RSS 1.0Ausgabe 2016.3 / Ostblick
Redaktion: Aleksandra Lipińska (in collaboration with Stéphanie Baumewerd)
Ausgabedatum: 23.10.2016
The current issue of Ostblick contains articles by six young scholars from Germany, Poland, Great Britain and Czech Republic who in 2015 took part in the scholarship programme “Mobility of artists in Central and Eastern Europe between 1500 and 1900”. This programme, organised in cooperation with the Institute of Art History and Historical Urban Studies at the Technische Universität Berlin and the Institute of Art History at the Jagiellonian University in Cracow, was financed by the Polish-German Foundation for Research. The three-month fellowship, intended as a way of stimulating contacts between researchers from different countries working on the mobility of artists in Central and Eastern Europe, was taken up with discussions on the projects, workshops and meetings with experts, and individual research. Considerable attention was devoted to critical discussion of the methods employed in the rapidly developing field of “mobility studies”.
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2016-10-23ZeitschriftenartikelMobility of artists in Central and Eastern Europe between 1500 and 1900 [Foreword and content]
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2016-10-23ZeitschriftenartikelItaly too sweet Traveling was an important part of artistic education for many landscape painters in late imperial Russia, and the St Petersburg Academy of Arts devoted considerable funds for travel scholarships for its most excellent ...
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2016-10-23ZeitschriftenartikelReproducing il primo quadro del mondo Fedor Iordan (1800-1883) spent more than twenty years in Europe studying printmaking as a pensioner of the Russian Imperial Academy of Arts: first in Paris, then in London, and finally, from 1835 in Rome, where he embarked ...
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2016-10-23ZeitschriftenartikelKuntze/Chuntze/Konicz in the Casino Borghese, and the identity-alterity of the artist This paper scrutinizes the medallions, which were created by Taddeus (Tadeusz) Kuntze in the mid-1780s, for the Casino Borghese, one of the first modern museums, in Stanza di Ercole, Rome. In terms of the iconographic ...
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2016-10-23ZeitschriftenartikelHans von Kulmbach in Poland In the mid-19th century, a certain case of artistic mobility in the early Renaissance entered the agenda of Polish, and subsequently German, antiquarianism and art history. The artist in question was the presumed student ...
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2016-10-23ZeitschriftenartikelBetween “Silesiae metropolim” and “Quasi centrum Europae” Although several scholars have explored the issue of commercial and artistic relationships between Nuremberg and Breslau, the multidimensional phenomenon of artists’ mobility between the banks of the Pegnitz and the Oder ...
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2016-10-23ZeitschriftenartikelGeorg Pencz Both the mobility of artists and the mobility of artworks are discussed based on the example of Georg Pencz, who rose to become Nuremberg’s leading painter following the death of Albrecht Dürer. Becoming an “honourable ...
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2016-10-23ZeitschriftenartikelEditorial
