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2014-10-15Zeitschriftenartikel DOI: 10.18452/7566
In the Name of Brâncuşi: Complexes, Projections, and Historical Symptoms
dc.contributor.authorGhiu, Daria
dc.contributor.editorKapustka, Mateusz
dc.date.accessioned2017-06-16T15:53:33Z
dc.date.available2017-06-16T15:53:33Z
dc.date.created2014-10-16
dc.date.issued2014-10-15
dc.identifier.urihttp://edoc.hu-berlin.de/18452/8218
dc.description.abstractThis essay focuses on a specific case study: the rela- tionship between the Romanian artist Constantin Brâncuşi and the Venice Biennale. In a broader sense, the paper analyzes how notions such as nationalism are configured through an artistic personality who had (and still has) a tense affiliation to Romanian culture, Brâncuşi's place of origin. Being rather a report on a phenomenon that is still active in the contemporary local mentality, this analysis focuses on different types of situations that the art historian encounters when looking at Brâncuşi's presence in the context of the national representation at an international art event such as the Venice Biennale, during a longer period of time, between 1924 and 2013. It explores the official art history, as well as an alternative one which is characterized by the notion of potential.eng
dc.language.isoeng
dc.publisherHumboldt-Universität zu Berlin
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectVenice Biennaleeng
dc.subjectStefan Tironeng
dc.subjectRomanian Pavilioneng
dc.subjectReception of Brancusieng
dc.titleIn the Name of Brâncuşi: Complexes, Projections, and Historical Symptoms
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-100220688
dc.identifier.doihttp://dx.doi.org/10.18452/7566
local.edoc.container-titleMythmaking Eastern Europe: Art in Response
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2014
local.edoc.container-issue3
local.edoc.container-firstpage6
local.edoc.container-erstkatid2063498-5

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