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2018-09-29Zeitschriftenartikel

The Imposed Antiquity or Time that Never Passed over Paintings

Procedures and Techniques of Forgers Medieval and Early-Modern Styles

Herrero-Cortell, Miquel; Artoni, Paola; Cafà, Valeria

This paper delves into the techniques and procedures of forgers in order to analyze their productions. A large variety of methods are implemented: the reuse of original supports, the mixing of original parts with faked ...

2018-09-29Zeitschriftenartikel

Das Dürer-Monogramm als Gegenstand der Nachahmung im 16. und frühen 17. Jahrhundert

Tschetschik-Hammerl, Ksenija

Albrecht Dürers zahlreiche Selbstdarstellungen zeugen von der steten Bemühung des Nürnbergers, in seiner Kunst persönliche Präsenz zu wahren. Diesem Zwecke diente auch das wohlbekannte Dürer-Monogramm, welches der Künstler ...

2018-09-29Zeitschriftenartikel

On Ars Geminis. Fakes, Forgeries and Copies of Medieval and Renaissance Paintings

Scientific Diagnostics for Art History

Artoni, Paola; Herrero-Cortell, Miquel; Raïch, Marta; Bertelli, Paolo; Pedret, Anna Victòria; Cafà, Valeria

The LANIAC (Laboratorio di analisi non invasive su opere d’arte antica, moderna e contemporanea) of the University of Verona (Italy) and the CAEM (Centre d’Art d’Època Moderna) of the University of Lleida (Spain), two ...

2018-09-29Zeitschriftenartikel

At the End of the Stream: Copy in 14 th to 17 th Century China

In traditional Chinese art, copying masterpieces was widely practiced, the famous works existed in numerous versions through the ages when copies of copies, and copies of copies of copies (of copies) functioned as models ...