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2005-12-15Zeitschriftenartikel DOI: 10.18452/7860
„So besch***en, dass man es kaum glauben möchte“
dc.contributor.authorVonderau, Patrick
dc.contributor.editorHenningsen, Bernd
dc.contributor.editorNybom, Thorsten
dc.contributor.editorSchröder, Stephan Michael
dc.contributor.editorWulff, Reinhold
dc.date.accessioned2017-06-16T17:28:37Z
dc.date.available2017-06-16T17:28:37Z
dc.date.created2009-10-14
dc.date.issued2005-12-15
dc.identifier.urihttp://edoc.hu-berlin.de/18452/8512
dc.description.abstractThis paper discusses Swedish-German film relations in the 1920s, focusing primarily upon the marketing policies of the German production company Trianon Film AG This study exemplifies “European” film marketing of the time, including its many difficulties. The final section of the paper presents new evidence to help answer the question: “why did Greta Garbo not become a German movie star?” This new evidence is linked to the feature film project "Die Odaliske von Smolny", a project which Trianon began to work on in 1924, but which was never completed.eng
dc.language.isoger
dc.publisherHumboldt-Universität zu Berlin
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/
dc.subjectFilm & Medienger
dc.subjectPopulärkulturger
dc.subjectSchwedenger
dc.subjectWirtschaftger
dc.subjectEconomicseng
dc.subjectFilm & Mediaeng
dc.subjectPopular Cultureeng
dc.subjectSwedeneng
dc.title„So besch***en, dass man es kaum glauben möchte“
dc.typearticle
dc.subtitleGreta Garbo und die Widrigkeiten der deutschen Filmproduktion, 1924
dc.identifier.urnurn:nbn:de:kobv:11-100248511
dc.identifier.urnurn:nbn:de:kobv:11-100100739
dc.identifier.doihttp://dx.doi.org/10.18452/7860
local.edoc.article-categoryAufsatz
local.edoc.type-nameZeitschriftenartikel
local.edoc.container-typeperiodical
local.edoc.container-type-nameZeitschrift
local.edoc.container-volume2005
local.edoc.container-issue2
local.edoc.container-firstpage7
local.edoc.container-lastpage23
local.edoc.container-erstkatid2261146-0

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