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2016-10-23Zeitschriftenartikel DOI: 10.18452/7576
Hans von Kulmbach in Poland
dc.contributor.authorSitek, Masza
dc.contributor.editorBaumewerd), Aleksandra Lipińska (in collaboration with Stéphanie
dc.date.accessioned2017-06-16T15:56:35Z
dc.date.available2017-06-16T15:56:35Z
dc.date.created2016-10-21
dc.date.issued2016-10-23
dc.identifier.urihttp://edoc.hu-berlin.de/18452/8228
dc.description.abstractIn the mid-19th century, a certain case of artistic mobility in the early Renaissance entered the agenda of Polish, and subsequently German, antiquarianism and art history. The artist in question was the presumed student of Albrecht Dürer, Hans Suess von Kulmbach (d. 1522), whose name was eventually linked to a number of high-quality paintings dispersed among Cracow churches and private collections. At the same time, a controversy erupted over the supposition that the painter behind the masterpieces had resided in Cracow and developed manifold relationships with the local milieu. In the face of scarce and inconclusive evidence, the answers successively offered in the debate have proven closely dependent on changing methodological as well as political factors.eng
dc.language.isoeng
dc.publisherHumboldt-Universität zu Berlin
dc.subjectEarly Modern Timeseng
dc.subjectCracoweng
dc.subjectArt Historyeng
dc.subjectHans von Kulmbacheng
dc.subjectArt Historiographyeng
dc.titleHans von Kulmbach in Poland
dc.typearticle
dc.subtitleOn the writing of the story
dc.identifier.urnurn:nbn:de:kobv:11-100241462
dc.identifier.doihttp://dx.doi.org/10.18452/7576
local.edoc.container-titleMobility of artists in Central and Eastern Europe between 1500 and 1900
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2016
local.edoc.container-issue3
local.edoc.container-firstpage4
local.edoc.container-erstkatid2063498-5

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