Notice

This is not the latest version of this item. The latest version can be found at: https://edoc.hu-berlin.de/handle/18452/25126.2

Show simple item record

2022-04-12Zeitschriftenartikel DOI: 10.18452/24451
Counter-Futuring
dc.contributor.authorParikka, Jussi
dc.contributor.editorİşcen, Özgün Eylül
dc.contributor.editorMiyazaki, Shintaro
dc.date.accessioned2022-04-12T14:22:42Z
dc.date.available2022-04-12T14:22:42Z
dc.date.issued2022-04-12none
dc.identifier.urihttp://edoc.hu-berlin.de/18452/25126
dc.language.isoengnone
dc.publisherHumboldt-Universität zu Berlin
dc.rights(CC BY-SA 4.0) Attribution-ShareAlike 4.0 Internationalger
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.subject.ddc701 Philosophie und Theorie der bildenden und angewandten Kunstnone
dc.subject.ddc770 Fotografie, Computerkunst, Kinematografie, Videografienone
dc.titleCounter-Futuringnone
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-110-18452/25126-0
dc.identifier.doihttp://dx.doi.org/10.18452/24451
local.edoc.pages11none
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
dc.description.versionNot Reviewednone
dcterms.bibliographicCitation.journaltitleCounter-Nnone
dcterms.bibliographicCitation.editorÖzgün Eylül İşcen ; Shintaro Miyazakinone

Show simple item record

VersionItemDateSummary

*Selected version