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2015-09-23Zeitschriftenartikel DOI: 10.18452/7690
In a Material World. Il Rinascimento in America da Henry Clay Frick a Andy Warhol
dc.contributor.authorTrotta, Antonella
dc.contributor.editorDressen, Angela
dc.contributor.editorGramatzki, Susanne
dc.date.accessioned2017-06-16T16:28:21Z
dc.date.available2017-06-16T16:28:21Z
dc.date.created2015-09-21
dc.date.issued2015-09-23
dc.identifier.urihttp://edoc.hu-berlin.de/18452/8342
dc.description.abstractWhat makes the Renaissance cultural capital? The paper will highlight the process of defining the image of Renaissance as an important and durable part of public history in the USA in the twentieth century. In the collections of the tycoons of the American Renaissance, in the Lochoff Cloister and in Andy Warhol's Details of Renaissance Painting series, the Renaissance artifacts constitute a material legacy to be admired, copied, publicized, invented and which create ad re-create the American past and present.eng
dc.language.isoita
dc.publisherHumboldt-Universität zu Berlin
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectLochoff Cloisterger
dc.subjectAndy Warholger
dc.subjectAmerican Renaissanceger
dc.subjectFrick Art Museumger
dc.subjectBernard Berensonger
dc.titleIn a Material World. Il Rinascimento in America da Henry Clay Frick a Andy Warhol
dc.typearticle
dc.identifier.urnurn:nbn:de:kobv:11-100232207
dc.identifier.doihttp://dx.doi.org/10.18452/7690
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
dc.identifier.zdb2063498-5
dcterms.bibliographicCitation.journaltitleExhibiting the Renaissance
dcterms.bibliographicCitation.volume2015
dcterms.bibliographicCitation.issue3
dcterms.bibliographicCitation.pagestart7

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