Browsing Ausgabe 1.2020 / Auditive Perspektiven by Subject "sound art"

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2020-01-28Zeitschriftenartikel

A Matter of Fidelity

Pluot, Sébastien

The phrase “high fidelity” might be said to be “tuned to moralist resonances”. The promise of technological transparency implies that sounds and images should not be altered during translations between recording, restitution ...
2020-01-28Zeitschriftenartikel

The Inaudible as an Effect: Tactics of Sound Erasure in Max Neuhaus

Saladin, Matthieu

About his sound installation presented at MoMA in 1978, Max Neuhaus explained: “the sound itself was inaudible; what was audible was its effect on other sounds. It was a terrain of an inaudible sound which modified all the ...