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2020-09-05Zeitschriftenartikel DOI: 10.18452/21862
Erlebnisraumbilder
dc.contributor.authorFiorentini, Erna
dc.date.accessioned2020-09-05T11:20:12Z
dc.date.available2020-09-05T11:20:12Z
dc.date.issued2020-09-05none
dc.identifier.issn1618-8181
dc.identifier.urihttp://edoc.hu-berlin.de/18452/22580
dc.description.abstractLandscape is not merely the physical space that surrounds us. It is far more complex, as it is constituted by our presence in that space, by the way we experience it and by the way in which we project our own experience, our memory and expectations onto it. This kind of experience exceeds the plain physiological and cognitive perception of the physical space. It is a wide-ranging, individual, in every way private experiencing and perceiving that first turns nature into landscape. This quality of landscape as experienced space is palpable in the history of landscape images and their practices from the 18th century onwards. In as dissimilar media as sketches and photographs, the success of such images persists until now. For them, I propose in this paper the idea of 'Erlebnisraumbilder' – 'images of experienced space'.eng
dc.language.isogernone
dc.publisherHumboldt-Universität zu Berlin
dc.rights(CC BY-SA 4.0) Attribution-ShareAlike 4.0 Internationalger
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subjectRaumger
dc.subjectOrtger
dc.subjectLandschaftger
dc.subjectErlebnisger
dc.subjectErlebnisraumger
dc.subjectErlebnisraumbildger
dc.subjectVeduteger
dc.subjectErinnerungger
dc.subjectPräsenzger
dc.subjectLandschaftsskizzeger
dc.subjectLandschaftsfotografieger
dc.subjectLandschaftsmalereiger
dc.subjectTopographieger
dc.subjectCamera Lucidager
dc.subjectCamera Obscurager
dc.subjectErwartungger
dc.subjectSpaceeng
dc.subjectPlaceeng
dc.subjectLanscapeeng
dc.subjectExperienceeng
dc.subjectExperiential Spaceeng
dc.subjectImage of Experiential Spaceeng
dc.subjectVeduteeng
dc.subjectRecalleng
dc.subjectPresenceeng
dc.subjectLandscape Sketcheng
dc.subjectLandscape Photographyeng
dc.subjectLandscape Paintingeng
dc.subjectTopographyeng
dc.subjectCamera Lucidaeng
dc.subjectCamera Obscuraeng
dc.subjectExpectationeng
dc.subject.ddc700 Künstenone
dc.subject.ddc701 Philosophie und Theorie der bildenden und angewandten Kunstnone
dc.titleErlebnisraumbildernone
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-110-18452/22580-5
dc.identifier.doihttp://dx.doi.org/10.18452/21862
dc.type.versionpublishedVersionnone
local.edoc.pages11none
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
dc.description.versionPeer Reviewednone
dc.title.subtitleErinnerung und Erwartung zwischen Skizze und Fotografienone
dc.identifier.zdb2063498-5none
dcterms.bibliographicCitation.journaltitleKunsttextenone
dcterms.bibliographicCitation.volume2020
dcterms.bibliographicCitation.issue2
dcterms.bibliographicCitation.editorKunsttexte e.V.none
dcterms.bibliographicCitation.journalparttitleIconoscape/s - Zur Medialität von Landschaft in den Modernennone
dcterms.bibliographicCitation.journalparteditorLutz Hengst, Susanne Hauser, Christiane G. Kantnone

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