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2020-01-28Zeitschriftenartikel DOI: 10.18452/21088
Rodney Graham’s Unexpected Interrupters
dc.contributor.authorCauchy, Séverine
dc.date.accessioned2020-01-28T10:49:45Z
dc.date.available2020-01-28T10:49:45Z
dc.date.issued2020-01-28none
dc.identifier.urihttp://edoc.hu-berlin.de/18452/21843
dc.description.abstractThe works of Rodney Graham that are analysed in this article, Phonokinétoscope (2001), Super-Heavy Flute (2012) and The King’s Part (1999), are invitations to multiple understandings, references which are pointed to or affirmed taking the spectator onto unexpected ground. Whether from visual art, cinema, music, sound practices, literature or poetry, all these approaches are interconnected, as the works of Graham interweave different fields and temporalities. The boundaries between them are constantly pushed and their limits altered. The sound material that traverses his works, which can be suggested, silenced, interrupted, mute or broadcast at a high volume, prove the way Graham realizes the “mental gyration on the heel” described by Edgar Allan Poe, and a singular way of questioning the world.eng
dc.language.isoengnone
dc.publisherHumboldt-Universität zu Berlin
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectRodney Grahameng
dc.subjectSuper-Heavy Fluteeng
dc.subjectPhonokinétoscopeeng
dc.subjectThe King’s Parteng
dc.subject.ddc700 Künste, Bildende und angewandte Kunstnone
dc.titleRodney Graham’s Unexpected Interruptersnone
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-110-18452/21843-1
dc.identifier.doihttp://dx.doi.org/10.18452/21088
local.edoc.container-titleKunsttextenone
local.edoc.container-creatorKunsttexte e.V.
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2020
local.edoc.container-issue1
local.edoc.container-periodicalpart-creatorAnne Zeitznone
local.edoc.container-periodicalpart-titleSound Unheardnone
dc.description.versionPeer Reviewednone
local.edoc.container-erstkatid2063498-5none

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