici&#8217;s Birth, <address>Oxford </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>McNeal-Caplow: </cut>
               
               <workauthor>Harriet McNeal-Caplow, </workauthor>&#8222;Michelozzo&#8220;, <address>New York, London </address>
               <pubdate>1977</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Misc">
               <cut>Metropolitan Museum of Art: </cut>
               
               <editor>Metropolitan Museum of Art, New York, </editor>
               <note>Online Kat.,</note>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Miller: </cut>
               
               <workauthor>J. Miller, </workauthor>
               <articletitle>&#8222;Medici Patronage and the Iconography of Fra Angelico&#8217;s San Marco Altarpiece&#8220;, </articletitle>in: Studies in Iconography, <volume>11,</volume>
               <pubdate>1987</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Mitterauer: </cut>
               
               <workauthor>Michael Mitterauer, </workauthor>&#8222;Ahnen und Heilige &#8211; Namensgebung in der europäischen Geschichte&#8220;, <address>München </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Mout: </cut>
               
               <editor>Nicolette Mout (Hg.), </editor>&#8222;Die Kultur des Humanismus. Reden, Briefe, Traktate, Gespräche von Petrarca bis Kepler&#8220;, <address>München </address>
               <pubdate>1998</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Muccini: </cut>
               
               <workauthor>Ugo Muccini, Alessandro Cecchi, </workauthor>&#8222;The Apartments of Cosimo in Palazzo Vecchio&#8220;, <address>Florenz </address>
               <pubdate>1991</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Müntz: </cut>
               
               <workauthor>E. Müntz, </workauthor>&#8222;Les collections des Médicis au Ouinzième sciècle&#8220;, <address>Paris </address>
               <pubdate>1888</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>National Gallery London: </cut>
               
               <editor>Trustees of the National Gallery Publications (Hg.), </editor>&#8222;National Gallery. Illustrated General Catalogue&#8220;, <address>London </address>
               <pubdate>1986</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Nigg: </cut>
               
               <workauthor>Walter Nigg, </workauthor>&#8222;Vom Geheimnis der Mönche&#8220;, <address>Zürich </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Nigro: </cut>
               
               <editor>Salvatore S. Nigro (Hg.), </editor>&#8222;Pontormo. Fresken und Gemälde&#8220;, <note>(dt.) </note>
               <address>München </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Obergruber-Boerner: </cut>
               
               <workauthor>Carlos Obergruber-Boerner, </workauthor>&#8222;Die Epiphanie der Medici. Bild, Vorbild und Abbild von Benozzo Gozzolis Fresken des Zugs der hll. Drei Könige in der Kapelle des Medici-Palastes zu Florenz&#8220;, Mag. Arbeit, <address>Hamburg </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Origo 1985: </cut>
               
               <workauthor>Iris Origo, </workauthor>&#8222;Im Namen Gottes und des Geschäfts&#8220;, <address>München </address>
               <pubdate>1985</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Origo 1989: </cut>
               
               <workauthor>Iris Origo, </workauthor>&#8222;Der Heilige der Toskana. Leben und Zeit des Bernhardin von Siena&#8220;, <address>München </address>
               <pubdate>1989</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Paatz: </cut>
               
               <workauthor>Walter Paatz, Elisabeth Paatz, </workauthor>&#8222;Die Kirchen von Florenz&#8220;, <volume>5 Bde., </volume>
               <address>Frankfurt a.M. </address>
               <pubdate>1952</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Padoa-Rizzo: </cut>
               
               <workauthor>Anna Padoa-Rizzo, </workauthor>&#8222;Benozzo Gozzoli. Catalogo completo&#8220;, <address>Florenz </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Paoletti 1990: </cut>
               
               <workauthor>John T. Paoletti, </workauthor>
               <articletitle>&#8218; Donatello&#8217;s Bronze Doors for the Old Sacristy of San Lorenzo&#8216;, </articletitle>in: Artibus et Historiae, <volume>21,</volume>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Paoletti 1993: </cut>
               
               <workauthor>John T. Paoletti, </workauthor>
               <articletitle>&#8222;...ha fatto Piero con voluntà del padre...&#8220;, </articletitle>in: <editor>Beyer/Boucher (Hg.),</editor> Piero de&#8217; Medici &#8222;il Gottoso&#8220; (1416 &#8211; 1469). Kunst im Dienste der Mediceer, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Paolozzi-Strozzi: </cut>
               
               <workauthor>Beatrice Paolozzi-Strozzi, </workauthor>
               <articletitle>&#8222;The Adoration of the Child by the Workshop of Filippo Lippi&#8220;, </articletitle>in: <editor>Cristina Acidini Luchinat (Hg.),</editor> The Chapel of the Magi. Benozzo Gozzoli&#8217;s Frescoes in the Palazzo Medici-Riccardi Florence, (engl.) <address>London </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Paolucci: </cut>
               
               <workauthor>Antonio Paolucci (Hg.), </workauthor>
               <articletitle>&#8222;Il Battistero di San Giovanni a Firenze&#8220;, </articletitle>Mirabilia Italiae, 2, <editor>Salvatore Settis (Hg.),</editor>
               <address>Modena </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Park: </cut>
               
               <workauthor>Katharine Park, </workauthor>Doctors and Medicine in Early Renaissance Florence&#8220;, <address>Princeton </address>
               <pubdate>1985</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Piper: </cut>
               
               <workauthor>Ernst Piper, </workauthor>&#8222;Savonarola. Prophet der Diktatur Gottes&#8220;, <address>Zürich </address>
               <pubdate>1998</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Planiscig: </cut>
               
               <workauthor>Leo Planiscig, </workauthor>&#8222;Donatello&#8220;, <address>Wien </address>
               <pubdate>1939</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Pope-Hennessy 1986: </cut>
               
               <workauthor>John Pope-Hennessy, </workauthor>&#8222;Donatello&#8220;, <address>Frankfurt a. M., Berlin </address>
               <pubdate>1986</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Pope-Hennessy 1993: </cut>
               
               <workauthor>John Pope-Hennessy, </workauthor>&#8222;Donatello Sculptor&#8220;, <address>New York </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Pope-Hennessy 2000: </cut>
               
               <workauthor>John Pope-Hennessy, </workauthor>&#8222;Italian Renaissance Sculpture&#8220;, <address>London </address>
               <pubdate>2000</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Reinhardt 1990: </cut>
               
               <workauthor>Volker Reinhardt, </workauthor>&#8222;Florenz zur Zeit der Renaissance. Die Kunst der Macht und die Botschaft der Bilder&#8220;, <address>Freiburg, Würzburg </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Reinhardt 1992: </cut>
               
               <editor>Volker Reinhardt (Hg.), </editor>&#8222;Die großen Familien Italiens&#8220;, <address>Stuttgart </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Reinhardt 1998: </cut>
               
               <workauthor>Volker Reinhardt, </workauthor>&#8222;Die Medici. Florenz im Zeitalter der Renaissance&#8220;, <address>München </address>
               <pubdate>1998</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Robinson 1984: </cut>
               
               <workauthor>Crispin Robinson, </workauthor>&#8222;Cosimo de&#8216; Medici&#8217;s Patronage of the Observantist Movement&#8220;, <editor>Courtauld Institute of Art, University of London, </editor>
               <pubdate>1984</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Robinson 1992: </cut>
               
               <workauthor>Crispin Robinson, </workauthor>
               <articletitle>&#8222;Cosimo </articletitle>
               <articletitle>de&#8216; </articletitle>
               <articletitle>Medici and the Franciscan Observants at Bosco ai Frati&#8220;, </articletitle>in: <editor>Ames-Lewis (Hg.),</editor> Cosimo &#8218;il Vecchio&#8216; de&#8216; Medici, 1389-1464, <address>Oxford </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Robinson 1995: </cut>
               
