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2019-07-24Zeitschriftenartikel DOI: 10.3390/arts8030095
The Evicted
dc.contributor.authorWitt, Andrew
dc.date.accessioned2019-09-09T10:36:46Z
dc.date.available2019-09-09T10:36:46Z
dc.date.issued2019-07-24none
dc.date.updated2019-08-10T11:11:50Z
dc.identifier.urihttp://edoc.hu-berlin.de/18452/21249
dc.description.abstractThe following essay examines Anthony Hernandez’s photographic work from the early 1970s to the present. The essay addresses how Hernandez reimagines the genre of street photography in Los Angeles, countering the misconception that the genre, so dominant in the history of the medium, is nearly inexistent in California.eng
dc.language.isoengnone
dc.publisherHumboldt-Universität zu Berlin
dc.rights(CC BY 4.0) Attribution 4.0 Internationalger
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectLos Angeleseng
dc.subjectstreet photographyeng
dc.subjecthomelessnesseng
dc.subjectevictioneng
dc.subject.ddc700 Künstenone
dc.titleThe Evictednone
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-110-18452/21249-4
dc.identifier.doi10.3390/arts8030095none
dc.identifier.doihttp://dx.doi.org/10.18452/20490
dc.type.versionpublishedVersionnone
local.edoc.container-titleArtsnone
local.edoc.pages31none
local.edoc.type-nameZeitschriftenartikel
local.edoc.institutionKultur-, Sozial- und Bildungswissenschaftliche Fakultätnone
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-publisher-nameMDPInone
local.edoc.container-publisher-placeBaselnone
local.edoc.container-volume8none
local.edoc.container-issue3none
dc.description.versionPeer Reviewednone
local.edoc.container-articlenumber95none
dc.identifier.eissn2076-0752
local.edoc.affiliationWitt, Andrew; Institut für Kunst- und Bildgeschichte, Humboldt-Universität zu Berlin, D-10117 Berlin, Germany,none

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