The starting point of this article is the exhibition Der befreite Klang, Kunst für Augen und Ohren (Liberated Sound, Art for the Eyes and the Ears) conceived by the German curator René Block in 1986 for a castle in Austria ...

The works of Rodney Graham that are analysed in this article, Phonokinétoscope (2001), Super-Heavy Flute (2012) and The King’s Part (1999), are invitations to multiple understandings, references which are pointed to or ...

About his sound installation presented at MoMA in 1978, Max Neuhaus explained: “the sound itself was inaudible; what was audible was its effect on other sounds. It was a terrain of an inaudible sound which modified all the ...

Der Text analysiert drei künstlerische Arbeiten aus dem Bereich der Dokumentation prekärer Arbeitsverhältnisse bzw. daraus resultierten Streiksituationen in Hinblick auf ihre spezifischen Modi der dokumentarischen Darstellungen ...

Albrecht Dürers zahlreiche Selbstdarstellungen zeugen von der steten Bemühung des Nürnbergers, in seiner Kunst persönliche Präsenz zu wahren. Diesem Zwecke diente auch das wohlbekannte Dürer-Monogramm, welches der Künstler ...

The LANIAC (Laboratorio di analisi non invasive su opere d’arte antica, moderna e contemporanea) of the University of Verona (Italy) and the CAEM (Centre d’Art d’Època Moderna) of the University of Lleida (Spain), two ...

This paper delves into the techniques and procedures of forgers in order to analyze their productions. A large variety of methods are implemented: the reuse of original supports, the mixing of original parts with faked ...

In traditional Chinese art, copying masterpieces was widely practiced, the famous works existed in numerous versions through the ages when copies of copies, and copies of copies of copies (of copies) functioned as models ...

The following comments were adapted from a roundtable on Digital Humanities pedagogy at the 2018 Renaissance Society of America annual conference in New Orleans. Roundtable participants: Charles van den Heuvel, Rachel ...

Focused on Christina Kubisch’s performance art works in the1970s, the article gives an account of Kubisch’s interview with Clélia Barbut, recorded during the artist’s exhibition at the Musée des beaux-arts de Rennes, Échos ...