               <workauthor>Crispin Robinson, </workauthor>
               <articletitle>&#8222;Cosimo </articletitle>
               <articletitle>de&#8216; Medici</articletitle>
               <articletitle> and Architecture&#8220;, </articletitle>in: <editor>Francis Ames-Lewis (Hg.),</editor> The Early Medici and their Artists, <address>London </address>
               <pubdate>1995</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Roettgen: </cut>
               
               <workauthor>Steffi Roettgen, </workauthor>&#8222;Wandmalerei der Frührenaissance in Italien. Bd. I Anfänge und Entfaltung 1400 &#8211; 1470&#8220;, <address>München </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Rohlmann: </cut>
               
               <workauthor>Michael Rohlmann, </workauthor>
               <articletitle>&#8222;Flämische Tafelmalerei im Kreis des Piero de&#8216; Medici&#8220;, </articletitle>in: <editor>Beyer/Boucher (Hg.),</editor> Piero de&#8217;Medici &#8222;il Gottoso (1416-1469). Kunst im Dienste der Mediceer&#8220;, <address>Berlin </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Rosenauer: </cut>
               
               <workauthor>Artur Rosenauer, </workauthor>
               <articletitle>&#8222;Van Eyk und Italien&#8220;, </articletitle>in: <editor>Joachim Poeschke (Hg.),</editor> Italienische Frührenaissance und nordeuropäisches Mittelalter, <address>München </address>
               <pubdate>1993.</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Rosenthal: </cut>
               
               <workauthor>Elaine G. Rosenthal, </workauthor>
               <articletitle>&#8222;The Position of Women in Renaissance Florence: neither Autonomy nor Subjection&#8220;, </articletitle>in: <editor>Peter Denley, Caroline Elam (Hg.),</editor> Florence and Italy. Renaissance Studies in Honour of Nicolai Rubinstein, <address>London </address>
               <pubdate>1988</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Rossi: </cut>
               
               <workauthor>Vittorio Rossi</workauthor>
               <workauthor>, </workauthor>
               <articletitle>&#8222;L&#8217;indole e gli studi di Giovanni di Cosimo de&#8216; Medici. Notizie e Documenti&#8220;, </articletitle>in: Rendiconti dell&#8217;Accademia dei Lincei. Classe di scienze morali, storciche e filologiche, <volume>5, 2, </volume>
               <pubdate>1893</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Rubinstein 1968: </cut>
               
               <editor>Nicolai Rubinstein (Hg), </editor>&#8222;Florentine Studies. Politics and Society in Renaissance Florence&#8220;, <address>London </address>
               <pubdate>1968</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Rubinstein 1995: </cut>
               
               <workauthor>Nicolai Rubinstein, </workauthor>&#8222;The Palazzo Vecchio.1298-1532. Government, Architecture and Imagery in the Civic Palace of the Florentine Republic&#8220;, <address>Oxford </address>
               <pubdate>1995</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Rubinstein 1997: </cut>
               
               <workauthor>Nicolai Rubinstein, </workauthor>&#8222;The Government of Florence under the Medici &#8211; 1434 to 1494&#8220;, <address>Oxford </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ruda: </cut>
               
               <workauthor>Jeffrey Ruda, </workauthor>&#8222;Fra Filippo Lippi. Life and Work&#8220;, <address>London </address>
               <pubdate>1999</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Ruschi: </cut>
               
               <workauthor>Pietro Ruschi, </workauthor>
               <articletitle>&#8222;Una collaborazione interotta: Brunelleschi e Donatello nella Sagrestia Vecchia di San Lorenzo&#8220;, </articletitle>in: <editor>Kunsthistorisches Institut in Florenz (Hg.),</editor>
               <serialtitle>Italienische Forschungen;</serialtitle>
               <volume>Folge 3, Bd</volume>
               <volume>. </volume>
               <volume>16, </volume>&#8222;Donatello Studien&#8220;, <address>München </address>
               <pubdate>1989</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Saalman: </cut>
               
               <workauthor>H. Saalman, P. Mattox, </workauthor>
               <articletitle>&#8218;The First Medici Palace&#8216;, </articletitle>in<em>: </em>Journal of the Society of Architectural Historians, <number>44,</number>
               <pubdate>1985</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Sande: </cut>
               
               <workauthor>S. Sande, J. Zahle, </workauthor>
               <articletitle>&#8222;Der Tempel der Dioskuren auf dem Forum Romanum&#8220;, </articletitle>in: Kat Berlin 1988, Augustus und die verlorene Republik </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Sander: </cut>
               
               <workauthor>Jochen Sander, </workauthor>
               <note>Kat., </note>&#8222;Die Entdeckung der Kunst. Niederländische Kunst des 15. und 16. Jahrhunderts in Frankfurt&#8220;, <address>Frankfurt a. M. </address>
               <pubdate>1995</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Scalini: </cut>
               
               <workauthor>Mario Scalini, </workauthor>
               <articletitle>&#8222;Die Entstehung der Sammlung im 15. Jahrhundert, ihre Zerstreuung und die Rückkehr nach Florenz&#8220;, </articletitle>in <editor>Acidini Luchinat (Hg.),</editor> Die Schätze der Medici, <address>München </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Schelle: </cut>
               
               <workauthor>Klaus Schelle, </workauthor>&#8222;Die Sforza&#8220;, <address>Essen </address>
               <pubdate>o.J.</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Sciolla: </cut>
               
               <workauthor>Gianni Sciolla, </workauthor>&#8222;Die Medici Villen in der Toskana&#8220;, <note>ohne Ort </note>
               <pubdate>1989</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Seznec: </cut>
               
               <workauthor>Jean Seznec, </workauthor>&#8222;Das Fortleben der Antiken Götter. Die Mythologische Tradition im Humanismus und in der Kunst der Renaissance&#8220;, <note>(dt.) </note>
               <address>München </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Shearman: </cut>
               
               <workauthor>J. Shearman, </workauthor>
               <articletitle>&#8218;The Collections of the Younger Branch of the Medici&#8216;, </articletitle>in: Burlington Magazine, <number>117,</number>
               <pubdate>1975</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Sperling: </cut>
               
               <workauthor>C. Sperling, </workauthor>&#8218;Verrocchio&#8217;s Medici Tombs&#8216;, in: <editor>Steven Bule (Hg.),</editor> Andrea del Verrocchio and Late Quattrocento Sculpture, <address>Florence </address>
               <pubdate>1991</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Spike: </cut>
               
               <workauthor>John T. Spike, </workauthor>&#8222;Fra Angelico. Leben und Werk&#8220;, <address>München </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Spinosa: </cut>
               
               <editor>Nicola Spinosa</editor>
               <editor> (Hg.), </editor>
               <note>Kat.</note>, &#8222;The National Museum of Capodimonte&#8220;, <address>Neapel </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Spunda: </cut>
               
               <workauthor>Franz Spunda, </workauthor>&#8222;Geschichte der Medici&#8220;, <address>München </address>
               <pubdate>1944</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Staatliche Museen Preußischer Kulturbesitz: </cut>
               
