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2016Teil eines Buches DOI: 10.18452/20314
Phallic girls of pop: Nicki Minaj’s sampled anaconda and the semiotics of contradiction
dc.contributor.authorBradby, Barbara
dc.date.accessioned2019-07-25T14:57:54Z
dc.date.available2019-07-25T14:57:54Z
dc.date.issued2016none
dc.identifier.urihttp://edoc.hu-berlin.de/18452/21076
dc.language.isogernone
dc.publisherHumboldt-Universität zu Berlin
dc.rights(CC BY 3.0 DE) Namensnennung 3.0 Deutschlandger
dc.rights.urihttp://creativecommons.org/licenses/by/3.0/de/
dc.subject.ddc780 Musiknone
dc.titlePhallic girls of pop: Nicki Minaj’s sampled anaconda and the semiotics of contradictionnone
dc.typebookPart
dc.identifier.urnurn:nbn:de:kobv:11-110-18452/21076-1
dc.identifier.doihttp://dx.doi.org/10.18452/20314
dc.type.versionpublishedVersionnone
local.edoc.container-titlePopscriptumnone
local.edoc.container-creatorForschungszentrum Populäre Musiknone
local.edoc.pages26none
local.edoc.type-nameTeil eines Buches
local.edoc.container-type-nameseries
local.edoc.container-type-nameSchriftenreihe
local.edoc.container-volume12none
local.edoc.container-year2016none
local.edoc.container-periodicalpart-titleSound, Sex und Sexismusnone
local.edoc.container-erstkatid2517831-3none

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