Machtverhältnisse, Genderasymmetrien und Körperkonfigurationen in Reggaeton 

Me, Myself and I? 

Phallic girls of pop: Nicki Minaj’s sampled anaconda and the semiotics of contradiction 

„Gender-Bender“: Sound und kulturelle Repräsentation einer Technologie zur Stimmen-Transformation 

Genderlose, asexuelle Stimme? 

A Shout-Out to Black Masculinity: The Vocal Performances of Robert Johnson, Little Richard, Prince and Kanye West 

‚The world’s first amputee pop artist’. Darstellung von Behinderung in Viktoria Modestas ‚Prototype’ 

Neoliberal Working Conditions, SelfPromotion and DJ Trajectories: A Gendered Minefield 

“As Good As Any Man I’ve Ever Heard: Lead Guitar, Gendered Approaches and Popular Music”. 

Neoliberal Sounds? The Politics of Beyoncé’s Voice on “Run The World (Girls)”