               <editor>Berlin-Dahlem </editor>
               <pubdate>1975, </pubdate>&#8222;Katalog der ausgestellten Gemälde des 13.-18. Jahrhunderts <address><br/></address>
               <editor>Antikenmuseum Berlin, Staatliche Museen Preussischer Kulturbesitz (Hg.), </editor>&#8222;Kaiser Augustus und die verlorene Republik&#8220;, <note>Kat. </note>
               <address>Berlin </address>
               <pubdate>1988</pubdate>
               <editor>Staatliche Museen Preussischer Kulturbesitz, </editor>&#8222;Gemäldegalerie Berlin. Geschichte der Sammlung und ausgewählte Meisterwerke.&#8220;, <address>Berlin </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Städelsches Kunstinstitut: </cut>
               
               <editor>Städelsches Kunstinstitut (Hg.), </editor>&#8222;Verzeichnis der Gemälde aus dem Besitz des Städelschen Kunstinstituts und der Stadt Frankfurt&#8220;, <address>Frankfurt a. M. </address>
               <pubdate>1971</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Steinberg: </cut>
               
               <workauthor>Leo Steinberg, </workauthor>&#8222;The Sexuality of Christ in Renaissance Art and in Modern Oblivion&#8220;, <address>New York </address>
               <pubdate>1983</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Steinmann: </cut>
               
               <workauthor>Ernst Steinmann, </workauthor>&#8222;Die sixtinische Kapelle&#8220;, <volume>3 Bde., </volume>
               <address>München </address>
               <pubdate>1901 &#8211; 1905</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Stephens: </cut>
               
               <workauthor>J. N. Stephens, </workauthor>&#8222;The Fall of the Florentine Republic. 1512-1530.&#8220;, <address>Oxford </address>
               <pubdate>1983</pubdate>
               <pubdate>. </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Syre: </cut>
               
               <workauthor>Cornelia Syre, </workauthor>
               <note>Kat</note>
               <note>.</note>, &#8222;Fra Angelico. Die Münchner Tafeln und der Hochaltar von San Marco in Florenz&#8220;, <address>München </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Tarassi: </cut>
               
               <workauthor>Tarassi, </workauthor>
               <articletitle>&#8222;Il committente: la famiglia Medici dalle origini al Quattrocento&#8220;, </articletitle>in: <editor>G</editor>
               <editor>. Cherubini/G. Fanelli (Hg.), </editor>Il Palazzo Medici Riccardi di Firenze, <address>Florenz </address>
               <pubdate>1990</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Journal">
               <cut>Teubner: </cut>
               
               <workauthor>Hans Teubner, </workauthor>
               <articletitle>&#8222;San Marco in Florenz: Umbauten vor 1500. Ein Beitrag zum Werk des Michelozzo&#8220;, </articletitle>in: Mitteilungen des Kunsthistorischen Institutes in Florenz, <volume>XXIII,</volume>
               <pubdate>1979</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Thiel: </cut>
               
               <workauthor>Erika Thiel, </workauthor>&#8222;Geschichte des Kostüms. Die europäische Mode von den Anfängen bis zur Gegenwart&#8220;, <address>Berlin </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Toman: </cut>
               
               <editor>Rolf Toman (Hg.), </editor>&#8222;Die Kunst der italienischen Renaissance&#8220;, <address>Köln </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Tönnesmann: </cut>
               
               <workauthor>Andreas Tönnesmann, </workauthor>
               <articletitle>&#8222;Zwischen Bürgerhaus und Residenz. Zur sozialen Typik des Palazzo Medici&#8220;, </articletitle>in: <editor>Beyer/Boucher (Hg.),</editor> Piero de&#8217;Medici &#8222;il Gottoso&#8220; (1416-1469) Kunst im Dienste der Mediceer, <address>Berlin </address>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Tosone: </cut>
               
               <editor>Augusta Tosone (Hg.), </editor>
               <note>Kat</note>
               <note>.</note>, &#8222;Accademia Gallery&#8220;, (engl.) <address>Florenz </address>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Traeger 1986: </cut>
               
               <workauthor>Jörg Traeger, </workauthor>
               <articletitle>&#8222;Die Begegnung Leos d. Großen mit Attila&#8220; </articletitle>in: Raffaello a Roma, <address>Rom </address>
               <pubdate>1986</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Traeger 1997: </cut>
               
               <workauthor>Jörg Traeger, </workauthor>&#8222;Renaissance und Religion. Die Kunst des Glaubens im Zeitalter Raphaels&#8220;, <address>München </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Trexler 1987: </cut>
               
               <workauthor>Richard C. Trexler, </workauthor>
               <articletitle>&#8222;The magi enter Florence: The Ubriachi of Florence and Venice</articletitle>
               <articletitle>&#8220; </articletitle>in: Church and Comunity, 1200-1600. Studies in the History of Florence and New Spain, <address>Rom </address>
               <pubdate>1987</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Trexler 1996: </cut>
               
               <workauthor>Richard Trexler, </workauthor>&#8222;Public Life in Renaissance Florence&#8220;, <address>Ithaca u. London </address>
               <pubdate>1996</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Trexler 1997: </cut>
               
               <workauthor>Richard C. Trexler, </workauthor>&#8222;The Journey of the Magi. Meanings in History of a Christian Story, <address>Princeton </address>
               <pubdate>1997</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Trudzinski: </cut>
               
               <workauthor>Meinolf Trudzinski, </workauthor>&#8222;Beobachtungen zu Donatellos Antikenrezeption&#8220;, <address>Berlin </address>
               <pubdate>1986</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Tylus: </cut>
               
               <editor>Jane Tylus (Hg.), </editor>&#8222;Lucrezia Tornabuoni de&#8216; Medici. Sacred Narratives&#8220;, <address>Chicago u. London </address>
               <pubdate>2001 </pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Verde: </cut>
               
               <workauthor>Armando F. Verde, </workauthor>
               <articletitle>&#8222;Girolamo Savonarola e Firenze&#8220;, </articletitle>in: <editor>Gianfranco Rolfi, Ludovica Sebregondi, Paolo Viti (Hg.),</editor> La chiesa e la città a Firenze nel XV. Secolo, <note>Kat.</note>
               <address>Florenz </address>
               <pubdate>1992</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Verdon: </cut>
               
               <workauthor>Timothy Verdon, </workauthor>
               <articletitle>&#8222;The Baptistery of San Giovanni: A religious Monument serving the city&#8220;, </articletitle>in: Mirabilia Italiae 2, Il Battistero di San Giovanni a Firenze, <address>Modena </address>
               <pubdate>1994</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Viti: </cut>
               
               <workauthor>Paolo Viti, </workauthor>
               <articletitle>&#8222;San Lorenzo e i Medici nel Quattrocento&#8220; </articletitle>in: <note>Kat</note>
               <note>.</note>
               <serialtitle>San Lorenzo. I documenti e i tesori nascosti,</serialtitle>
               <volume>Vol. IX,</volume> &#8218; Late Gothic Painting in Tuscany&#8216;, <address>Florenz </address>
               <pubdate>1993</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Walker: </cut>
               
               <workauthor>John Walker, </workauthor>&#8222;National Gallery of Art Washington&#8220;, <address>New York </address>
               <pubdate>1995</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Walter-Goodhart-Gordan: </cut>
               
               <workauthor>Phyllis Walter-Goodhart-Gordan, </workauthor>&#8222;Two Renaissance Book Hunters. The Letters of Poggius Bracciolini to Nicolaus de Niccolis&#8220;, <note>(engl.)</note>
               <note/>
               <address>New York, London </address>
               <pubdate>1974</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Wedgwood-Kennedy: </cut>
               
               <workauthor>Ruth Wedgewood-Kennedy, </workauthor>&#8222;Alesso Baldovinetti&#8220;, <address>New Haven, </address>
               <pubdate>1938</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Weissman: </cut>
               
