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2010-09-02Zeitschriftenartikel DOI: 10.18452/7594
Narrativity and Historicism in National Socialist Art
dc.contributor.authorRanta, Michael
dc.contributor.editorGleis, Ralph
dc.contributor.editorEilers, Silke
dc.date.accessioned2017-06-16T16:02:09Z
dc.date.available2017-06-16T16:02:09Z
dc.date.created2010-09-02
dc.date.issued2010-09-02
dc.identifier.urihttp://edoc.hu-berlin.de/18452/8246
dc.description.abstractIn this paper, I intend to outline and discuss some aspects of pictorial historical narration, more specifically with regard to National Socialist art and its implicit rendering of temporal and historical processes. Certainly in many artworks from that period a future orientation, towards an ideal political, social and ethnic (or racial) state of affairs, seems to have been prevalent, partially by rendering present states or actions pointing to or enhancing its fulfilment. Still, the realization of this utopian state is frequently supposed to receive its legitimacy by referring to an assumed, more or less constructed historical past, e.g. Antiquity or the Middle Ages. Hence past, present and future become to some extent fused, though revealing a linear image of time considered to be unidirectional and irreversible. Influenced by e.g. the works of Roger Griffin, I shall suggest that fascism, of which National Socialism can be seen as a subcategory, might be circumscribed as some kind of ‘palingenetic populist ultra-nationalism’. Officially sanctioned art produced during the Third Reich seems, as I will attempt to show in concluding this paper, to be in line with the idea of palingenetic populist ultra-nationalism. Although I have attempted to treat and examine these topics as value neutral and ‘clinical’ as possible (which probably is required by a serious academic paper), this should by no means be interpreted as an (implicit) attempt to legitimize National Socialist ideology. My aim is certainly not to belittle or palliate the seriousness of the matter, nor indeed the actual atrocities committed by the Nazi regime and its followers. Neither should the quite repugnant and despicable implications of National Socialist ideology in its cultural manifestations, such as in works of art, be underestimated. Thus I, as the author, clearly wish to distance myself from any of the standpoints put forward by various representatives of National Socialist thinking, as here outlined.eng
dc.language.isoger
dc.publisherHumboldt-Universität zu Berlin
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectNationalsozialismusger
dc.subjectFaschismusger
dc.titleNarrativity and Historicism in National Socialist Art
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-100174354
dc.identifier.doihttp://dx.doi.org/10.18452/7594
local.edoc.container-titleKunst und Faschismus.Visuelle Strategien und künstlerische Aufarbeitung
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2010
local.edoc.container-issue3
local.edoc.container-firstpage6
local.edoc.container-erstkatid2063498-5

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