During the last years of the 16th c. the Venetian printing industry was still one of the major economic sectorsin the city, but production had dwindled to levels inferior to those of the middle years of the century because ...

This paper shows how Francesco Sansovino’s visual strategies for presenting Dante’s Commedia contribute to our knowledge about the publication and reception of Dante’s works in the mid-sixteenth century. Current scholarship ...

This article looks at Digital Humanities methods applied in Digital Art History. The aim of this article is to give a first introduction to DH methods and to distinguish between the two directions in DAH, one that is ...

In the increasingly polarized historiography of the printing industry of Venice, the workshop established by Giovanni Andrea Vavassore around 1515 offers a refreshing perspective on the role of the minor publisher in the ...

Information and Communications Technologies, and more specifically online digital media, are revolutionizing the ways to produce and disseminate scientific knowledge. Humanities and social sciences -art history among them- ...

This text can be considered among a number of recent statements regarding digital art history. It serves as a contribution to an ongoing discussion, certainly not as an exhaustive analysis of the field or its history. The ...

This paper addresses the interpretability of deep learning-enabled image recognition processes in computer vision science in relation to theories in art history and cognitive psychology on the vision-related perceptual ...

Albrecht Dürers zahlreiche Selbstdarstellungen zeugen von der steten Bemühung des Nürnbergers, in seiner Kunst persönliche Präsenz zu wahren. Diesem Zwecke diente auch das wohlbekannte Dürer-Monogramm, welches der Künstler ...

The LANIAC (Laboratorio di analisi non invasive su opere d’arte antica, moderna e contemporanea) of the University of Verona (Italy) and the CAEM (Centre d’Art d’Època Moderna) of the University of Lleida (Spain), two ...