               <workauthor>R.F.E. Weissman, &#8218; </workauthor>
               <articletitle>The</articletitle>
               <articletitle> Importance of Being Ambiguous: Social Relations, Individualism and Identity in Renaissance Florence&#8216;, </articletitle>in: <editor>E. Zimmerman/R.F.E. Weissman (Hg.)</editor>, Urban Life in the Renaissance, <address>Newark </address>
               <pubdate>1989</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Wohl: </cut>
               
               <workauthor>H. Wohl, </workauthor>&#8222;Domenico Veneziano Studies: The Sant&#8216; Egidio and Parenti Documents&#8220;, <address>BM </address>
               <pubdate>1971</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Wittmann: </cut>
               
               <workauthor>Anneliese Wittmann, </workauthor>&#8222;Kosmas und Damian &#8211; Kultausbreitung und Volksdevotion&#8220;, <address>Berlin </address>
               <pubdate>1967</pubdate>
            </citation>
         
         
            <citation published="yes" workType="Book">
               <cut>Zöllner: </cut>
               
               <workauthor>Frank Zöllner, </workauthor>&#8222;Botticelli. Toskanischer Frühling&#8220;, <address>München </address>
               <pubdate>1998</pubdate>
            </citation>
         
         <freehead>Liste der Abbildungen</freehead>
         <p>
            <table frame="none" id="N1307E" orient="port" tocentry="1">
               <tgroup align="left" char="" charoff="50" cols="2">
                  <colspec colname="1" colnum="1"/>
                  <colspec colname="2" colnum="2"/>
                  <tbody valign="top">
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>1.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Raffael (u. Werkstatt), &#8222;Borgobrand&#8220;, Fresko, Stanza dell&#8216; Incendio, Vatikan</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>2.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>&#8222;Christus mit Felix IV. u. den hll. Cosmas u. Damian, Theodor, Petrus u. Paulus&#8220;, Mosaik, 6. Jh., Apsis, Rom, SS. Cosma e Damiano</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>3.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Baccio del Bianco, &#8222;Krankenbesuch&#8220;, Feder auf Papier, Florenz, Uffizien, Gabinetto Disegno e Stampe, Inv. 3297 F</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>4.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Pontormo, &#8222;Cosimo, pater patriae&#8220;, Öl auf Holz, 87 x 65 cm, Florenz, Uffizien, Inv. 1890, Nr. 3574</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>5.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Raffael (Kopie nach)/Vasari (flankierende Heilige), &#8222;Madonna mit Kind u. Heiligen flankiert von den hll. Cosmas u. Damian&#8220;, Öl auf Leinwand, Kapelle der nach Leo X. benannten Gemächer, Florenz, Palazzo Vecchio</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>6.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Bronzino, &#8222;Cosimo I.&#8220;, Öl auf Holz, 71 x 57 cm, Florenz, Uffizien, Inv. Depositi Nr. 28</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>7.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Brunelleschi, &#8222;Alte Sakristei&#8220;, Florenz, San Lorenzo</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>8.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Donatello, &#8222;Die hll. Stephanus u. Laurentius&#8220;, Stuck, polychrom gefasst, 215 x 180 cm, Alte Sakristei, Florenz, San Lorenzo</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>9.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Donatello, &#8222;Die hll. Cosmas u. Damian&#8220;, Stuck, polychrom gefasst, 215 x 180 cm, Alte Sakristei, Florenz, San Lorenzo </p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>10.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Donatello, &#8222;Portal der Märtyrer&#8220;, Bronze, 235 x 109 cm, Alte Sakristei, Florenz, San Lorenzo</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>11.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Donatello, &#8222;Portal der Apostel&#8220;, Bronze, 235 x 109 cm, Alte Sakristei, Florenz, San Lorenzo</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>12.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Poccetti (Bernardino Barbatelli), &#8222;Die hll. Cosmas u. Damian&#8220;, Fresko, linkes Querhaus, Florenz, San Lorenzo</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>13.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Fra Angelico, &#8222;Madonna mit Kind u. den hll. Petrus Martyr, Cosmas u. Damian, Johannes Ev., Laurentius u. Franziskus v. Assisi&#8220;, <em>Pala d&#8216; Annalena</em>, Tempera auf Holz, 180 x 202 cm, Florenz, Museo di San Marco, Inv. 1890, Nr. 8493</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>13a.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 13) Predella, &#8222;Heilung der Palladia&#8220;, (alle Predellentafeln) Tempera auf Holz, 20 x 22 cm, Florenz, Museo di San Marco, Inv. 1890, Nr. 8486</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>13b.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 13) Predella, &#8222;Cosmas u. Damian mit ihren Brüdern vor Lysias&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>13c.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 13) Predella, &#8222;Ein Engel rettet Cosmas u. Damian davor ertränkt zu werden&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>13d.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 13) Predella, &#8222;Cosmas u. Damian überstehen den Scheiterhaufen&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>13e.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 13) Predella, &#8222;Cosmas u. Damian überstehen Erschießung u. Steinigung&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>13f.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Detail Abb. 13) Predella, &#8222;Enthauptung von Cosmas u. Damian&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Fra Angelico, &#8222;Madonna und Kind mit Engeln und den hll. Laurentius, Johannes Ev., Markus, Cosmas u. Damian, Dominikus, Franziskus v. Assisi u. Petrus Martyr&#8220;, <em>Pala di San Marco</em>, Tempera auf Holz, 220 x 227 cm, Florenz, Museo di San Marco, Inv. 1890, Nr. 8506</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14a.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Heilung der Palladia&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14b.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Cosmas u. Damian mit ihren Brüdern vor Lysias&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14c.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Cosmas u. Damian befreien Lysias von einem Dämon/ Versuch der Ertränkung der Brüder&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14d.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Cosmas u. Damian überstehen den Scheiterhaufen&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14e.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Beweinung Christi&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14f.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Cosmas u. Damian überstehen Erschiessung und Steinigung&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14g.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Enthauptung von Cosmas u. Damian u. ihren Brüdern&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14h.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Beisetzung von Cosmas u. Damian u. ihren Brüdern&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>14i.