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2011-03-30Zeitschriftenartikel DOI: 10.18452/7309
Hüllen des verlorenen Selbst. Kleidung als Vergänglichkeitssymbol in Spur-Kunst und Alltagskultur.
dc.contributor.authorHengst, Lutz
dc.contributor.editorHoge, Kristina
dc.contributor.editorHengst, Lutz
dc.contributor.editorSoell, Nadine
dc.contributor.editorKant, Christia
dc.date.accessioned2017-06-16T14:40:16Z
dc.date.available2017-06-16T14:40:16Z
dc.date.created2011-03-30
dc.date.issued2011-03-30
dc.identifier.urihttp://edoc.hu-berlin.de/18452/7961
dc.description.abstractThe article is firstly based on the idea that clothes and textiles potentially tend to introduce a subtle discourse shaped by symbols of the individual's disappearance and, secondly, that this discourse arises in contemporary art as well as in popular culture. Especially commemorative subcultures and art works by those artists who are working with materials that display traces exemplify this potential.ger
dc.language.isoger
dc.publisherHumboldt-Universität zu Berlin
dc.subjectKleidungger
dc.titleHüllen des verlorenen Selbst. Kleidung als Vergänglichkeitssymbol in Spur-Kunst und Alltagskultur.
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-100184611
dc.identifier.doihttp://dx.doi.org/10.18452/7309
local.edoc.container-titleBesessene Bilder und Objekte
local.edoc.article-categoryBesessene Bilder und Objekte
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2011
local.edoc.container-issue1
local.edoc.container-firstpage1
local.edoc.container-erstkatid2063498-5

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