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2016-01-20Zeitschriftenartikel DOI: 10.18452/7568
Marxism in Czech art history 1945–1970
dc.contributor.authorBartlová, Milena
dc.contributor.editorBernhardt, Katja
dc.contributor.editorKempe, Antje
dc.date.accessioned2017-06-16T15:54:35Z
dc.date.available2017-06-16T15:54:35Z
dc.date.created2016-01-19
dc.date.issued2016-01-20
dc.identifier.urihttp://edoc.hu-berlin.de/18452/8220
dc.description.abstractCzechoslovakia was subject to authoritarian rule of the Communist Party since 1948 and any research had to comply with Marxism-Leninism as the sole acceptable scientific method. Czech art history (as different form art criticism) lacked any experience with Marxism. Around and after 1950, there continued the quest for a method that would be both compatible with the scholarly tradition following the Vienna School and acceptable to the ideologues of the political regime. Jaromír Neumann found the best result in his invention of “formalist iconology” around 1960: a strange hybrid of Panofsky’s post-war iconology and the late Dvořák’s “spiritual art history” has served Czech art history well until today.eng
dc.language.isoger
dc.publisherHumboldt-Universität zu Berlin
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectIkonographieger
dc.subjectKunstgeschichteger
dc.subjectTschechoslowakeiger
dc.subjectGeschichte der Kunstgeschichteger
dc.subjectMarxismusger
dc.titleMarxism in Czech art history 1945–1970
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-100235581
dc.identifier.doihttp://dx.doi.org/10.18452/7568
local.edoc.container-title(Dis)Kontinuitäten. Kunsthistoriografien im östlichen Europa nach 1945
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2015
local.edoc.container-issue4
local.edoc.container-firstpage5
local.edoc.container-erstkatid2063498-5

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