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb.14), Predella, &#8222;Das Beinwunder&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>15.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Florenz, 1. H. 15. Jahrhundert, &#8222;Der hl. Zenobius vor dem Palazzo della Signoria&#8220;, Stein, Florenz, Palazzo Vecchio</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>16.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Jacopo di Cione oder Andrea Orcagna (?), &#8222;Die Vertreibung des Herzogs von Athen unter der Aegide der hl. Anna&#8220;, Fresko, Florenz, Palazzo Vecchio</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>17.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Filippo Lippi, &#8222;Madonna und Kind mit den hll. Franziskus v. Assisi, Damian, Cosmas u. Antonius v. Padua&#8220;, <em>Pala del Noviziato</em>, Tempera auf Holz, 196 x 196 cm, Florenz, Uffizien, Inv. 1890, Nr. 8354</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>17a.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Pesellino, (Detail Abb 17), Predella, &#8222;Die Stigmatisation des hl. Franziskus v. Assisi&#8220;, Tempera auf Holz, 32 x 94 cm, Paris, Louvre, Zugang: 1814, Inv. 418</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>17b.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Pesellino, (Detail Abb 15), Predella, &#8222;Das Beinwunder&#8220; (wie Abb. 15a)</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>17c.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Pesellino, (Detail Abb 15), Predella, &#8222;Anbetung des Kindes&#8220;, Tempera auf Holz, 32 x 144 cm, Florenz, Uffizien, Inv. 1890, Nr. 8355</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>17d.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Pesellino, (Detail Abb 15), Predella, &#8222;Die Enthauptung von Cosmas u. Damian&#8220;, (wie Abb. 15c)</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>17e.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Pesellino, (Detail Abb 15), Predella, &#8222;Antonius v. Padua u. das Herz des Wucherers&#8220;, (wie Abb. 15c)</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>18.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Fra Angelico, &#8222;Kreuzigung mit Heiligen&#8220;, Fresko, 550 x 950 cm, ehem. Kapitelsaal von San Marco, Florenz, Museo di San Marco</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>19.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Fra Angelico, &#8222;Madonna mit Kind und Heiligen&#8220;, <em>Madonna delle ombre</em>, Fresko und Tempera, 193 x 273 cm (ohne Sockelzone), ehem. Dormitorium von San Marco, Florenz, Museo di San Marco</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>20.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Fra Angelico oder Benozzo Gozzoli, &#8222;Kreuzigung mit den hll. Cosmas, Maria, Johannes Ev. u. Petrus Martyr&#8220;, Fresko, 152 x 112 cm, ehem. Dormitorium von San Marco, <em>Zelle Cosimo de&#8216; Medicis</em>, Zelle Nr. 38, Florenz, Museo di San Marco</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>21.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Benozzo Gozzoli, &#8222;Anbetung der Könige&#8220;/ &#8222;Imago Piétatis&#8220;, Fresko, 175 x 357/ 86 x 60 cm, ehem. Dormitorium von San Marco, <em>Oratorium Cosimo de&#8216; Medicis</em>, Zelle Nr. 39, Florenz, Museo di San Marco</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>22.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Fra Angelico, &#8222;Madonna und Kind mit den hll.Antonius v. Padua, Ludwig v. Toulouse, Franziskus v. Assisi, Cosmas u. Damian u. Petrus Martyr&#8220;, <em>Pala di Bosco ai frati</em>, Tempera auf Holz, 174 x 174 cm (Predella: 26 x 174 cm), Florenz, Museo di San Marco, Inv. 1890, Nr 8503 - 8507</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>23.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Alesso Baldovinetti, &#8222;Madonna u. Kind mit den hll. Cosmas u. Damian, Johannes d. T., Laurentius, Julianus, Antonius Abbas, Franziskus v. Assisi u. Petrus Martyr&#8220;, <em>Pala di Cafaggiolo</em>, Tempera auf Holz, 176 x 166 cm, Florenz, Uffizien, Inv. 1890, Nr. 487</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>24.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Sandro Botticelli (Werkstatt), &#8222;Madonna u. Kind mit den hll. Dominikus, Cosmas u. Damian, Franziskus v. Assisi, Laurentius u. Johannes d. T.&#8220;, <em>Pala del Trebbio</em>, Tempera auf Holz, auf Leinwand übertragen, 177 x 205 cm, Florenz, Museo dell&#8216; Accademia, Inv. 1890, Nr. 4344</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>25.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Rogier van der Weyden, &#8222;Madonna u. Kind mit den hll. Petrus, Johannes d. T., Cosmas und Damian&#8220;, <em>Medici-Madonna</em>, Öl auf Holz, 55 x 38 cm, Frankfurt a. M., Städelsches Kunstinstitut, Inv. Nr. 850</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>26.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Domenico di Michelino, &#8222;Madonna u. Kind mit den hll. Laurentius, Antonius v. Padua, Cosmas u. Damian, Hieronimus u. Franziskus v. Assisi&#8220;, <em>Pala di San Girolamo</em>, Tempera auf Holz, Volterra, Museo Diocesano di Arte Sacra</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>27.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Filippo Lippi, &#8222;Der hl. Laurentius mit den hll. Cosmas u. Damian u. Stiftern&#8220;, <em>Pala degli Alessandri</em>, Tempera auf Holz, 121,3 x 115,6 cm, New York, Metropolitan Museum of Art, Rogers Fund 1935 (35.31.1a-c)</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>28.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Andrea della Robbia, &#8222;Madonna u. Kind mit den hll. Cosmas u. Damian&#8220;/ &#8222;Segnender Gottvater mit zwei Engeln&#8220;, (Tympanon)/ &#8222; Verlündigung an Maria&#8220;, Anbetung des Kindes&#8220;, &#8222;Anbetung der Könige&#8220;, (Predella), <em>Altar der Capella Sassetti in der Badia Fiesolana</em>, glasierte Terracotta, polychrom gefasst, 217 x 180 cm, Florenz, Arciconfraternitá della Misericordia</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>29.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Filippo Lippi, &#8222;Sieben Heilige&#8220;, <em>Lünette (wohl Supraporte) aus dem Palazzo Medici</em>, Tempera auf Holz, 67,9 x 151,8 cm, London, National Gallery, Inv. Nr. 667</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>30.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Lorenzo Monaco, &#8222;Anbetung der Könige&#8220;, <em>Pala di Sant&#8216; Egidio</em>, Tempera auf Holz, 115 x 170 cm, Florenz, Uffizien, Inv. 1890, Nr. 466</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>31.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Gentile da Fabriano, &#8222;Anbetung der Könige&#8220;/ (Predella: &#8222;Anbetung des Kindes&#8220;, &#8222;Flucht nach Ägypten&#8220; und (Kopie d. 19. Jht., Original ist Paris, Louvre), &#8222;Darstellung im Tempel&#8220;, <em>Pala Strozzi</em>, Tempera auf Holz, 173 x 220 cm, Florenz, Uffizien, Inv. 1890, Nr. 8364</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>32.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Domenico Veneziano, &#8222;Anbetung der Könige&#8220;, <em>Tondo Medici</em>, Tempera auf Holz, &#8709; 84 cm, Berlin, Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz, Inv. Nr. 95 A</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>33.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Fra Angelico und Filippo Lippi, &#8222;Anbetung der Könige&#8220;, <em>Tondo Cook</em>, Tempera auf Holz, &#8709; 137,2 cm, Washington D.C., National Gallery</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>34.