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2011-07-27Zeitschriftenartikel DOI: 10.18452/6861
Aesthetics of Agostino Di Scipio’s Ecosystems
dc.contributor.authorSolomos, Makis
dc.contributor.editorSchröder, Julia
dc.date.accessioned2017-06-16T12:20:38Z
dc.date.available2017-06-16T12:20:38Z
dc.date.created2011-07-18
dc.date.issued2011-07-27
dc.identifier.urihttp://edoc.hu-berlin.de/18452/7513
dc.description.abstractThis paper proposes a deleuzian-guattarian reading of Agostino Di Scipio’s aesthetics, putting into parallel lines some characteristics of his music with ideas from Deleuze’s and Guattari’s Thousand plateaus. It starts with the granular paradigm and its peculiar use from Di Scipio, and it compares it to the deleuzian-guattarian concept of “molecular becoming”. Then, starting this time from a deleuzian-guattarian concept, the concept of becoming, it develops the idea of emergence, one of Di Scipio’s major ideas. Finally, it shows that Di Scipio’s critic of sound can be compared with the concept of deterritorialisation, which is one of Thousand plateaus’ most important concepts.eng
dc.language.isoger
dc.publisherHumboldt-Universität zu Berlin
dc.subjectmusiceng
dc.subjectaestheticseng
dc.subjectDeleuzeeng
dc.subjectGuattarieng
dc.subjectMille plateauxeng
dc.subjectThousand plateauseng
dc.subjectAgostino di Scipioeng
dc.subjectsound arteng
dc.titleAesthetics of Agostino Di Scipio’s Ecosystems
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-100189514
dc.identifier.doihttp://dx.doi.org/10.18452/6861
local.edoc.container-titleSOUND – SYSTEM – THEORY: Agostino di Scipio's Work between Composition and Sound Installation. Proceedings of the international conference, 21 and 22 March 2011, Berlin (Universität der Künste Berlin, Sound Studies)
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2011
local.edoc.container-issue3
local.edoc.container-firstpage6
local.edoc.container-erstkatid2063498-5

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