Logo of Humboldt-Universität zu BerlinLogo of Humboldt-Universität zu Berlin
edoc-Server
Open-Access-Publikationsserver der Humboldt-Universität
de|en
Header image: facade of Humboldt-Universität zu Berlin
View Item 
  • edoc-Server Home
  • Elektronische Zeitschriften
  • kunsttexte.de - E-Journal für Kunst- und Bildgeschichte
  • Ostblick
  • Ausgabe 2016.3 / Ostblick
  • View Item
  • edoc-Server Home
  • Elektronische Zeitschriften
  • kunsttexte.de - E-Journal für Kunst- und Bildgeschichte
  • Ostblick
  • Ausgabe 2016.3 / Ostblick
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.
All of edoc-ServerCommunity & CollectionTitleAuthorSubjectThis CollectionTitleAuthorSubject
PublishLoginRegisterHelp
StatisticsView Usage Statistics
All of edoc-ServerCommunity & CollectionTitleAuthorSubjectThis CollectionTitleAuthorSubject
PublishLoginRegisterHelp
StatisticsView Usage Statistics
View Item 
  • edoc-Server Home
  • Elektronische Zeitschriften
  • kunsttexte.de - E-Journal für Kunst- und Bildgeschichte
  • Ostblick
  • Ausgabe 2016.3 / Ostblick
  • View Item
  • edoc-Server Home
  • Elektronische Zeitschriften
  • kunsttexte.de - E-Journal für Kunst- und Bildgeschichte
  • Ostblick
  • Ausgabe 2016.3 / Ostblick
  • View Item
2016-10-23Zeitschriftenartikel DOI: 10.18452/7577
Kuntze/Chuntze/Konicz in the Casino Borghese, and the identity-alterity of the artist
Nitka, Maria
This paper scrutinizes the medallions, which were created by Taddeus (Tadeusz) Kuntze in the mid-1780s, for the Casino Borghese, one of the first modern museums, in Stanza di Ercole, Rome. In terms of the iconographic program of the Casino Borghese, the images of musicians portrayed in the medallions relate to the idea of an artist identifying to a cultural field other than the “classical” one. In fact, the medallions present a distinctive strategy of fostering a broadening definition of the artist, who until then was defined in national terms as Polish or German. In the context of the scuola romana, these medallions will be interpreted as a mark of the artist’s “alterity” in eighteenth-century Rome.
Files in this item
Thumbnail
nitka.pdf — Adobe PDF — 2.799 Mb
MD5: fbf3b021b5e2faa989acce797310a91b
Cite
BibTeX
EndNote
RIS
InCopyright
Details
DINI-Zertifikat 2019OpenAIRE validatedORCID Consortium
Imprint Policy Contact Data Privacy Statement
A service of University Library and Computer and Media Service
© Humboldt-Universität zu Berlin
 
DOI
10.18452/7577
Permanent URL
https://doi.org/10.18452/7577
HTML
<a href="https://doi.org/10.18452/7577">https://doi.org/10.18452/7577</a>