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Benozzo Gozzoli, &#8222;Zug der hll. drei Könige&#8220;, Fresko, Florenz, Kapelle des Palazzo Medici(-Riccardi)</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>34a.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 32), r. Wand</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>34b.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 32a.), &#8222;Gefolge des jungen Königs&#8220;</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>34c.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 32), Eingangswand</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>34d.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>(Detail Abb. 32), l. Wand </p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>35.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Filippo Lippi, &#8222;Anbetung des Kindes&#8220;, Pala<em> Medici</em>, Tempera auf Holz, 129,5 x 118,5 cm, Berlin, Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz, Inv.Nr. 6</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>36.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Französisch, um 1371/Paolo di Giovanni Sogliani, um 1500, &#8222;Reliquiengefäß&#8220;, <em>Reliquiario del Libretto</em>, Silber, vergoldet, Email, Perlen und Edelsteine, Florenz, Museo dell&#8216; Opera del Duomo</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>37.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Sandro Botticelli, &#8222;Anbetung der Könige&#8220;, <em>Pala del Lama</em>, Tempera auf Holz, 111 x 134 cm, Florenz, Uffizien, Inv. 1890, Nr. 882</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>38.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Cosimo Rosselli, &#8222;Anbetung der Könige&#8220;, <em>Pala Rucellai</em>, Tempera auf Holz, 101 x 217 cm, Florenz, Uffizien, Inv. 1890, Nr. P 1363</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>39.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Domenico Ghirlandaio, &#8222;Anbetung der Könige&#8220;, <em>Tondo Tornabuoni</em>, Öl auf Holz, &#8709; 172 cm, Florenz, Uffizien, Inv. 1890, Nr. 1619</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>40.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Lorenzo Ghiberti, Paradiestür (Detail), &#8222;<em>Die Geschichte von Jakob und Esau</em>&#8220;, Bronze, vergoldet, Florenz, Baptisterium</p>
                        </entry>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top"/>
                        <entry morerows="0" rotate="0" valign="top"/>
                     </row>
                     <row>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>41.</p>
                        </entry>
                        <entry morerows="0" rotate="0" valign="top">
                           <p>Filippino Lippi, &#8222;Anbetung der Könige&#8220;, <em>Pala di San Donato a Scopeto</em>, Tempera auf Holz, 258 x 243 cm, Florenz, Uffizien, Inv. 1890, Nr. 1566</p>
                        </entry>
                     </row>
                  </tbody>
               </tgroup>
            </table>
         </p>
         <p>
            <mm entity="ID_d3e33803" file="image004.gif" id="N1397A" label="605#431">
               <caption>Abb. 1 <br/>Raffael (u. Werkstatt), &#8222;Borgobrand&#8220;, Fresko, Stanza dell&#8216; Incendio, Vatikan</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33820" file="image005.gif" id="N13987" label="604#306">
               <caption>Abb. 2<br/>&#8222;Christus mit Felix IV. u. den hll. Cosmas u. Damian, Theodor, Petrus u. Paulus&#8220;, Apsis Mosaik, Rom, SS. Cosma e Damiano</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33845" file="image006.gif" id="N13994" label="604#430">
               <caption>Abb. 3<br/>Baccio del Bianco, &#8222;Krankenbesuch&#8220;, Feder auf Papier, Florenz, Uffizien, Gabinetto Disegno e Stampe</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33862" file="image007.gif" id="N139A1" label="605#804">
               <caption>Abb. 4<br/>Pontormo, &#8222;Cosimo, pater patriae&#8220;, Öl auf Holz, 87 x 65 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33879" file="image008.gif" id="N139AE" label="591#388">
               <caption>Abb. 5<br/>Raffael (Kopie nach) u. Vasari, &#8222;Madonna mit Kind u. Heiligen flankiert von den hll. Cosmas u. Damian&#8220;, Öl auf Leinwand, Kapelle der sog. Gemächer Leos X., Florenz, Palazzo Vecchio</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33896" file="image009.gif" id="N139BB" label="604#757">
               <caption>Abb. 6<br/>Bronzino, &#8222;Cosimo I.&#8220;, Öl auf Holz, 71 x 57 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33913" file="image010.gif" id="N139C8" label="604#833">
               <caption>Abb. 7<br/>Filippo Brunelleschi, &#8222;Alte Sakristei&#8220;, Florenz, San Lorenzo</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33949" file="image011.gif" id="N139D5" label="604#752">
               <caption>Abb. 8<br/>Donatello, &#8222;Die hll. Stephanus u. Laurentius&#8220;, Stuck, polychrom gefasst, 215 x 180 cm, &#8222;Alte Sakristei&#8220;, Florenz, San Lorenzo</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33966" file="image012.gif" id="N139E2" label="605#754">
               <caption>Abb. 9<br/>Donatello, &#8222;Die hll. Cosmas u. Damian&#8220;, Stuck, polychrom gefasst, 215 x 180 cm, &#8222;Alte Sakristei&#8220;, Florenz, San Lorenzo</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e33983" file="image013.gif" id="N139EF" label="391#865">
               <caption>Abb. 10<br/>Donatello, &#8222;Portal der Märtyrer&#8220;, Bronze, 235 x 109 cm, &#8222;Alte Sakristei&#8220;, Florenz, San Lorenzo</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34000" file="image014.gif" id="N139FC" label="389#855">
               <caption>Abb. 11<br/>Donatello, &#8222;Portal der Apostel&#8220;, Bronze, 235 x 109 cm, &#8222;Alte Sakristei&#8220;, Florenz, San Lorenzo</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34017" file="image015.gif" id="N13A09" label="348#864">
               <caption>Abb. 12<br/>Poccetti (Bernardino Barbatelli), &#8222;Die hll. Cosmas u. Damian&#8220;, Fresko, linkes Querhaus, Florenz, San Lorenzo</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34041" file="image016.gif" id="N13A16" label="589#634">
               <caption>Abb. 13<br/>Fra Angelico, &#8222;Madonna mit Kind u. hll. Petrus Martyr, Cosmas u. Damian, Johannes Ev., Laurentius u. Franziskus v. Assisi&#8220;, <em>Pala </em>
                  <em>d&#8216; </em>
                  <em>Annalena</em>, Tempera auf Holz, 180 x 202 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34107" file="image017.gif" id="N13A2C" label="604#534">
               <caption>Abb. 13a<br/>(Detail Abb. 13) Predella, &#8222;Heilung der Palladia&#8220;, Tempera auf Holz, 20 x 22 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34136" file="image018.gif" id="N13A39" label="604#545">
               <caption>Abb. 13b<br/>(Detail Abb. 13) Predella, &#8222;Cosmas u. Damian mit ihren Brüdern vor Lysias&#8220;, Tempera auf Holz, 20 x 22 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34153" file="image019.gif" id="N13A46" label="604#539">
               <caption>Abb. 13c<br/>(Detail Abb. 13) Predella, &#8222;Ein Engel rettet Cosmas u. Damian davor ertränkt zu werden&#8220;, Tempera auf Holz, 20 x 22 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34170" file="image020.gif" id="N13A53" label="604#542">
               <caption>Abb. 13d<br/>(Detail Abb. 13) Predella, &#8222;Cosmas u. Damian überstehen den Scheiterhaufen&#8220;, Tempera auf Holz, 20 x 22 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34187" file="image021.gif" id="N13A60" label="604#535">
