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2011-07-27Zeitschriftenartikel DOI: 10.18452/6858
Untitled Public Lecture
dc.contributor.authorScipio, Agostino Di
dc.contributor.editorSchröder, Julia
dc.date.accessioned2017-06-16T12:18:48Z
dc.date.available2017-06-16T12:18:48Z
dc.date.created2011-07-18
dc.date.issued2011-07-27
dc.identifier.urihttp://edoc.hu-berlin.de/18452/7510
dc.description.abstractIn the lecture transcribed here, Di Scipio commented on one of his sound installations, Condotte Pubbliche (public conducts), at the time being featured in his solo exhibition “sound. self. other”, at the Galerie Mario Mazzoli, in Berlin. In rather informal terms, the lecture describes that particular work as an “ecosytemic construction”. It overviews the real-time and room-depedent process, evidencing differences and similarities with previous of Di Scipio's works. The artist also rhapsodically touches upon a number of more general implications of aesthetic and ethical-technological (political) nature.eng
dc.language.isoger
dc.publisherHumboldt-Universität zu Berlin
dc.subjectmusiceng
dc.subjectaudible ecosystemicseng
dc.subjectecosystemseng
dc.subjectsound installationeng
dc.subjectcondotte pubblicheeng
dc.titleUntitled Public Lecture
dc.typearticle
dc.subtitleSound Installation as Ecosystemic Construction
dc.identifier.urnurn:nbn:de:kobv:11-100189625
dc.identifier.doihttp://dx.doi.org/10.18452/6858
local.edoc.container-titleSOUND – SYSTEM – THEORY: Agostino di Scipio's Work between Composition and Sound Installation. Proceedings of the international conference, 21 and 22 March 2011, Berlin (Universität der Künste Berlin, Sound Studies)
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2011
local.edoc.container-issue3
local.edoc.container-firstpage2
local.edoc.container-erstkatid2063498-5

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