Phallic girls of pop: Nicki Minaj’s sampled anaconda and the semiotics of contradiction
dc.contributor.author | Bradby, Barbara | |
dc.date.accessioned | 2019-07-25T14:57:54Z | |
dc.date.available | 2019-07-25T14:57:54Z | |
dc.date.issued | 2016 | none |
dc.identifier.uri | http://edoc.hu-berlin.de/18452/21076 | |
dc.language.iso | ger | none |
dc.publisher | Humboldt-Universität zu Berlin | |
dc.rights | (CC BY 3.0 DE) Namensnennung 3.0 Deutschland | ger |
dc.rights.uri | http://creativecommons.org/licenses/by/3.0/de/ | |
dc.subject.ddc | 780 Musik | none |
dc.title | Phallic girls of pop: Nicki Minaj’s sampled anaconda and the semiotics of contradiction | none |
dc.type | bookPart | |
dc.identifier.urn | urn:nbn:de:kobv:11-110-18452/21076-1 | |
dc.identifier.doi | http://dx.doi.org/10.18452/20314 | |
dc.type.version | publishedVersion | none |
local.edoc.pages | 26 | none |
local.edoc.type-name | Teil eines Buches | |
local.edoc.container-type | series | |
local.edoc.container-type-name | Schriftenreihe | |
local.edoc.container-year | 2016 | none |
dc.identifier.zdb | 2517831-3 | none |
bua.series.name | Popscriptum | none |
bua.series.issuenumber | 12 | |
dcterms.bibliographicCitation.journalparttitle | Sound, Sex und Sexismus | none |
bua.series.editor | Forschungszentrum Populäre Musik | none |