               <caption>Abb. 13e<br/>(Detail Abb. 13) Predella, &#8222;Cosmas u. Damian überstehen Erschiessung u. Steinigung&#8220;, Tempera auf Holz, 20 x 22 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34204" file="image022.gif" id="N13A6D" label="604#526">
               <caption>Abb. 13f<br/>(Detail Abb. 13) Predella, &#8222;Enthauptung von Cosmas u. Damian&#8220;, Tempera auf Holz, 20 x 22 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34221" file="image023.gif" id="N13A7A" label="582#546">
               <caption>Abb. 14<br/>Fra Angelico, &#8222;Madonna u. Kind mit Engeln u. hll. Laurentius, Johannes Ev., Markus, Cosmas u. Damian, Dominikus, Franziskus v. Assisi u. Petrus Martyr&#8220;, <em>Pala di San Marco</em>, Tempera auf Holz, 220 x 227 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34246" file="image024.gif" id="N13A8A" label="604#501">
               <caption>Abb. 14a<br/>(Detail Abb.14) Predella, &#8222;Heilung der Palladia&#8220;, Tempera auf Holz, 38 x 45 cm, Washington, National Gallery of Art</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34263" file="image025.gif" id="N13A97" label="604#499">
               <caption>Abb. 14b<br/>(Detail Abb.14) Predella, &#8222;Cosmas u. Damian mit ihren Brüdern vor Lysias&#8220;, Tempera auf Holz, 37,8 x 46,8 cm, München, Alte Pinakothek</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34280" file="image026.gif" id="N13AA4" label="605#499">
               <caption>Abb. 14c<br/>(Detail Abb.14) Predella, &#8222;Cosmas u. Damian befreien Lysias von einem Dämon/ Versuch der Ertränkung der Brüder&#8220;, Tempera auf Holz, 38,1 x 46,5 cm, München, Alte Pinakothek</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34297" file="image027.gif" id="N13AB1" label="606#502">
               <caption>Abb. 14d<br/>(Detail Abb.14) Predella, &#8222;Cosmas u. Damian überstehen den Scheiterhaufen&#8220;, Tempera auf Holz, 36 x 46 cm, Dublin, National Gallery of Ireland</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34314" file="image028.gif" id="N13ABE" label="604#487">
               <caption>Abb. 14e<br/>(Detail Abb.14) Predella, &#8222;Beweinung Christi&#8220;, Tempera auf Holz, 38 x 46,5 cm, München, Alte Pinakothek</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34331" file="image029.gif" id="N13ACB" label="604#497">
               <caption>Abb. 14f<br/>(Detail Abb.14) Predella, &#8222;Cosmas u. Damian überstehen Erschiessung und Steinigung&#8220;, Tempera auf Holz, 38,2 x 46,1 cm, München, Alte Pinakothek</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34348" file="image030.gif" id="N13AD8" label="604#505">
               <caption>Abb. 14g<br/>(Detail Abb.14) Predella, &#8222;Enthauptung von Cosmas u. Damian u. ihren Brüdern&#8220;, Tempera auf Holz, 36 x 46 cm, Paris, Musée du Louvre</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34365" file="image031.gif" id="N13AE5" label="605#520">
               <caption>Abb. 14h<br/>(Detail Abb.14) Predella, &#8222;Beisetzung von Cosmas u. Damian u. ihren Brüdern&#8220;, Tempera auf Holz, 37 x 45 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34382" file="image032.gif" id="N13AF2" label="605#504">
               <caption>Abb. 14i<br/>(Detail Abb.14) Predella, &#8222;Das Beinwunder&#8220;, Tempera auf Holz, 37 x 45 cm, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34412" file="image033.gif" id="N13AFF" label="603#410">
               <caption>Abb. 15<br/>Florenz, 1. H. 15. Jahrhundert, &#8222;Der hl. Zenobius vor dem Palazzo della Signoria&#8220;, Stein, Florenz, Palazzo Vecchio</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34442" file="image034.gif" id="N13B0C" label="604#713">
               <caption>Abb. 16<br/>Jacopo di Cione oder Andrea Orcagna (?), &#8222;Die Vertreibung des Herzogs von Athen unter der Ägide der hl. Anna&#8220;, Fresko, Florenz, Palazzo Vecchio</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34459" file="image035.gif" id="N13B19" label="604#607">
               <caption>Abb. 17<br/>Filippo Lippi, &#8222;Madonna u. Kind mit hll. Franziskus v. Assisi, Damian, Cosmas u. Antonius v. Padua&#8220;, <em>Pala del Noviziato</em>, Tempera auf Holz, 196 x 196 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34511" file="image036.gif" id="N13B29" label="604#371">
               <caption>Abb. 17a<br/>Pesellino, (Detail Abb. 17) Predella, &#8222;Die Stigmatisation des hl. Franziskus v. Assisi&#8220;, Tempera auf Holz, 32 x 47 cm, Paris, Musée du Louvre,</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34545" file="image037.gif" id="N13B36" label="604#393">
               <caption>Abb. 17b<br/>Pesellino, (Detail Abb. 17) Predella, &#8222;Das Beinwunder&#8220;, Tempera auf Holz, 32 x 47 cm, Paris, Musée du Louvre</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34562" file="image038.gif" id="N13B43" label="604#359">
               <caption>Abb. 17c<br/>Pesellino, (Detail Abb. 17) Predella, &#8222;Anbetung des Kindes&#8220;, Tempera auf Holz, 32 x 48 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34579" file="image039.gif" id="N13B50" label="604#400">
               <caption>Abb. 17d<br/>Pesellino, (Detail Abb. 17) Predella, &#8222;Die Enthauptung von Cosmas u. Damian&#8220;, Tempera auf Holz, 32 x 48 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34596" file="image040.gif" id="N13B5D" label="604#365">
               <caption>Abb. 17e<br/>Pesellino, (Detail Abb. 15) Predella, &#8222;Antonius v. Padua u. das Herz des Wucherers&#8220;, Tempera auf Holz, 32 x 48 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34613" file="image041.gif" id="N13B6A" label="605#369">
               <caption>Abb. 18<br/>Fra Angelico, &#8222;Kreuzigung mit Heiligen&#8220;, Fresko, 550 x 950 cm, ehemaliger Kapitelsaal von San Marco, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34630" file="image042.gif" id="N13B77" label="604#422">
               <caption>Abb. 19<br/>Fra Angelico, &#8222;Madonna mit Kind u. Heiligen&#8220;, <em>Madonna delle ombre</em>, Fresko, 193 x 273 cm (ohne Sockelzone), ehemaliges Dormitorium von San Marco, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34677" file="image043.gif" id="N13B87" label="582#739">
               <caption>Abb. 20<br/>Fra Angelico oder Benozzo Gozzoli, &#8222;Kreuzigung mit hll. Cosmas, Maria, Johannes Ev. u. Petrus Martyr&#8220;, Fresko, 152 x 112 cm, ehemaliges Dormitorium, Nr. 38, <em>Zelle Cosimos</em>, Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34702" file="image044.gif" id="N13B97" label="604#476">
               <caption>Abb. 21<br/>Benozzo Gozzoli, &#8222;Anbetung der Könige&#8220;/ &#8222;Imago Piétatis&#8220;, Fresko, 175 x 357/ 86 x 60 cm, ehemaliges Dormitorium, Nr. 39, <em>Oratorium Cosimos</em>, Florenz, Museo di SanMarco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34727" file="image045.gif" id="N13BA7" label="605#748">
               <caption>Abb. 22<br/>Fra Angelico, &#8222;Madonna u. Kind mit hll. Antonius v. Padua, Ludwig v. Toulouse, Franziskus v. Assisi, Cosmas u. Damian u. Petrus Martyr&#8220;, <em>Pala di Bosco ai frati</em>, Tempera auf Holz, 174 x 174 cm (26 x 174 cm), Florenz, Museo di San Marco</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34774" file="image046.gif" id="N13BB7" label="605#646">
               <caption>Abb. 23<br/>Alesso Baldovinetti, &#8222;Madonna u. Kind mit hll. Cosmas u. Damian, Johannes d. T., Laurentius, Julianus, Antonius Abbas, Franziskus v. Assisi u. Petrus Martyr&#8220;, <em>Pala di Cafaggiolo</em>, Tempera auf Holz, 176 x 166 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34821" file="image047.gif" id="N13BC7" label="604#577">
