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2009-05-15Zeitschriftenartikel DOI: 10.18452/7270
Kunst-Peripherie mitten im Zentrum?
dc.contributor.authorHengst, Lutz
dc.contributor.editorHengst, Lutz
dc.contributor.editorHoge, Kristina
dc.contributor.editorKant, Christiane
dc.date.accessioned2017-06-16T14:29:45Z
dc.date.available2017-06-16T14:29:45Z
dc.date.created2009-05-25
dc.date.issued2009-05-15
dc.identifier.urihttp://edoc.hu-berlin.de/18452/7922
dc.description.abstractThe following article tries to exemplify how a certain way of referring to art, situated in so called interior peripheries, may become a paradigm of an understanding of contemporary art which is sensitive to its special location and moreover ethnologically inspired. For that reason it focuses on artworks - by Joseph Beuys, Jenny Holzer and further artists - which are to be found in the green surroundings of a somehow inconspicuous, somehow exposed city in the heart of Germany.ger
dc.language.isoger
dc.publisherHumboldt-Universität zu Berlin
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectPeripherieger
dc.titleKunst-Peripherie mitten im Zentrum?
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-10097918
dc.identifier.doihttp://dx.doi.org/10.18452/7270
local.edoc.container-titleGegenwartskunst und Peripherie
local.edoc.article-categoryGegenwartskunst und Peripherie
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2009
local.edoc.container-issue2
local.edoc.container-erstkatid2063498-5

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