               <caption>Abb. 24<br/>Sandro Botticelli (Werkstatt), &#8222;Madonna u. Kind mit hll. Dominikus, Cosmas u. Damian, Franziskus v. Assisi, Laurentius u. Johannes d. T.&#8220;, <em>Pala del Trebbio</em>, Tempera auf Leinwand (übertragen) 177 x 205 cm, Florenz, Museo dell&#8216; Accademia</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34846" file="image048.gif" id="N13BD7" label="604#815">
               <caption>Abb. 25<br/>Rogier v. d. Weyden, &#8222;Madonna u. Kind mit hll. Petrus, Johannes d. T., Cosmas u. Damian&#8220;, <em>Medici-Madonna</em>, Öl auf Holz, 55 x 38 cm, Frankfurt a. M., Städelsches Kunstinstitut</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34871" file="image049.gif" id="N13BE7" label="605#537">
               <caption>Abb. 26<br/>Domenico di Michelino, &#8222;Madonna u. Kind mit hll. Laurentius, Antonius v. Padua, Cosmas u. Damian, Hieronimus u. Franziskus v. Assisi&#8220;, <em>Pala di San Girolamo</em>, Tempera auf Holz, Volterra, Museo Diocesano di Arte Sacra</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34935" file="image050.gif" id="N13BF7" label="604#624">
               <caption>Abb. 27<br/>Filippo Lippi, &#8222;Hl. Laurentius mit hll. Cosmas u. Damian u. Stiftern&#8220;, <em>Pala degli Alessandri</em>, Tempera auf Holz, 121,3 x 115,6 cm, New York, Metropolitan Museum of Art</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e34960" file="image051.gif" id="N13C07" label="604#758">
               <caption>Abb. 28<br/>Andrea della Robbia, &#8222;Madonna u. Kind mit hll. Cosmas u. Damian&#8220;, <em>Altar Sassetti</em>, Terracotta, polychrom gefasst, 217 x 180 cm, Florenz, Arciconfraternitá della Misericordia</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35007" file="image052.gif" id="N13C17" label="604#262">
               <caption>Abb. 29<br/>Filippo Lippi, &#8222;Sieben Heilige&#8220;, <em>Lünette (wohl Supraporte) aus dem Palazzo Medici</em>, Tempera auf Holz, 67,9 x 151,8 cm, London, National Gallery</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35032" file="image053.gif" id="N13C27" label="604#531">
               <caption>Abb. 30<br/>Lorenzo Monaco, &#8222;Anbetung der Könige&#8220;, <em>Pala di Sant&#8216; Egidio</em>, Tempera auf Holz, 115 x 170 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35057" file="image054.gif" id="N13C37" label="604#659">
               <caption>Abb. 31<br/>Gentile da Fabriano, &#8222;Anbetung der Könige&#8220;, <em>Pala Strozzi</em>, Tempera auf Holz, 173 x 220 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35082" file="image055.gif" id="N13C47" label="604#597">
               <caption>Abb. 32<br/>Domenico Veneziano, &#8222;Anbetung der Könige&#8220;, <em>Tondo Medici</em>, Tempera auf Holz, &#8709; 84 cm, Berlin, Staatliche Museen Preußischer Kulturbesitz, Gemäldegalerie</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35114" file="image056.gif" id="N13C57" label="604#560">
               <caption>Abb. 33<br/>Fra Angelico und Filippo Lippi, &#8222;Anbetung der Könige&#8220;, <em>Tondo Cook</em>, Tempera auf Holz, &#8709; 137,2 cm, Washington, National Gallery of Art</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35144" file="image057.gif" id="N13C67" label="604#669">
               <caption>Abb. 34<br/>Benozzo Gozzoli, &#8222;Zug der hll. Drei Könige&#8220;, Chornische, Fresko, Florenz, Kapelle des Palazzo Medici (-Riccardi)</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35161" file="image058.gif" id="N13C74" label="604#483">
               <caption>Abb. 34a<br/>Benozzo Gozzoli, &#8222;Zug der hll. Drei Könige&#8220;, rechte Wand, Fresko, Florenz, Kapelle des Palazzo Medici (-Riccardi)</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35185" file="image059.gif" id="N13C81" label="604#676">
               <caption>Abb. 34b<br/>Benozzo Gozzoli, &#8222;Zug der hll. Drei Könige&#8220;, Detail der rechten Wand, Fresko, Florenz, Kapelle des Palazzo Medici (-Riccardi)</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35202" file="image060.gif" id="N13C8E" label="605#656">
               <caption>Abb. 34c<br/>Benozzo Gozzoli, &#8222;Zug der hll. Drei Könige&#8220;, Eingangswand, Fresko, Florenz, Kapelle des Palazzo Medici (-Riccardi)</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35219" file="image061.gif" id="N13C9B" label="604#661">
               <caption>Abb. 34d<br/>Benozzo Gozzoli, &#8222;Zug der hll. Drei Könige&#8220;, Die linke Wand (ohne versetzten Teil), Fresko, Florenz, Kapelle des Palazzo Medici (-Riccardi)</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35236" file="image062.gif" id="N13CA8" label="605#649">
               <caption>Abb. 35<br/>Filippo Lippi, &#8222;Anbetung des Kindes&#8220;, <em>Pala Medici</em>, Tempera auf Holz, 129,5 x 118,5 cm, Berlin, Staatliche Museen Preußischer Kulturbesitz, Gemäldegalerie</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35261" file="image063.gif" id="N13CB8" label="449#787">
               <caption>Abb. 36<br/>Französisch, um 1371 u. Paolo di Giovanni Sogliani, um 1500, <em>Reliquiario del Libretto</em>, Silber, vergoldet, Email, Perlen und Edelsteine, Florenz, Museo dell&#8216; Opera del Duomo</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35313" file="image064.gif" id="N13CC8" label="604#485">
               <caption>Abb. 37<br/>Sandro Botticelli, &#8222;Anbetung der Könige&#8220;, <em>Pala del Lama</em>, Tempera auf Holz, 111 x 134 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35338" file="image065.gif" id="N13CD8" label="604#276">
               <caption>Abb. 38<br/>Cosimo Rosselli, &#8222;Anbetung der Könige&#8220;, <em>Pala Rucellai</em>, Tempera auf Holz, 101 x 217 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35363" file="image066.gif" id="N13CE8" label="605#592">
               <caption>Abb. 39<br/>Domenico Ghirlandaio, &#8222;Anbetung der Könige&#8220;, <em>Tondo Tornabuoni</em>, Öl auf Holz, &#8709; 172 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35393" file="image067.gif" id="N13CF8" label="604#608">
               <caption>Abb. 40<br/>Lorenzo Ghiberti, Paradiestür (Detail), &#8222;<em>Die Geschichte von Jakob und Esau</em>&#8220;, Bronze, vergoldet, Florenz, Baptisterium</caption>
            </mm>
         </p>
         <p>
            <mm entity="ID_d3e35418" file="image068.gif" id="N13D08" label="605#629">
               <caption>Abb. 41<br/>Filippino Lippi, &#8222;Anbetung der Könige&#8220;, <em>Pala di San Donato a Scopeto</em>, Tempera auf Holz, 258 x 243 cm, Florenz, Uffizien</caption>
            </mm>
         </p>
         <freehead>Bildnachweis</freehead>
         <p>Alinari-Giraudon: Abb. 6; Archiv Octavo, Firenze: Abb. 36; Jörg P. Anders: Abb. 40; Bayerische Staatsgemäldesammlungen, München: Abb. 14b u. c, 14e u. f; Raffaello Bencini: Abb. 24; Firenze, Uffizi: Abb. 3, 17c-e, 23, 38, 41; Magliani: Abb. 2; Metropolitan Museum of Art, New York: Abb. 27; Museo Diocesano di Arte Sacra, Volterra: Abb. 26; National Gallery of Art, Washington: Abb. 14a u. 33; National Gallery of Ireland, Dublin: Abb. 14d; National Gallery, London: Abb. 29; Takashi Okamura: Abb. 37; Liberto Perugi: Abb. 10 u. 11; Planegg Artothek: Abb. 25; Antonio Quattrone: Abb. 34-34d; Marco Rabatti/Serge Domingie: Abb. 20; Réunion des Musées Nationaux, Paris: Abb. 17a u. b; Scala, Istituto Fotografico Editorale, Antella (Firenze): Abb. 1, 4, 5, 7-9, 12&#8211;14, 14g-17, 18, 19, 21, 22, 28, 30, 31, 39; Staatliche Museen zu Berlin, Preussischer Kulturbesitz, Gemäldegalerie: Abb. 32 u. 35</p>
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